Video Lounge

Same here. Waiting for fix is costing me money since I can't use it but the clock is ticking against my yearly fee. Program is a total waste of money if I can't even load a video. This is ridiculous, Adobe!!!

Hello,Why this software is named "Premiere"Premiere is a french word, and this software was not created in France

Im in the Uk and to go with the video editing Im going to need a greenscreen set up and half decent camera for things like you tube videos etc.Now what Im seeing is a lot of kits with fram for green screen, a green sheet, possibly white and black as well and some softbox /and or umbrella reflection lights,2 of these or possible a third over head one.example on amazon.CRAPHY 2000W Photo Studio Softbox Continuous Video: Amazon.co.uk: Camera & Photo Excelvan Studio Continuous Lighting Kit Softbox Kit: Amazon.co.uk: Camera & Photo https://www.amazon.co.uk/PIXAPRO%C2%AE-Background-Reversible-Photography-Registered/dp/B018EB5S1M/ref=sr_1_1?s=electroni… But then if I look on a camera specialist site what looks like the same things are 10 times the pricehttps://www.essentialphoto.co.uk/product/pixapro-6800w-4-softbox-kit-with-3x6m-chroma-key-green-drop-and-telescopic-stan… Fovitec - 3000W Continuous Lighting Softbox Kit with 3m: Amazon.co.uk: Camera & Photo Whats the differences an

Looks like you've got the resolve in the upper left corner.

How has this NOT been at the top of Adobe's to do lists? Super frustrating!

LoveWell Creative already said this, but download DaVinci Resolve 15 beta (Free Version) import your mov and export to whatever you want.ADOBE CREATIVE SUITE IS RIDICULOUSLY OVERPRICED ESPECIALLY FOR THE AMOUNT OF CRASHES, SYNCED FONTS BECOMING UNSYNCED, CRAP LIKE THIS MOV PROBLEM ETC ETC ETC EVERY DAMN TIME I USE PREMIERE AND THEIR PRODUCTS. THEIR CUSTOMER SERVICE SUCKS AND THEY OFFER LITTLE TO NO HELP WITH ISSUES LIKE THIS. I THOUGHT MAYBE THEY WOULD EVENTUALLY GET THEIR SHIT TOGETHER BUT AFTER 3 YEARS AND PROBLEM AFTER PROBLEM, I WILL BE CANCELING MY ACCOUNT AS SOON AS I AM DONE WITH THIS CURRENT PROJECT AND MOVING OVER TO DAVINCI...WHICH IS FREE AND YOU CAN DO GRAPHICS, AUDIO, AND COLOR CORRECTION IN THE SAME PROGRAM WITHOUT HAVING TO SWITCH BACK AND FORTH BETWEEN AFTER EFFECTS AND AUDITION.

Hi, I would like to start a discussion about the keyboard shortcuts. As an editor for more than 20 years I am a little bit disorientated to look at the amount of text that is coming up when I enter the Keyboardshortcuts. Why arn´t we using the same "name convention" in the software itself? Why are we working with symbols, when the keyboard does not show these symbols? What are symbols good for? Are we editing Text like a copywriter? Why do Textprogramms also work with symbols? And WHY can´t I choose between text and symbols? Its very hard to tell what it what? And even harder to remember. What about color? Why do we use "RED" Light for a traffic light to stop people from dying? I would love to have more symbols and more color! Say "Yes" to symbols () and say "YES" to color. What about "you" . Is there a secret that you keep for yourself? How do you remember those great "text shortcuts"Maybe it´s because I am old? But in the end everybody gets older. And maybe , they need glasses. So ma

For the first time in my 20-year career, I have a client wanting to own the copyright for the animated video I've made him.I told him I am happy to give him copyright for the video, but now he's saying that he also needs a list of all the software I've used to make the video. Apparently he was advised by the FSB that any legal copyright form needs to contain a list of all the software involved.Obviously, I've used Adobe software, but plenty of other software too. I don't really see that as any of the client's business. Surely it has no relevance to the copyright of the final video, any more than the type of pencil I used to draw the characters - or the light bulb I used to see the sketch pad.Do I need to declare what software I've used, just to transfer copyright of the final video over to my client?

