Shoot 29.97i or convert for deliverable?

Forum|Forum|2 years ago
October 2, 2023
4 replies
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I have a proposed upcoming project under early discussions. It's for a non-profit, where the more likely destination is client web use. But, if possible, it would be pitched to public TV.

Local public uses NPB standards, everything in 29.97i drop-frame. Of course that's 59.94.

That would not be my primary choice to shoot in. But I know a workable practice has been shoot 24p, edit, then take to Ae and do 3:2 pull-down.

Is that still the best thing, other than shooting in interlaced?

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R Neil HaugenAuthor

Legend

Thanks for those responding ... but perhaps I'd also like @Jarle Leirpoll , @Warren Heaton10841144 , and @Michael Grenadier to opine? I do like a range of experienced thoughts. The more the merrier ...

Everyone's mileage always varies ...

M

Michael Grenadier

Legend

Just finished a pbs cutdown. I was told to deliver 29.97, but the piece was mastered as 24p Gonna see if 24p will be accepted... I've mentioned this to the client, but as usual, radio silence. Not sure what the best way to add pulldown to make it 29.97... If I remember correctly not a simple process to get the best quality, bwdik...

Remote Index

Michael Grenadier,

Just a quick note to draw attention to the fact that the linked process (by Warren re: After Effects) assumes a 23.98 original. There's no speed change happening in After Effects, so you'd still need to get your 24fps orig to 23.98fps before the AE process. (Unless there's something in AE to address that which I'm not aware of.)

R.

Remote Index

Hello R Neil Haugen,

I think your proposed workflow is best and will give you most long term flexibility.

I suggest shooting 23.98p or 29.97p and doing a conversion at the end or their specific delivery requirements. (I haven't used AE to do conversions before.)

R.