It should be showing up right under "Transparent Video". This YouTube video is for an older version, but shows what you should be seeing. https://youtu.be/rgwGR-DAM24?si=5NDCMlOaOOKgAGvS   I'd use the "Help" button at the lower right of the Titler Pro support page to ask about how to troubleshoot what's happening (or in this case, is not happening). https://newbluefx.zendesk.com/hc/en-us/articles/360002921611-Titler-Pro-Help   ... View more

To have the Saber effect start at the bottom instead of the top, change what's called the First Vertex on the Mask Path.   Each point on a Mask Path is a vertex and the one that starts the path is the first.  When using an effect that has a "Start" and "End" option, the First Vertex is the start.  If it's a closed path, it's also the end. To easily view each vertex, I usually press m twice to show all Mask properties or press f once to show just Mask Feather while the Layer is selected in the Timeline and then select Mask Feather to see the Mask and each vertex of it in the Composition panel.  There's one point that's slightly larger than the others - that's the First Vertex.  To set a different point, hover over it with the mouse and then right-click and choose "Set First Vertex".  If an effect like Saber is already applied, that should now be the Start for it. ... View more

Have you had a chance to review this page on the NewBlueFX website? https://newbluefx.zendesk.com/hc/en-us/articles/115005254203-Add-titles-in-your-video-editor ... View more

Hi, @simon0815: Wow, project files from After Effects version 5.5 brings back some memories! Pictured: Splash screen for Adobe After Effects 5.5   Those need to be opened in After Effects CS4 (version 9) and saved before they can be opened in After Effects 25.x. Here's a download link to version 25.x versions of your AEPs: https://f.io/XAcWXoog   It's a Zip archive on FrameIO and the presentation page can look like there's nothing to download.  Click the download button at the upper right, and you should be good. Pictured: FrameIO download link for a Zip archive with the Download button at the upper right. Once the Zip archive is extracted, you'll see your original 5.5 projects, the intermediate 9.0 (CS4) projects, and the current 25.x projects.  If you need to open these in a version of After Effects that is older than After Effects 25.x, the "cs4.aep" project files should open in it. Pictured: After Effects version 25 projects highlighted in List View.   - Warren ... View more

It might be good to read up about creating Masks in the After Effects user guide. You can draw the Mask on the footage or on a new Layer.  By default, Paint Style of Stroke is set to "On Original Image" (it's the last paermeter).  When drawing a Mask for an animate Stroke, it's common to set the Mode of the Mask from Add to None.  If animating a Stroke along a closed Mask, it's also common the changing the First Vertex.  I find this easiest to do by pressing "f" to reveal the Mask Feather while the Layer is selected, clicking "Mask Feather" to select it (this reveals the passively selected vertices of the Mask), and then right-click a vertex and choosing Mask and Shape Path > Set First Vertex. ... View more

@Robert344938760xac  I'm not able to view your sample MP4 movie, but try deleting Gaussian Blur and then apply Stroke (Effect > Generate > Stroke) and set the Color and Brush Size as preferred and then keyframe the End value from 0 to 100.     - Warren ... View more

@philc69194013  I opened your project on one of my workstations and it worked as expected. ... View more

In the Preview panel, double-check that "Move time to preview time" is enabled.   If enabled, the blue line (the Current Time Indicator) moves to the location of the Red Line (the Preview Time Indicator) when the Spacebar is pressed to stop a Preview. If disabled, the blue line (the Current Time Indicator) remains where it was when the Preview was started when the Spacebar is pressed to stop a Preview.   Pictured: The "Move time to preview time" check box is enabled in the Preview panel. ... View more

@joel_4875    I sent a message to the forum moderator about your contact information accidentally being included in your post.    That should be removed soon.   Gettting back to your loop cycle, how does it play if you render a Best Setting / High Quality movie, import that, then sequence duplicates one after the other in a Comp for as many loops as are needed?   This is a weird glitch.  Usually creating a loop cycle is fairly straightforward.   ... View more

Hi @Ocean7142: You should see File > Import Premiere Mobile Project in verison 25.6.3.  I updated farily quickly from 25.6.1 to 25.6.2 to 25.6.3, so I'm not sure if it's available in 25.6.2.   Pictured: File > Import Premiere Mobile Project in Premiere Pro 25.6.3 on macOS Sequoia. ... View more

If I'm following what you're asking, nudging the Layer Time Span to the right and then trimming the nudged Layers to the same Out should allow for them to end at different points along the Motion Path. ... View more