Premiere has been out long enough that BASIC editing tools should and can be updated.Final Cut and Avid both dinosaurs at this point are far better when working in intense editing projects.Here's an example = grouped clips -- WE STILL can't match back to your new merged clip?   How many years have we all been writing in asking for this?(personally, me, 3 years)It's not like that's hard code to write - Avid did it, Final Cut did it.   Yes, yes, I understand it creates a new clip - so do the other programs, that's no excuse.Oh and "Show Original" function ?.... Almost always greyed out.  I highly recommend someone at Adobe to kindly run their next release with a professional editor and see your limitations before you release another bug-ridden update.  Oh and you should go to jail for releasing PP2018 touting the fact we can finally "share bins".It doesn't work, it corrupts your project and NO ONE USES IT in the professional world.  How do you have the

It's a well-known bug -- one of countless many in 2018.  adobe admits it -- so anyone that tells you differently doesn't know better.  They sold the whole 2018 program around a feature that would mimic an Avid in "Sharing bins"  -- also doesn't work.They don't give a — about professional editors - they figure enough people will buy it anyways - that's why they haven't fixed ANY of the bugs yet.  AAF bug?  nope.   Many hotkey functions disabled now?  yep still a problem.  Adobe could give two —.  Moderator note: Please. No profanity is allowed. Have some courtesy here, we have minors reading these forums.

RANT WARNINGIn the absence of an Acrobat Forum of any worth...I post here where there is at least a semblance of a pulse..How does one stop Windows bloody 10 from constantly and regularly  associating pdfs with Windows bloody Edge?I just want the .pdf association to stay with Acrobat DC (from my Cloud Subscription) but every Windows bloody 10 update changes it to Edge.Must have changed this about 10 times now at least.Does anyone even use Edge for anything!

I've been using Premiere since 1991 so I do have a history with the product.But I've not used it exclusively.  Avid, Media100, FinalCut, and Resolve has all been part of my career.And, yes, I'd certainly be interested in a highly specific and optimized premiere "PROFESSIONAL WORKSTATION" version.  Charge me $2K for it and call it a day.  Make a non-bloated version that demands an exact itemized list of PC hardware components.Heck, partner with HP and sell 1 single machine if you have to! --Also have software updates that are never released half-baked.Have it be so ridiculously exclusive it's built on their own tightly controlled version of LINUX.  Whatever works!  Just strip the code down.  Hit the reset button and make a solid lean and mean beast of an editing platform.Personally, I like the PP user interface and how it does things.  The legacy of that style of editing appeals to me.   However, I'm not enamored that the app always feels lik

Found a great solution to this finally. DaVinci Resolve. No hate, but it seriously does what professionals need it to. PP seems way more consumer and unstable in comparison. Flame away - just putting it out there.

BTWI am absolutely convinced that Adobe created crap with this release. They have done ggod work all the time. But v 13.0 is their Halloween release.

Do yourself a favour and learn Davinci Resolve. I have a Mac Pro 2013 6-core with 32gb of RAM and Dual D300's. I got some ProRes Footage in Premiere Pro and Davinci. Same LUT, same footage, same export settings. Premiere Pro - 12mins. Davinci - 3.5mins.The issue is Adobe has awful coding and as long as people keep paying their prices, they won't ever change it. Vote with your wallet. Once you learn Davinci you'll realise it does the exact same thing, better and for free. It is really a no brainer.A friend of mine used to work for the BBC and said they use Davinci, they trialled Premiere but the performance was so awful they dropped it in  a matter of weeks. That should tell you enough.Adobe - enough of this "try this, trash your prefs". Just accept that the fact your code needs trashing. You are slow to update your software. It is not optimised at all and it runs like an old donkey. CC 2018 is exactly the same...woeful.Ps. I am not actually an Adobe hater as my post would seem. I

"Adobe's priorities are so detached from functional requirements of working editors that the word "pro" should be removed from the product name."As a professional editor for going on 20 years now, I've seen some ups and downs and changes in the technology, but I cannot fathom how adobe continues to advertise premiere as a professional grade product. It simply is not. I have not met another editor who believes that this program even approaches the avid mc's of 10 years ago with regard to just making basic edits without crashing.

