Premiere Pro und Iphone 16 Pro

You are not using the new color management controls as you need to do. You will get at export what those controls are currently set to do.

Color Workspace - Lumetri panel - SETTINGS tab, the one named Settings

For nearly everyone in most workflows ...

Turn on Display Color Managment, Extended Dynamic Range (if on a Mac), auto detect log, and auto tonemapping. 

In General At This Time

I recommend using SDR/Rec.709 sequence color space and exports, as there are not that many screens out there that handle HDR correctly ... yet. And use only presets that match the Sequence CM, so for SDR/Rec.709 workflows, no presets with the HLG or PQ bits in the preset name.

"Gamma" Issues between Macs without Reference modes (set to HDTV) and All Other Screens

SDR/Rec.709 standards require a display transform of essentially gamma 2.4 for all Rec.709/SDR video.

On Macs without Reference Modes Apple uses gamma 1.96. An unfortunate decision on the part of Apple.

You cannot make a file that displays the same on two widely different display transforms.

You can check this if you're on a Mac without Reference modes. Use QuickTime Player, or Chrome or Safari browsers. Then watch the same video on VLC or Potplayer players, and Firefox browser.

As VLC, Potplayer, and Firefox will normally show the gamma 2.4 display transform. Even on Macs without Reference modes.

Premiere Viewing Gamma Settings

Gamma 1.96/Quicktime will use a display transform for the Program monitor that closely simulates the Mac-without-Reference-Mode image. Use that if all you care about is how your final product looks on those screens.

Gamma 2.2/Web is the one most users should be using ... not because of "web"!!!! ...  because unless you are working in a very darkened room, as pro colorists do, you are required by the standard to use a screen with display transform of 2.2 while 'grading' ... doing color/tonal work.

This will get you the closest middle ground across screens out there.

Gamma 2.4/Broadcast should only be used when grading in a very dark, near black, room, with a bias light on the wall behind the monitor, as laid out in the specs for professional grading environments.

HDR Workflows

If you do choose to work in HDR, probably stick with HLG unless for professional deliverables. Set the Color Management settings as above, but select HLG for the Sequence color space. Set the Lumetri Scopes to HDR and probably 10 bit. And only use export presets with HLG in the preset name.

Hallo Michael,

bei HDR-Videos wirken die Farben oft etwas flacher. Das liegt daran, dass verschiedene Belichtungen aufgezeichnet und anschließend zu einem Bild mit höherem Dynamikumfang zusammengeführt werden. Dadurch hast du Zeichnung auch in Bereichen, die sonst vielleicht überstrahlen würden.

Um das zu optimieren, geh einfach in den Lumetri-Farbe-Effekt und aktiviere dort "Automatisch". Das sollte die Anpassung automatisch vornehmen.

Viel Erfolg! 😊

Color management in Premiere Pro

Tone mapping in Premiere Pro