Hi Anton, Please edit your post to remove the link -- not sure whether your Envato licence covers such distribution. Secondly, on a Mac I suggest double-clicking your download and letting Quicktime Player convert the opening movie to ProRes4444. Then choose File>Export As> 1080p.  I have a strong suspicion it will then import into Premiere. ... View more

It sounds like you did a screen capture movie to show the problem, any chance you can upload to Vimeo, Youtube etc and insert a link to that in the chat here? ... View more

Did you search for 23.976 or 23.98?  Just wondering whether timeline clips get there frame rates rounded? I just tried a 24/30fps mixed sequence and you need to enter 23.976.  Ensure the Timeline is active/selected before doing your Ctrl/Cmd-F ... View more

Yes, you are in luck.  In the Timeline do a Find (Ctrl-F or Cmd-F) and configure to search for your framerate Click Find All and clear or Ripple Delete them ... View more

I'll double check. In future perhaps edit the 24fps to one video track and the 60fps to a second video track, and/or in the Project Panel before editing, sort your clips by frame rate, select all the 24fps clip and Right-click and Label them an obvious colour.  When edited in the timeline they retain that colour making them easy to identify.  I'll check to see whether there is an efficient way after the fact. ... View more

Topshe, Two things here: Firstly importing a Stereo clip that you want to be Dual Mono in a new sequence. Visit the Preferences>Timeline and set the Stereo Use File option to Mono. This will make every Stereo clip imported subsequently to be considered as "dual mono" and will use two mono audio tracks in the timeline. Secondly, your export.  Just because the timeline/sequence is configured to be 2-channel multichannel, if you accept the default export presets they will Stereo the output regardless.  Check the Output and Source summary here: During export in the Settings Area you have to visit the Audio Tab, scroll down and set the Audio Configuration to 2-Channel Then you Output and Source Summary should be like this: And thus on re-import you would not have to change the Timeline Preferences Use File option for Stereo ... View more

Sample file update to include master stroke width ... View more

Rick,  my sample project file took 10min to build including expressions.  The hardest bit was drawing the six lines perfectly -- I choose to build it at the centre of the comp to utilisation rotation as you state.  The expressions were copy/paste/edit Slider names.  Each cube is a Shape layer so duplication and repositioning is my manual work but every cube would in principle be random. You could use a repeater on a total cube and get it to space out to be say every sixth cube in a row or column to help some patterning ... View more

Or rolling back the NVIDIA driver if it auto-updated overnight.  I see what you mean, Weird stuff.  Thanks for listing a few of the issues.  I haven't experienced any of these problems but I am OSX High Sierra; 10.13.6. ... View more

Your pan settings will be governed by your delivery specification ie you must know Mono Track 1 is meant to export to the first channel of the dual mono export pair etc ... View more

You'll have to start a File>New>Sequence Visit the Tracks tab and change the Master to Multichannel &  2 Channels Edit your audio tracks to 6 Mono and set the pans left and right: Left goes to the 1st Master Mono channel, right goes to the 2nd Master Mono channel in the multichannel pair. Then select all your clips in the "wrong" sequence and copy and paste them over to this new sequence. ... View more

We cannot diagnose the problem without some clue to the symptoms.  You have certainly tried a number of things but you haven't given any indication of what strange behaviours you are facing.  Did you update to OSX Mojave overnight? ... View more

Stroke width should probably be rigged to a global slider control to act as a master width for all lines in the cubic tessellation too. Thanks for the feedback, probably not the only or even the best way to achieve it but it gets you started. ... View more

Sample File: https://www.dropbox.com/s/my6rrd4lpdxq4ju/CubeTrimPaths.aep?dl=0 AE Random expressions: Random Motion Interpolation Linear() function and Slider Controls use Help> Expression Reference in After Effects Essentially I have to generate six random numbers between 0 and 100 that do not change with time. Then animation Trim Path Start and End to go from that number to 0 and 100 respectively. ... View more

