Source monitor showing V-LOG colors instead of Rec.709 when selected from bin

[Kees Veling]

When working with Panasonic V-Log the color space is automatically detected, but it only shows correctly in the program monitor, not in the source monitor.   Is this normal behavour? I would like to view Rec. 709 in the source monitor.

Note: when i double click a clip in the timeline to open it in the source monitor, the colors do show correctly.  When i double click a clip in the bin, they do not show correctly.

Timeline Color Space: Rec. 709

Video recorded in: Panasonic V-Log/V-Gamut
Color Space Override: Off
Input LUT: None
Video Codec Type: HEVC 10 bit 4:2:0 (Full Range)

Image Size: 3840 x 2160
Frame Rate: 50,00
Windows v.10.0.22631.1
Premiere 24.3.0 B 59
NVIDIA GeForce RTX 3080 v.31.0.15.5222

[R Neil Haugen]

The Source monitor is there to show ... the Source ...  right? So that's what it is showing.

Very often it is needed to be able to see "original" image versus the worked image. So what you're seeing is expected and needed behavior.

[Kees Veling]

I doubt that it is a feature not a bug. 

You cannot accurately set in and out points in the source monitor with footage in the wrong colorspace like log footage.  

There is an option to see the footage without colorspace transform in the lumetri panel, so if. You want to see this it is there allready in a logical place.

there is another reason that points to this being a bug. In the bin you select the proper color space transform if it is not automatically set. So if you doubleclick it it should show the source as it is in the bin. Just like other stuff you do in the bin like intepret footage and master effcts show up in the source monitor.

[R Neil Haugen]

As said before, that's "expected" designed behavior. Odd as it may seem to you.

For changing it, you should file an "Ideal" post here, say suggesting that we have the option for pre/post Source settings effects.