Heads up:Apple is distributing letters to owner of Final Cut Studio that those apps will not run in High Sierra, which is to be released this fall -More info here: About Apple Pro Apps and macOS High Sierra - Apple SupportWhile Final Cut Studio apps (FCP-7, Color, etc.) have been officially not supported since the introduction of FCP-X, most FCS apps (with the exception of Compressor 3.x and below) ran in some form right up to OS Sierra.This means, if you choose to upgrade your OS to High Sierra you will either need to:1) Give up functionality of all FCS appsor2) Create a dual boot computer so you can boot to an older OS to run the legacy FCS apps. This may not be viable if you upgrade hardware, as older OS's may not support any new hardware that Apple introduces, so you may not be able to dual boot to an older OS on a new machine.or3) Bunker a workstation with an older OS and move on to new hardware to run OS High SierraMtD

The software is far from finished I myself run it on 1070 ti, i7 3770k, 32 gb ddr4.Some of my peers run it on the new macpro and imac pro and similar pro workstations.Most terrible performance for the hardware it is running on. This application is so terribly written that it makes it impossible to edit in 4K (even with proxies/ingest) as of late 2018. Where amateur tools like final cut pro show no difficulties whatsoever, very, very disappointing fact.As of latest update the app has been showing more bugs than ever in history, I already use adobe software sinds quarkxpress was a competitor of indesign. So you can just take my word for it, I know how adobe software is supposed to perform.My conclusion:If you are a new user and your reading this, consider final cut proconsider affinity designer software, boycot the adobe software, because they are not working on the bugs they should be working on.I lost thousands of euro's due to corrupted projects in adobe, lost 100's hours of lost work

The software is far from finished I myself run it on 1070 ti, i7 3770k, 32 gb ddr4.Some of my peers run it on the new macpro and imac pro and similar pro workstations.Most terrible performance for the hardware it is running on. This application is so terribly written that it makes it impossible to edit in 4K (even with proxies/ingest) as of late 2018. Where amateur tools like final cut pro show no difficulties whatsoever, very, very disappointing fact.As of latest update the app has been showing more bugs than ever in history, I already use adobe software sinds quarkxpress was a competitor of indesign. So you can just take my word for it, I know how adobe software is supposed to perform.My conclusion:If you are a new user and your reading this, consider final cut proconsider affinity designer software, boycot the adobe software, because they are not working on the bugs they should be working on.I lost thousands of euro's due to corrupted projects in adobe, lost 100's hours of lost work

In the meantime, for all of us frustrated by the slow batching of proxy media in Premiere/AME... Davinci Resolve is excellently fast at batching media reliably. Then it can be reconnected after the fact in Premiere.But since you're importing clips into a fully featured (free) editor like Resolve anyway, maybe you just finish the project in that software while you're at it. Just thought I'd offer advice seeing as how I've been out of commission for 30 minutes "creating proxy jobs" for 20 RED clips.

Adobe,  you just enjoy — people out of money and sticking us with — software while claiming to be leaders in content creation. I have never see a product CRASH and bug out so much as the lineup of software you provide.AND PLEASE give me your stock-standard copy n' paste bs reply.Moderator Warning: Do not use profanity in these forums, it is against our community guidelines.

You're discontinuing Adobe Story for a few reasons, one of which is because not too many people used it. Please realize that people don't want to place their screenplay(s) on the internet when NOTHING is 100% secure online. A lot of people need screenplay software that would allow easy, automatic placements of camera shots, lighting, notes and so on, but will not risk having their work online when people have the ability to hack servers.Imagine the screenplay to The Avengers: Infinity War, a movie that made over $2 billion, was stored in Adobe Story, and then someone hacks Adobe and posts the screenplay online for everybody to read before filming even began. Screenplay software ALWAYS has to be confined to people's personal computers, it's a no-brainer.Thanks,JL

hi this is sai i want to buy a editing software for youtube videos i did know which is better can you please suggist me make me simple

I have tried through Adobe Edinburgh to get someone from Adobe Story to view this thread. I do have many connections on LinkedIn to most of the Adobe Global Team. Will try messaging them. Could those you have contributed her (not my thread but started by "Glasutin") to try and encourage as many in their work or social circles as possible to contribute. Its not until you go looking at the alternatives that you learn how good Adobe Story is, and the includes the new FD. Its collaboration tool appears very cumbersome. Adobe will listen if enough people are motivated to speak out. Shantanu Narayen has said as much at each conference. So can we start all spreading the word further? Thanks

Yeah after the update to resolve 15 I am spending more and more time learning the program. We shoot a compressed Raw on the Blackmagic Ursa mini pro that can't be read in Premiere so I have to say after 19 & 1/2 years using Premiere we might be looking to slowly switch our entire editing team away from Adobe based on this, the lack of Metadata support, and the super buggy April update of Premiere. I mean I am sure Adobe doesn't care about us and our 5 CC subscriptions enough to bring back Adobe Story but for the first time in almost 20 years I am seeing an actual viable alternative for our Mixed OS environment.