Adobe Media Encoder

Hi,I was trying AME scripting in AME 2015, the script is creating BridgeTalk to AME for rendering AfterEffects project and it works perfectly. My script is below.So I'd like to update AME version to 2017, I confirmed API changes and I noticed Encoder object lost encodeDL function in AME 2017.When I checked forum here, I found this discussion https://forums.adobe.com/message/9433816#9433816 and understood I can use addCompToBatch function.Okay, my question is:- How can I pass frame rate and output frame size?I want to pass a lot of combination of those, so it is not reasonable that I prepare a lot of presets for all combinations I want before scripting.One option is, I will make epr file dynamically. Is that reasonable? or somebody has idea?If I can pass AE composition id to AME for assigning rendering target as encodeDL function, it is good to me.Thanks,Hirofunction main(masterProjectPath, presetId, projectItemGuId, outputPath, priority,  preview_width, preview_height) {  var

My company uses Windows 7 Enterprise and all CC applications work great except for Media Encoder - it will not launch. It gives the following error message:     A check online for a solution yields nothing. Does anybody have suggestions for this problem?Thanks,Gordon Miller                     

I'm trying to convert an audio file to SWF for embedding into a PDF and the preset is missing. All my Adobe apps were downloaded last week and are running on a machine bought just a few days before that.Any ideas?Thanks

Hey folks.I'm kind of at the end of my rope here. I exported some files off my iPhone (taken in Filmic Pro). They are 4k video files at 24 fps. When I import the files into Premiere Pro, I only get the audio file (no video). Encoding directly in Media Encoder under the default settings (and some obvious alternative presets to try) results in an mp4 file which plays audio only file (with black video).Any ideas what is going on, and how to fix? Other videos from my iPhone seem to import just fine. Mike

Hi all,I have an 8-core render server that I built myself, originally meant for this purpose, but I've not had the time to put time into it. Now that I do have the time, I was wondering if it was possibly to export to an external instance of AME on the render machine (which runs Windows)?Logistically, I can probably build a hotkey, or something like that, to go through and launch AME on the render server using Remote desktop, but it would be so much easier if there was a built-in feature to export to the external server. Alternatively, can we develop a plugin for Premiere or AME that allows us to do what I described above?Thank you everyone,Kind regards,Caylem.

So here are my settings to export my animation as .mp4 file: Imgur: The most awesome images on the Internet And here's the final result on Youtube: Sunrise Animations channel intro - YouTube Why does the quality looks worse than the preview? Can someone please help me?

Hello all,I am all of a sudden unable to export from a Premiere project.  If I export from Media Encoder, my usual preferred method, it stops and says "failed" about 10 minutes in.  When I click "failed", I get this error message in my textedit:When I try to export from Premiere, I get this pop up error message:The media in the project is all transcoded to ProRes 422 (LT), and I am exporting H264 files with the Vimeo 1080p HD preset (as I have always done).  I have never seen these exporting errors before, and have exported iterations of this project countless times.  It has been about two months since I had last opened the project.  All of my other projects (most of which are also transcoded to ProRes 422 LT codec before editing, but not all) export just fine. I am suspicious of the "source file" line in the Media Encoder error message, which is from a cache folder and is just a folder that contains audio?  What is the source file?  What should my so

Bonjour à toutes et à tous, je me permets de vous solliciter car je cherche à faire un rendu sur adobe premiere pro cc qui soit en hd, léger et surtout rapide à exécuter car les rendu que je fais sont long à réaliser. Je sais qu'il est possible de le faire plus rapidement mais je ne sais pas qu'elles sont les réglages appropriés. Merci d'avance pour votre aide précieuse.

I am trying to render a 4 second video in media encoder. I'm sending the video to the encoder from after effects. When it starts to render it shows another after effects in the task manager using about 95% of my cup. If I open the media encoder by itself with no other program running it will open the same afterFX.exe with the same cup result. Rendering is taking more than 4 hours and didn't have the problem before. I have an asus laptop with 12 gig of ram, i7 processor, and nvidia GeForce 940mx graphics card.

