Skip to main content
Inspiring
January 10, 2025
Answered

Proxies of variable frame rate footage

  • January 10, 2025
  • 3 replies
  • 976 views

Do proxies not play back well if the source footage is variable frame rate? I have an old GoPro clip in a 23.976 fps sequence. When I turn on the proxy, it doesn't play back well. The original GoPro footage says it's 30.01 fps (which makes me think variable frame rate). The proxy is 30 fps ProRes Proxy.

 

The same thing happens with screen record footage for which proxies were made. 

Correct answer Warren Heaton

@KazuTa 

Transcoding from variable frame rate to constant frame rate is straightforward.  There's not really anything to mess up.

 

Have a conversation with your online team about how they want the source footage handled.  It's my experience that anything incorrect about a file means the file gets kicked back.  The frame rate, the scan method, the frame size, the CODEC, and audio settings should be correct.  If you're not sure about the settings you're using, send a test file.  If a spec sheet seems unclear (they're not always well written and sometimes include too much), ask for a file that's at the correct settings that can be used for comparison.

 

For broadast in the United States, all footage that goes to an online team should be at a correct frame rate (constant 29.97 or constant 23.976).  And an effort is made to not mix these frame rates in the same Timeline.

 

 

- Warren

 





.

3 replies

Participant
September 26, 2025

Yeah, variable frame rate footage can cause sync and playback issues with proxies. Converting clips to constant frame rate before making proxies usually fixes it, especially with GoPro or screen recordings that don’t match the timeline’s frame rate.

KazuTaAuthor
Inspiring
September 26, 2025

If it's something that's going to broadcast, we typically leave it VBR and let our online vendor address it, as converting it without knowing exactly what one is doing can introduce weird artifacting.

R Neil Haugen
Legend
September 26, 2025

Interesting. Huh. I've converted a lot of  VFR to CFR without ever seeing any artifacts from that ... though long-GOP stuff is prone to artifacting. I've used both Handbrake and ShutterEncoder for the process. Both are 'fronts' for ffmpeg, of course.

 

Changing bitrates ... going from VBR to CBR, might induce something though. But again, I've done a fair amount without issues. Simply because I haven't paid attention to what the VBR/CBR is on ingesting.

Everyone's mileage always varies ...
MyerPj
Community Expert
Community Expert
January 10, 2025

Try running it thru Shutter Encoder, and instead of a Proxy for this file, just create a ProRes file from it, in CFR. 

https://www.shutterencoder.com/en/

ProRes LT might even work well, depending on the bit rates you prefer.

KazuTaAuthor
Inspiring
January 11, 2025

Ironically, we're going to just use the raw footage as "proxies" and let our online vendor do the frame conversion after turnover.

R Neil Haugen
Legend
January 10, 2025

It can be an issue. For that I'd go to Handbrake or ShutterEncoder with the original clip, and force creation of a CFR encoding. Replace the VFR in Premiere with that CFR clip.

Everyone's mileage always varies ...
KazuTaAuthor
Inspiring
January 10, 2025
This will eventually be delivered for broadcast. Would it be better to let online handle the frame conversion?
Ann Bens
Community Expert
Community Expert
January 10, 2025

Screenrecording is known for having VFR

If this project is for broadcast you dont want to mess with vfr.

What do you mean by letting online handle the frame conversion.

Use mediainfo to check the frame rate mode (post screenshot in treeview)

MediaInfo