I'm good with cleaner menus, but maybe for those that prefer the longer menus there could be a preference option to enable them? Could looks something like this:   But, not the same as Media Composer's long and short menus where the short option is a condensed list.    ... View more

Additional note:  If for some reason using a loop expression with Time Remapping with a nested Comp isn't getting the right results, there's always the approach of rendering the Comp as a QuickTime movie at Best Settings / High Quality (or Best Settings / High Quality with alpha), importing that back into the project, and then specifying the number of times that the Source Footage should loop in the Interpret Footage (File > Interpret Footage > Main... > Main Options > Other Options > Loop).  This was a common approach to loop footage with one Layer in early versions of After Effects before we had expressions. ... View more

Hi @felicia_7587:   Copy and paste the path to the Position parameter of a Text Layer.  This turns the path into a Motion Path that the Layer's Anchor Point will follow while the other parameters, like Rotation, remain separate. Pictured: Previewing a Motion Path that's been pasted a Text Layer's Position property. The timing of a pasted Motion Path can be adjusted by clicking and dragging the first or last keyframe to the left or right. Duplicate the Text Layer, change the text, and nudge the Layer Time Span to the right to offset the animation of a second Text Layer from the first. Repeat as needed.     - Warren     ... View more

Hi @synthetick: It's always worth comparing render time for similar effects. I just applied Turbulent Noise to a 5 second MP4 video file that's Layer 1 and Fractal Noise to the same video that's Layer 2. Looking at the Composition Profiler with each effect applied at the default settings without any keyframing, Turbulent Noise results in the layer rendering in 1ms while Fractal Noise results in the layer rendering in 18ms. Pictured: Composition Timeline showing the Render Time for the same source footage with Turbulent Noise and Fractal Noise applied. This is on a 16-inch MacBook Pro M4 Max 128GB/4TB.   What are you seeing for Render Time under the Comp Profiler and are you able share a download link to your test project?       - Warren ... View more

Immediately after enabling Time Remapping, try jumping to the second Time Remapping keyframe, step back to the previous frame, click the Add Keyframe button, then delete what's now the third keyframe.  So, you're adding a keyfame at the last interpreted frame instead of nudging the second keyframe.       ... View more

If you're asking about having Source Effects for audio, that's a great feature request. Replacing the source audio file does affect (or ripple through) all affiliates of that audio in the project and the workflow described applies for WAV files and AIF files. Even with picture, I don't see how you would want to permanently change the source footage. If you want to edit your source audio in Audition, just open the files in Audition, make the edits and save.  There's no need to send it from Premiere Pro as you're not editing sound to picture and you're not trying to preserve the original files. ... View more

Hello @defaultx72y3f5tfjat: If I'm following you correctly, you want to create a new Sequence (File > New > Sequence) that matches your current Sequence under the Settings tab but the Audio is set to Stereo under the Tracks tab.  Then, select all in your current Sequence and paste that to the new Sequence. - Warren ... View more

Hi @seneka_088442: As you seem to have noticed, the replace options like File > Replace Footage or right-clicking a clip in the Timeline and choosing Replace with Clip work best when the settings of the clips match (frame size, scan method, frame rate, audio channel configuration, etc.).   Based on what you described, I would expect to have to patiently go through the Timeline and overwrite each 48KHz 23.976fps where it's 22kHz 25fps counterpart is located.  I'd probably overwrite them to the Video Track above and then go back and disable or delete 22kHz 25fps once everything looks as expected.  Also, I would do this in a duplicate Timeline so that you have an unaltered Timeline to reference.   - Warren       ... View more

Hi @mp4_8789: Were you able to get this resolved?   And are you seeing this message in the FrameIO panel in Premiere Pro, in Safari, or both? If seeing this error message in Premiere Pro, double-check that you're using the FrameIO window in Premiere Pro that corresponds to the version of FrameIO that you're using.  There's Version 4 and Legacy.   Pictured: Premiere Pro 2025 Window pull down menu showing FrameIO v4 and FrameIO Legacy   If you're seeing this message in Safari, try browser troubleshooting like reloading, clearing cache/cookies, and checking Safari settings (extensions, JavaScript, iCloud Private Relay).  You can also check Frame.io's status page for known issues.   If the issue persists, starting a chat with FrameIO support is likely the quickest way to get it resolved.       - Warren ... View more

@james223140651clb    As far as I am aware, there is no way to automatically apply markers at cuts, but they can be automatically applied at scene edits. Extract (ripple delete) the segments that you don't want to keep, insert three seconds of Black Video between each of the remaining takes, and then export at the settings you want for your interim source file.  Upon reimporting that, run Scene Edit Detection (Clip > Scene Edit Detection) with the options set to apply a marker at each scene.  When you're conident that you have what you need from the original recording, that file can be deleted. Could this work for what you're trying to do?     - Warren ... View more