I would like to encode my 90 minute documentary. I open Media Encoder, I select 'Add Premiere Pro Sequence' from the file menu, I navigate to my Premiere project and open it. And then I have to wait for what seems like (I didn't think to time it) 15 - 20 minutes or more for the project to open in ME. It is a reasonably complex project (again, a 90 minute documentary), but still, that seems like an inordinate amount of time to simply access the sequence I want to encode. Are others having to wait a long time when opening a complex (though still only 47mb) project file?And wouldn't this process be faster and simpler if I could send a sequence to ME from Premiere rather than have to open the entire project in ME and then search for my sequence?MartinAdobe Premiere Pro CC 2017.1.1, Build 11.1.1 (15)Adobe Media Encoder CC 2017.1.2, Build 11.1.2.35OS 10.10.5Blackmagic Intensity Pro 4K, Driver: 10.8.2Early 2009 Nehalem MacPro4,1, 2 X 2.6 GHz Quad-CoreSamsung 850 EVO 1 TB system drive32 GB RAM

Every time I import an After Effects project into Media Encoder, the box comes up for the importer, but it is completely blank. This is my error log:Log file created: 8/27/2017 5:39:42 PM----------------------------------------Ticks = 937      <11488> <AMEApp> <0> Dolby codec permission check failedTicks = 16906      <11488> <AMEApp> <0> Time taken to load MediaCore plugins: 1417.62 milliseconds.Ticks = 18031      <11488> <AMEApp> <1> Entering RunEventLoopTicks = 180703      <11488> <AMEApp> <1> Exited RunEventLoop-----------------------------------------Log file closed: 8/27/2017 5:42:42 PMPlease help!

I just downloaded the latest update for Media Encoder and now it just gets stuck on the launch screen then it crashes.I need a solution ASAP.

Hello,If I select in After Effects that I want to render my video with Media Encoder, the program will start up. (slow, but it starts)If its starts, the screen will pop up but my project isn't in the Que (up-right corner)When I try to add my project manually in Media Encoder, it say this, and nothing happen: Gyazo -Please, help me with this problem!Greetings,Olivier S.PS: All the programs I use are 2017.

We're using AME to automatically render using a watch folder. However, in our testing it can take up to several minutes before AME notices new projects to process in the watch folder. We would like to make AME look for new projects in the watch folder as often as possible - it is imperative we cut this delay down to several seconds. Are we overlooking a hidden setting or config file?

I am trying to encode H.265 vertical movie(widht:2160, height:3840), shot on Android smartphone.But Adobe Media Encoder judge as horizontal movie(widht:3840, height:2160) when input this file from a watch folder.One one hand, H.264 vertical movie (widht:2160, height:3840) is judged truly.I want to encode from vertical movie to horizontal one adding pillar box for displaying a 9x16 movie on a 16x9 display.How can I encode H.265 vertical movie without rotating using watch folders.* DeviceSony Xperia XZ :  Xperia® XZ Official Site - Sony Mobile (United States) * Movie parameterresolution : width 2160, height 3840format : H.265sample-file : MOV_0078.mp4 - Google Drive * Watch folder parameterThanks for any help!Hiroshi.

I'm having problem with AME i dont know the problem occur after i update an app and graphix driver, which is it must be  help to accelerate the rendering time but all of a sudden Its just expand the remaining time. continuesly increasing...I already update my graphix card driver NVIDIA GT730 and the latest AME update but still not work.

Hello,For reasons, listed below but not needed to answer the question, I have to export a ProRes 422 1080i 29.97 file to exactly the same specs in media encoder. Does the 8 bpc vs 16 bpc vs render at maximum bit depth have any effect on the image? We combine our audio mix and Graded master in FCP 7 and export reference quicktimes to episode engine.  The files coming out of Resolve 12.5, even though they match our sequence settings and our export settings, are being re-encoded.  This cause our export time and file size to match a self-contained export.

