Proxy files made in Premiere now add a color correction

Forum|Forum|3 years ago
March 19, 2022
2 replies
7145 views

In Premiere Pro V 22.2.0, when I batch create Proxy files, the proxy files now have a color correction on them. The original files should be flat. I am not sure if a LUT is being added somewhere, but I see no place to instruct it to add a LUT or not.

For obvious reasons, I want the proxy file color to match the original MXF files.

This topic has been closed for replies.

F

Fozycrozy

Participating Frequently

This might be a dumb question, but does this feature work in Premiere for any proxy? I'm not very well versed in this topic, but I roughly understand how the color correction referred to in the main post should look. I use this proxy if it matters https://soax.com/german-web-proxy.I would be grateful if someone could help me understand or direct me to some manual so I can read it myself. Thank you!

R Neil Haugen

Legend

Not sure what you're wanting to do, and I have no clue what those proxys you list a link to are.

So telling us what you're wanting to do, and the format/codec of the proxies involved, would help.

Neil

Everyone's mileage always varies ...

J

John V Knowles

Community Expert

Are you using an M1 Mac?

Are you using the Create Proxies command within Premiere or did you create your own preset in Encoder?

-------------------------------------------------------------------------JVK | Editor/Designer/Software Instructor. Pr, Ae, Ch, Ps, Ai, Id

A

anthony_gcAuthor

Inspiring

iMac 2019. Never this issue.

I've detached proxy files and rebooted the software. Now the uncompressed files are automatically adding a LUT within Premiere. I wonder if Premiere is adding this automatically somewhere based on a file that was included with the MXF files. If so, I need to disable it. Here's an image of source, program, and color window where one can see no color has been added, yet there is an obvious difference.

A

anthony_gcAuthor

Inspiring

i'm not sure if you have to remake the proxies to trigger the color update. hopefully someone can test it out and report back.

I figured it out. I'm not sure why, but upon import, the files came through with ’Sony S-Log3/S-Gamut3’ for color management. The even weirder part is the color adjustment only shows up in the program monitor. The source monitor the colors are flat.

I have to go right click and select 'Interpret Footage' and deselect "Use Media Color Space from file: Sony S-Log3/S-Gamut3.che

Then select 'Color Space Override and pick Rec. 709.

That fixes it. Before & After images attached.... I hope this helps someone. 🙂

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