Video Lounge

Piotr Toczynski of "Cut to the Point" has embarked on a video series sharing 5 unique tips per video. Check them out in this playlist. You can also watch them below.   5 REAL Premiere Pro SECRETS | Ep. 1   5 REAL Premiere Pro SECRETS | Ep. 2   5 Premiere Pro Secrets You Never Heard Of | Ep. 3

Director Sam Feder (Trans Lives On Screen) discusses the importance of representation on screen at the 2020 Sundance Film Festival.     Subscribe: https://www.youtube.com/user/adobecre...   LET’S CONNECT Facebook: http://facebook.com/adobecreativecloud Twitter: http://twitter.com/creativecloud Instagram: http://www.instagram.com/adobecreativ...   Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.

Director Lance Oppenheim (Some Kind of Heaven) discusses the importance of the Hustle in his process of documentary filmmaking.     Subscribe: https://www.youtube.com/user/adobecre... LET’S CONNECT Facebook: http://facebook.com/adobecreativecloud Twitter: http://twitter.com/creativecloud Instagram: http://www.instagram.com/adobecreativ... Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.

Take a look at what's in store with us from Park City, Utah at the 2020 Sundance Flim Festival.     This year at Sundance, more filmmakers than ever chose to use Premiere Pro to edit their films.   Subscribe: https://www.youtube.com/user/adobecre... LET’S CONNECT Facebook: http://facebook.com/adobecreativecloud Twitter: http://twitter.com/creativecloud Instagram: http://www.instagram.com/adobecreativ... Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.

Productions, coming soon to Premiere Pro, will provide new tools for managing projects, sharing assets between them, and keeping everything organized, whether you’re working on your own or collaborating with a team. Editorial teams can organize feature film workflows by reels and scenes. Episodic content creators can group their shows by season and agencies can allocate a Production to each client, for easy access to existing assets. You control your content: Productions use shared local storage and can be used without an internet connection.     Learn more about Productions, coming soon to Premiere Pro: https://theblog.adobe.com/introducing... Premiere Pro is a professional video editing application: https://www.adobe.com/products/premie... The Adobe video and audio tools: https://www.adobe.com/creativecloud/v... Download a free trial: https://www.adobe.com/ca/products/pre... Subscribe: https://www.youtube.com/user/adobecre... LET’S CONNECT Facebook: http://facebook.c

Join this discussion from Sundance Film Festival with stand-out filmmakers on how to bring your own unique voice to life.  

Join us as we talk with John Cooper, Director of the Sundance Film Festival about all the excitement in Park City this year. We’ll discuss 2020’s feature films, rising stars, and the ways that creators from every background exemplify creativity for all.     Sundance Film Festival Director John Cooper discusses how you can create change through storytelling as a filmmaker.

Get creative insights and sneak peeks for the 2020 Sundance Film Festival, and see why this year, more filmmakers than ever are using Adobe tools to tell their stories. #CreativityForAll  

Hi all, Does anyone know where I can buy JUST the little switch for the video mic pro? See attached photo. It came off and I lost it and I don't want to pay $200 for a brand new mircophone just to get a new switch. I thought eBay or Craigslist but I haven't found much. Thanks. 

Hi Guys I wanted to start a form for Creators that would like to share/colab on projects and Ideas with other adobe users. If your shoot commercials, films, music videos, graphic designs etc and would love to network with other Creators please join this form.  Me personally im looking for young innovators that would like to create and build relationships. I am new to adobe I shoot with a Gh4 panasonic and work with hip hop artist. I have good footage but having a hard time adding special effects.  I would love to colab with users who can add crazy effects or come up with the next style of  trending video. All Creators are welcome here. Drop your emails or social media. Please message me i would like to start by colabing on a Commercial.

The latest Art of the Cut. "Star Wars: Episode IX - The Rise Of Skywaker." An interview with editor, Maryann Brandon, ACE      

Hi,I've started working as a professional video editor a long time ago. I did Avid Media Composer, Avid Xpress, Media 100, Grass Valley Edius, Newtek SpeedEdit, Apple FinalCut Pro, you name it. I know most regedit/gfx optimisation/cache optimisation tricks. Now with Adobe I've started 23 years ago with Premiere 4.2. Yes, it was instable from time to time then. But! From all the systems, only Adobe Premiere remains unstable and crashing a lot, even now in 2019 with version 13.1.5. So please Adobe (this is the kind part). Don't come to me with some invalid reason that it has to do with the hardware. I use up-to-date professional HP/Dell/Asus equipment nowadays. I run different setups, but nothing special than your average user. I tweaked all settings on different systems. There's only one explanation, which I can trustfully conform and hopefully will be recognized by the complete user community: your software is written bad. I cannot bring this more kind or respectful (I appologize

I found this interesting: https://www.scientificamerican.com/video/seeing-through-the-sea/

like why the f is this software $239.88 PER YEAR. like no wonders why people pirate your product, its f ing overpriced. like it should be at most $200 and a one time payment, and then you'd prob get more people to actually buy it

Bonjour, J'aimerai organiser un atelier météo avec des jeunes. Pour cela, il faudrait que je puisse réaliser mon incrustation sur fond vert en live. Je sais que c'est possible mais j'ai oublié avec quel logiciel (gratuit, c'est encore mieux), on peut le faire ...Merci pour vos réponses ...