I am working of vfx from an episode of one of our successful police drama series.We recently moved from Apple ProRes to Avid.mxf. I get pieces (subclips) of the episode to apply fx.For tracking, we use Mocha AE, which unfortunately is not able to import .mxf, so I have to convert to ProRes for tracking purposes. The tracking results are applied to the orignal .mxf's.The problem I encounter is, that when I drop the .mxf clips (which have descriptive names), AME does not copy the filenames in the queue,but it gets a name from deeper in the files, which refers to the 'mother file' of all clips - so the description is lost, and all clips are named more or less the same, (BlahBlah_Montage, Video Mixdown,5.mxf |  BlahBlah_Montage, Video Mixdown,6.mxf etc.)How can I force AME to take the filenames instead, so I can identify which converted clip pairs with the original?Thanks for any help!Jan

Hi,So I upgraded from AME 2015 to 2017 Edition and all the DNxHD options are now missing. They have been replaced with DNxHD SQ/HQ options which are totally useless to us.2017 edition options below, notice 'Codec Settings' are greyed out.2015 editionWe really need access back to these DNxHD options and I can't understand why they have been removed. Can someone at Adobe comment on this and state if they are going to be placed back in? Without these options we are stuck on 2015 edition.We have tried using the SQ/HQ/LB options but they don't work with our Dub workflow.

I wanted to convert three videos from MP4 to MOV.Dragged them into the queue.Selected QuickTime as my FormatGoPro CineForm RGB 12-bit w/ Alpha as my Preset.Export Video and Export Audio are both checked.Opened the video and I get a black screen, but I hear the audio.What is happening here?

Greetings...I have a file I need to give to a vendor and they need a ProRes with PCM audio. Is it possible to make a ProRes file with Media Encoder that has PCM audio? Or if I just set the audio codec to the uncompressed, will that give me PCM?

A client has requested a quicktime file with Animation video codec. They requested the audio to be AAC 44.1kHz. When I go to the audio tab there doesn't seem to be an option for AAC audio. Is this not possible with Adobe Encoder? I'm able to do it with Telestream's Episode software, But I would like to use Encoder because the quality looks better. Thank you,

Never seen this before, in ~30 months of using PrP so far:I was doing a routine export of a multicamera sequence (matching sequence settings).  And the exported video switched (appropriately) between cameras accordingly per the source timeline, but only up to ~26 minutes in.  Thereafter, all the camera selection changes were just ignored, so that the exported video is, from ~26 minutes on (~6 minutes worth), all  from only one camera.  Upon discovering this, I checked the source timeline, and all the camera change edits are in place, as they should be. So, the camera switches were not reverted by some weird accident.  Rather, the problem was solely in the export.I'm not posting this as a question, since I'm not really expecting an explanation.  (Feel free to surprise me, though!)  Mostly, I just want a record of this weird little bug, in case it shows up again.The worrisome aspect here, is that this export was rather long (~32 minutes), and I was not

Hi I have movie it duration 1:30:00 i want to add logo on it When i add an after effect project(contain the logo I want to add it) to my adobe premier project and export by media encoder that take 5 hours!But when i export the logo by after effect (mov) and add to my adobe premier project that take only 30 minutes My laptop have 16 GB RAM Gtx 960 Core i7

Very happy about using Adobe Media Encoder. Until now.But yesterday when I had handed a video to a customer, I discovered that the video i had uploadet to Vimeo was suddenly in MONO !!I searched for the error and found out that it's AME that's the villain. Even though it writes AAC stereo, whats coming out at the other end are mono.It's not very smart, Adobe! I trust that the gear you rent out to me every month is alright! I'm a freelance and my tasks are important, while directors and CEOs are sitting and evaluating my work for them and they can not explain that it's in mono when most people listen in a headset, just that their experience is limited.As a video producer, I have enough to make sure and handle making videos, and I do not has to sit and check what your software tells me, also are true or false?Pho2graph