@Thomas25297751b3dn  After returning to the Premiere Pro, right-click the polywave source and use Replace Footage to swap the polywave for the extracted (and edited) file.  That source will be replaced in any Sequence in which it's used. Your workflow seems to be unique.  If you post it as an "idea", please let me know and I'll vote for it; however, it may be an up-hill battle.  In post production, avoiding destructive edits to audio source is a best practice and the workflow for round tripping from Premeire Pro to Audition supports that. ... View more

Hi @Thomas25297751b3dn: It's nice to see you over here in the Adobe Community Forums as well as the Adobe Premiere Pro Editors group on Facebook. If you want to make destructive edits to the original source audio that are reflected where ever that source is used in a Timeline, select the original source audio in the Premiere Pro Project panel or Bin panel and then choose Edit > Edit in Adobe Audition > Clip.  This extracts a duplicate of the original source audio and opens in it Adobe Audition.  In Premiere Pro, you'll see the original source audio and the extracted audio (Premiere appends "extracted" to the tail of the filename).  In Audition, edit the extracted audio as needed and save.  Back in Premiere Pro, the edits made to the extracted audio should refresh immediately.  Right-click the original source audio and choose Replace Footage then navigate to and select the extracted audio.  Premiere Pro will now use the extracted audio in any Sequence where the original source audio was used. You may also want to review how to round trip a sound mix from Premiere Pro to Audition where we send our Sequence to a session in Audition (transferring effects applied in Premiere Pro with it) and then return to the same Sequence with stems.      - Warren ... View more

Hi @giovanni_6045: From what you've described, those Position coordinates are to be expected.   For source footage with a frame size of 3840-by-2160 in a Sequence with a frame size of 3840-by-2160, the Anchor Point defaults to 1920-by-1080 (the center of the source footage frame size) and the Position defaults to 1920-by-1080 (the center of a Sequence frame size). ... View more

@MattwellsFilms    I am not able to reproduce the issue that you are having with RAM usage and I think I am on a similar configuration.   My system info: Application: After Effects v25.6.0.101 OS: Windows v10.0.26200, RAM: 31.64 GB GB, CPUs (logical): 20     When I launch After Effects, RAM usage remains more or less the same while the app is initially opened.  When I start to work, I am not seeing nothing unexpected.       Maybe @JohnColombo can provide some further troubleshooting suggestions.     - Warren     .  ... View more

@MisterAdvent  It would be so nice to be able to apply the Photoshop Neural Filters in After Effects. If you apply Colorize to a Video Layer, you should get consistent results for the entire clip; however, you've probably already experienced how slow this is to do. I have a feature request in with the Photoshop team to be able to add Send to Adobe Media Encoder next to File > Export > Render Video or to replace it entirely.  That would at least allow for continuing to work in Photoshop while sending multiple clips to Media Encoder rather than waiting (very patiently) for Render Video to finish before anything else can be done.       - Warren   ... View more

Hi @philc69194013  When I opened your project on my end, everything worked as expected.   My best guess would be that there's some sort of conflict between After Effects and your video driver that's preventing it from rendering the Comp as expected.  That, or something else running at the same time (could be in the foreground or background) that is causing it.   I used to think that background processes would not affect After Effects, but then I encountered a fax driver that caused all source footage to show as 0 pixel by 0 pixel.   When disabled, everything went back to normal.   It might not hurt to run a diagnostic utility on the RAM in your system.  I've also has some strand render issue when the memory pressure was very high and one of the RAM chips needed to be re-seated.   - Warren ... View more

Hi @philc69194013: I tried opening the project that you posted and it's working as expected on my computer. I'd try a few things: Import the current project into a new project to see if that gets Layer visibility to work as expected.  If it does, save and continue with that new project. Open the project with all of the source media offline such that you're seeing placeholder footage to see if that gets Layer visibility to work as expected.  If that works, then reconnect the source footage to see if Layer visibility continues to work as expected. Create a new Adjustment Layer in front of the other Layers and apply Invert (Effect > Channel > Invert) to see if that forces Layer visibility to render as expected (other than the inverted colors).  Once in several decades, I've used this approach when a very, very complex project wouldn't render as expected to render a first pass and the follow up with a second render that inverts the colors back.       ... View more

Have your tried using Effects Manager to disable all third-party plugins? ... View more