Welcome Dialog

Welcome to the Community!

We have a brand new look! Take a tour with us and explore the latest updates on Adobe Support Community.


SLog3 footage coming in with LUT applied, unable to change or remove.

Participant ,
Oct 31, 2021 Oct 31, 2021

Copy link to clipboard

Copied

I recently update to Premiere 2022, and now I am unable to grade ir color correct any footage I import from my Sony FX6. The clips are SLog3. When I import them into Premiere, they have the appearance of a LUT already having been applied (I assume rec709, as that it about hwo I expect them to look). However, if I click on any clip, and interpret footage, Premiere claims no LUT has been applied. Oddly enough, if I open any of the source clips, they appear correct (flat, with no color grading applied). But if I bring them into the timeline, they become just like all the others, with the colors changed. Source tab for any clips in the effects window is completely empty, so there is no LUT there to remove.

 

Especially frustrating is that I CANNOT change/grade/color correct any of the clips beyond how Premiere imports them. Not adjustments in Lumetri have any impact. I don't feel like I am doing anything incorrectly here, but perhaps there is something I am overlooking about how this works in the new version? I did everything exactly the same in the previous version, and had zero issues like this.

 

Specs:

Premiere 22.0.0

macOS Big Sur 11.2.1

iMac 27 inch 2019

Processor: 3.6 GHz 8-Core Intel Core i9

Memory:  64 GB 2400 MHz DDR4

Graphics: Radeon Pro Vega 48 8 GB

TOPICS
Error or problem, Import

Views

991

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Explorer ,
Oct 31, 2021 Oct 31, 2021

Copy link to clipboard

Copied

Im in the middle of the same issues digging for an answer.. its soa annoying because ill fix my timeline footage to look like the original clip then go to export and its brighter and the colours are different like there's another lut on it.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Participant ,
Nov 01, 2021 Nov 01, 2021

Copy link to clipboard

Copied

This sounds annoying, but also a different problem than I am experiencing. My clips have LUTs applied immediately upon importing, and I am unable to make any color changes to them.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
New Here ,
Nov 01, 2021 Nov 01, 2021

Copy link to clipboard

Copied

I'm having similar problems, I was doing an edit with SLog2 footage from FS7, FS5 and a6600. Updated Premiere to 2022 and now the FS5 footage looks like it has been graded or a LUT applied when added to a timeline. Screenshot is of the footage in Source window and program window. It also appears to be an issue in Media Encoder 2022 as well, the FS% SLog2 footage looks normal in browser but when you import it the colours change on it.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Participant ,
Nov 01, 2021 Nov 01, 2021

Copy link to clipboard

Copied

This seems to be the exact same issue I am experiencing.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
New Here ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Im experience the same issue. I already noticed this problem in Premire Pro Beta 1 Month ago, so I searched everywhere to find a solution but it seems that Premiere has a Bug here. I also have the problem with exporting a video. (With every other Codex like mp4) The exported Video look completly different than the footage in the timeline. (Much brighter and with less saturatuion). I hope Adobe fix this problem asap!!

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Adobe Community Professional ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Is the Input LUT set to None under the Color Mangement option in the Modify Clip dialog box?

Clip > Modify > Interpret Footege...

 

Color Management Input LUT set to None in the Modify Clip dialog boxColor Management Input LUT set to None in the Modify Clip dialog box

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Participant ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Yep, set to none.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Contributor ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

@Hecubus114 

In addition, in the same space, is the color space in use Rec 709 for the file?

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Participant ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Just as an update, I reverted back to Premiere 2021, and the issue is gone. So definitely seems to be a bug in 2022.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Adobe Community Professional ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Is this footage from a Sony AsIII?

 

In Premiere Pro v22 this footage may appear blown out due to metadata in the footage.  If that's the case, you'll probably want to override the color space to Rec. 709 in Modify > Interpret Footage.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
New Here ,
Nov 17, 2021 Nov 17, 2021

Copy link to clipboard

Copied

Hello - Just discovered I also had this issue today and what you suggested does work, i have to override the colorspace to Rec 709 to view my sLog footage (that does seem strange).

 

I am curious if there is a way to do this in bulk, as I'd rather not do this for the 300 clips I have to modify...