I've been working for this company for about a year now. I do work all around the office and now we have a scheduled cycle of who's going to edit videos(since they taught me the basics) just to bring out some different twist on our YouTube channel. Here's a sample video that I worked on a while ago for your trolling pleasure. I want to know what other add-ons should we purchase to improve the quality of our content. I'd truly appreciate your feedback!

I do some filmhandling for small Film festivals.All these festivals encounter the same problem. Playing files of different framerates.You could use a mac, set the beamer or projector as second screen and use software to play the file. However this does work, you need to set the refreshrate on your mac either to 50 or 60 Hz. This also is the base of time. A 25 fps file plays fine at 50 Hz refreshrate and a 30 FPS fine on 60Hz.But no 24 fps plays ok neither does a 23,98 and a 29,97 FPS file.Also making cues is not always good, and adjusting the soundlevel per files is also hardly featured. Professional software is CueLab, but rather expensive and still not the right timing on the output. NEW MEDIA PLAYER WITH PREMIERE ENGINE?I would love to see timing of sourcefile on HDMI output, so never hickups in pans! (just like Premiere)Cuelist with options of adjusting playback size (reeltime scaling just like PowerPoint).Cuelist with option of Sound level (just like Cuelab)Stills in the

The latest release is an insulting piece of software, clearly rushed out the door without any quality control or consideration for stability. It's unusable. I've downgraded to 2019 and began forcing myself to learn Resolve. It's utterly insulting how awful the 2020 release is. Shame on Adobe.

I've been a Adobe user for as long as I can remember, so naturally I get the general negative experience using the Creative Cloud software. But I am TRULY floored with just how unstable and generally unusable the latest Premiere Pro release is. It's by far the worst thing to come out of the company for decades. It's crashes CONSTANTLY and is an abysmal piece of software. How could anyone be allowed to ship this.  As much as I truly hate to learn a new product, I will be forced to dive deeper into Resolve. 

Hey there, I'm in my mid-50s. I'm pretty old school in the editing game, as are some on this board. As I was writing about my past experience in a post, I decided to put my thoughts down here instead.    Moviola I was talking to Walter Murch over lunch one day (great day!) and he remarked that he was only a handful of people in the entire world that still knows how to cut on Moviola.    As an aside, I just hosted a SF Cutters User Group meeting where Janice Engel was also talking about cutting celluloid on Moviola. She did this little "toe tap" kind of motion or dance. You could tell this was ingrained into her rote memory, as it is in Walter's.    I know that Walter is somewhat interested in doing a short film or doc about those that are still alive that still have some connection to cutting on Moviola. Sounds cool to me! I wonder how many folks reading this post ever cut on a Moviola or Steenbeck?   Super 8mm The first film I got to cut was in junio

Dear all, I'm searching for nature footage 4k of appr 1 hour length. any ideas on which sites (stock video is to short) where i can find good quality nature footage for commercial puposes?hope you can help!regardsArvid

Good luck with the new BMPCC4K ... I certainly am enjoying mine ...   Neil

Adobe refused video. File ID: 302949100 Original name: stars and sparks-2.mp4 INTELLECTUAL PROPERTY REFUSAL Thanks for giving us the chance to consider your image. During our review, we found that it contains elements that appear to be protected by intellectual property laws, so we can't accept it into our collection. Please review the following intellectual property rights guidelines: Protected elements can be certain objects depicted in a video as well as protected terms (like names or trademarks) in the video's description, title and/or keywords... I am curious, where is INTELLECTUAL PROPERTY on this video except mine?Thank you. 🙂

Stability has never been a mainstay of CC but honestly, the latest Premiere Pro update (OS X) in conjunction with the past few years of miserable problems has me looking at FCP-X, Resolve and other solutions for our Production Company - and you can bet I'll cancel my CC membership if and when we do jump ship.  SO — TIRED OF SLOW CRASHING PREMIERE UNDER OSX.Yeah...not posting specs etc because I'm done investing hours into documenting issues that will either be ignored or have changed by the next software release.  Adobe - (or at least other OS X Premiere users) YOU know what you (Adobe) did 😕😕Mod Note: Warning. Do not use profanity. It is against Adobe community guidelines.

YES , i can totally feel and understand your pain. I'm just back from work where I, again in vain, tried to get the CC20 at least semistable to work. Our machines are even on a higher level then yours , but ...no way to get any windowsversion to playback stable without stutters a.s.o. (interesting fact: the OSX-version runs really good now ...just sitting in front of one) Using JKL causes reproducable freezing videooverlays or super jerky playback. And you forgot to mention the most hated issue ...the subscription model ... that , in combination with this totally broken software since 2 years now (since 12.1) , and the behaviour of this only profit driven company was clearly too much for us.   And here is the good part . We / I am in a way more covenient position right now. We quitted / I Left ! (my current investigations are only for technical reasons) We changed everything , and every plan to another product. We are independend from subscriptions and whimsies of salespeople , in