Submix audio tracks would benefit massively from features available to other tracks. There are two primary features I would love to see:
1. A psuedo clip function that locks any keyframing to the other tracks. For example if I have finished my edit and added a load of keyframes to the submix tracks, then I need to lose the first three seeconds from the edit, it would be great if when I pull up the video and audio on the timeline, the submix tracks do the same thing, so the keyframes effectively stay locked to the specific part of the timeline, rather than remain independent.
2. The submix tracks should be selectable in Essential sound. For example, if I have 8 music tracks, due to the fact I am using stems from the music composer to change the way the music builds up, I can patch these all to a music submix. It would be very useful if I can then tell Essential Sound that this submix is my music. Then I could use features such as ducking on the submix. This would be particularly useful for broadcast television production as a huge amount of programming is made with English output in tracks 1&2, and international sound on 3&4. This would allow things like dipping the music under voice over to happen for the English mix, but not the international mix using submixes.