AI Upscale Premiere Pro

Try them both.

• 1) h.264 into Topaz to export to ProRes, then good to go.
• 2) Cnvt to ProRes as you are saying, then into Topaz to export again in ProRes.

For me 1 works best, saves a generation.

Thanks, so I guess I need to continue doing the my current process: exporting the noisy or "low"res clips from Premiere Pro as Prores 422 HQ and opening them in Topaz Video, doing the denoise / enhance there, exporting as another Prores 422 HQ file, and importing that to premier back to the timeline. I hope Topaz finishes soon devoliping the Premiere Pro plugin (they have a beta version for AE)

Once you are in ProRes, the problems become less. So, get your clips into that as soon as possible. Like any video processor, Topaz works better and quicker with ProRes files. I have some family 8mm footage I'm have scanned as we speak (for the third time, 1-sd, 2-hd (film chain) 3- LaserGraphics. Also a bunch of DV tapes from 8mm, 16mm and 3/4" video. I've just seen an h.264 of the Laser Graphics and they look very nice, good improvement. These guys are very cool: https://periscopefilm.com/telecine/

Hi Myer, thanks for the reply. My footage is normally in H264 8bit mp4 from my canon R6 and R7. I just recently started testing the Clog3 profile with H265 422 10bit. I edit my clips on Premiere Pro and just export individual clips that I find have too much noise. I assumed exporting in ProRess 422 HQ to then import in Topaz Video, would be better than exporting in the same h264 mp4 and import that in Topaz to then export it again (wither in the same h264, though topaz has less settings than premiere, or in proress 422 HQ). 
I will check Shutterencoder, thanks for the suggestion. So you are using Topaz for almost all your clips before editing them? 

A3, what's you're original footage?

I've been using Topaz for a couple years now, and I usually bring in my raw footage. Or, cut my clips without re-encoding using Shutter Encoder. Especially if I have h.264 footage, I tend to put that thru Topaz and create the ProRes in that program.

https://www.shutterencoder.com/en/

Hi! I also just bought Topaz Video AI (this cybermonday). What is your current workflow? I am exporting from Premiere Pro as Prores 422 HQ files short clips that have noise and opening them in Topaz Video, doing the denoise there and exporting as another Prores 422 HQ file, importing that to premiere and using that in the timeline to thenm export the complete video. It's very time consuming. Is there a better workflow?

Depends on what workflow you prefer. To have the two options - standalone or Plug-in would be the best of course !

Anyway, a bit of a non issue at present as the Plug In does not exist.

I have only just purchased Topaz Video Ai (V4 version) so still getting to grips with it.

Seems I have to upgrade my GPU (funds permitting one day) as processing time is slow on some algorithms .

I definitely prefer a standalone version, and I wish Neat had one.

I did suggest as an idea to Topaz Video to integrate it as a Plug In or Extension to Premiere Pro to make workflow much easier.

NEAT Video have a plug in drag and drop over Timeline footage to improve low light noise grain when High ISO is used.

This seems to work much better than the Premiere De-Noise built in feature.

Adobe doesn't have their own engine to do this. They have a concept project called Project ResUp. Whether that becomes something or not is a wait or see type of thing.