Not the only way to achieve this but by using expressions on the trim path Start and End parameters and hooking them to a slider value between 0 and 100 means I duplicate this stroke layer and get different generation patterns.  To do the cube I would use three strokes in one shape layer and have three slider expressions generating the three random start values.  So each cube would be a self-contained shape layer that could be duplicated independently. ... View more

Scripting is probably saver than use a line editor.  Try is on a dummy two-clip project ... View more

Agreed.  Here (apparently) is a Notepad++ XML pathname replacement that may be of use? regex - Notepad++ search for path reference and replace with the file's path? - Stack Overflow ... View more

Can we check your terminology: Importing a clip means bringing media into the Project Panel Editing a clip means using a clip in a sequence in the timeline. For each clip are you double clicking it into the Source Monitor and checking the source patches (left hand side) are on (blue) before editing it by dragging, using the insert overwrite buttons in the Source Monitor or pressing comma or dot (period). Mono, Stereo and multichannel Clips “remember” the last way they were patched so you need to check the Source patches every time. Your screen shot of the 0767 clip shows that the A1 source patch is OFF. It is truncated in your image but still partially shown for me to determine this. ... View more

Thanks for the image juanmario, Only the Source patches need to be active now to enable Insert and Overwrite editing once the clip has been loaded into the Source Monitor ... View more

In the meantime could you export a high quality intraframe output from your PC and use that file directly in AME on the Mac to ProRes422HQ it? I realise that is a 2-hop process but needs must. ... View more

Jarek, Perhaps?! Out of the formats/codecs you list above, H.265 is the only interframe one. Haven’t worked excessively with it to advise you I‘m afraid ... View more

What media are you importing? From what source (file, care card etc)?  Are you importing using Media Browser? ... View more

You have definitely shifted the Global Media cache off your system drive in  Premiere, After Effects and Audition?  Sounds like you have but just checking.  Also have you looked at the Disk Cache in After Effects -- that may be huge and full. ... View more

When automatic (audio) synchronisation fails I revert to adding clip markers; one per clip of course, sometimes I name them "sync" -- ensure capitalisation the same for both markers -- and that seems to work.  Of course the separate audio can be up to half a video frame out by picture without going sub-frame.  ... View more

Does you file path have spaces in it? They sometimes get replaced with %20% which may be misinterpreted. If all your media is in a centralised folder structure then you should be able to select all your clips in the project panel and make offline then relink them using Media Browser enduring the checkbox asking others to be found in similar location is ticked.  The File menu will help you Offline and Link Media. just be sure that you carefully locate the correct first clip and the rest should fall in line properly ... View more

To eliminate the VFR possibility run your clip through Handbrake https://handbrake.fr/downloads.php  setting it to Constant Frame Rate in the H.264 export options and then try to import. ... View more

Phantom 4 record settings seem pretty standard though I cannot see if the max bit rate of 60 Mbps is constant or variable. your file size of 2GB doesn‘t Test the FAT32 limit so test the file on other computers, programs to see if it plays natively.  Also are you able to get a skimming preview using Media Browser? ... View more

Without checking Phantom 4 recording specifications I would hazard I guess it is record settings on the Phantom ( maybe Variable Frame Rate, unsupported codec or indeed actually damaged in transfer).  Your desktop icons for clip 24 and 38 clearly show 38 without a poster frame so it seems like even Windows is not picking that clip up as a self contained movie file it can resolve. I assume you have tried to double click the movie on the desktop to play it as part of troubleshooting? ... View more

Hi Digitalfish All effects applied to a clip will move with that clip as Motion Effects are processed last. So keyframing position will move the crop and/or mask. Crop of course can be animated to wipe on your text. A mask on opacity will hide the included part of your text. Either use the Transform effect which can be (re)ordered with Crop to conduct your position change and masking or Put your crop and positional animation on the title. Right click and Nest the clip into its own sequence, then mask the sequence (clip). This forces the animation to be processed first behind a static mask. ... View more