TIA.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Adobe Community Professional ,
Nov 17, 2021 Nov 17, 2021

Copy link to clipboard

Copied

Have you tried selecting several clips in a bin, Modify/Interpret footage?

 

I think you can do that with most clips. BRAW doesn't allow it, but most other things on my computer it works.

 

Neil

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Enthusiast ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

This feature has not been finalized by the developers. I've explained it more than once. In dynamic relations with AE and created compositions .

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Adobe Community Professional ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

When you say developers. do you mean Sony, Adobe, or Advanced Television Standards Committee?

 

 

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Enthusiast ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

We are talking about a product developed by Adobe. The worst update of all time.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Adobe Community Professional ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Thank you for clarifying.

 

The latest Premiere Pro is a point-zero release.  I don't know about you, but I find it helpful to wait for the .1 update at least which usually shows up not too long afterward.

 

That said, there's some really great features in both Premiere Pro and After Effects with this version that make waiting a little more challenging than usual.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Enthusiast ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Can you tell if there are many such releases with new features during the year? I would like to see them more often. But stable and productive. The product must and must become better

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Adobe Community Professional ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Worst update on some systems, perhaps ... but not at all on others. One of the frustrating things here. Some of us are getting great performance and some are getting cruddy. I've been on the other side of that before.

 

The changes to color management have caught many users off guard. So with some media, you need to check both the Modify/Interpret options in a bin and see what the sequence settings CM are set to. Prior to this release, very few formats had any CM in clip properties. Many do now.

 

And there wasn't a sequence CM setting before. There is now.

 

Between those two things, when PrPro chooses how to display the clip based on the meta it's reading, it may well get it wrong compared to what the user wants. Didn't have a possibility of happening before, but it does now because of improved user settable CM.

 

But it can be pretty confusing.

 

Coupled with the problems many are having with links between PrPro/Ae/Au, it can be right painful.

 

Neil

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Enthusiast ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

 

Coupled with the problems many are having with links between PrPro/Ae/Au, it can be right painful.

 

The function itself is really needed. This is the right decision. However, CM should have been implemented much earlier.The function itself is really needed. This is the right decision. However, CM should have been implemented much earlier. I am always for innovations and product development, the main thing is not to disrupt the work processes.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Adobe Employee ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Hercubus,

Sorry for the frustration. The new color management options are not a bug, but a feature. You'll be able to take better advantage of those options by adding an Input LUT at ingest and managing your Sequence Settings accordingly. Color management is s top requested feature from our users. I'm sorry we didn't do a good enough job in publicizing it.

 

Thanks,
Kevin

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Participant ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

If this is a feature and not a bug, please explain how input LUT is listed as "none" yet my clips' colors are still being altered, and I am unable to make any additional changes to color beyond those...

 

I'm all for color management improvements. I would like to be able to utilize those improvements.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Adobe Employee ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

Hi Hecubus,

Sorry about that. Not sure as I don't have access to all your settings, but it might have something to do with Sequence Settings. Have you checked out our new FAQ on the topic? https://community.adobe.com/t5/premiere-pro-discussions/faq-how-to-fix-saturated-over-exposed-hlg-cl...

 

See if that clears things up.

 

Thanks,

Kevin

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Participant ,
Nov 02, 2021 Nov 02, 2021

Copy link to clipboard

Copied

I have seen that FAQ, and it didn't help much in regards to what I am experiencing.

 

I have made some progress on this though... as suggested above by @Warren Heaton , if I change the clip's color space override to Rec. 709, this makes it appear how I expect it would when I import it (which, as a totally different topic, I do not understand at all - why doesn't using the S-Log3 color space from file make it look correct?)

 

HOWEVER... I am still unable to make ANY color adjustments to the clips. With any effects, Lumetri or other, that I have attempted.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Enthusiast ,
Nov 09, 2021 Nov 09, 2021

Copy link to clipboard

Copied

According to the function that translates SLOG/RAW formats into color management, I also did not see his work. The material did not show up and remained unprocessed. The only thing that works in this new function is its interpretation for the final output. The LUT usage mode does not work properly. I noticed that he applies it on the timeline when opening clip icons, BUT THE COLOR GRADATION IS NOT DISPLAYED IN THE PROGRAM MONITOR VIEWPORT.

Likes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
    • 1
    • 2