After Effects (Beta)

Like in the title. All substance materials that are not used in any 3d meshes are removed from project panel during saving. If it’s intentional it should be a preference during saving? I’m pretty sure I’ll be making projects with a full folder of substance materials - a project material library of sorts - that I’ll want to be switching between while working. It will be impossible if every time I save the project. all unassigned materials disappear :/

Outstanding in our (Depth of) Field  Hello beta users! Version 26.2.033 of After Effects Beta introduces support for in-engine Depth of Field in Advanced 3D.This is an entirely new method of creating Depth of Field that works with 3D models, parametric meshes, Substance 3D materials, 3D text and shape layers, and anything else you want to focus on in Advanced 3D. It even handles multiple levels of overlapping transparency, so you can do things like focus on a subject through a window: Even though we are viewing our characters through a foreground transparent layer that should be blurry, they are rendered in perfect focus.To enable depth of field in your scene, set your composition to the Advanced 3D renderer, add a Camera layer and check the Depth of Field box. By default, After Effects will approximate a physical camera. Depth of Field can add compelling realism to an AE scene. In this subtle example you can see the smooth animation from the foreground focus to the background across a

Hello AE Beta users,We have a very fun new feature for you to try in After Effects beta 26.2x31: Parametric Meshes now support displacement of Substance 3D Materials. Displacement uses the material’s height data to push the mesh’s geometry into 3D space. It can add a subtle texture to increase realism and dimension or turn simple shapes into complex, detailed models. Substance 3D materials with displacement can take a simple 3D shape from this:to this!A complex 3D material of stained glass windows in a stone wall applied to a sliced 3D cylinder meshIn addition, Substance 3D materials that include emissive textures will now render correctly, creating the glow visible in the stained-glass windows above or this fracturing planet:Material with both displacement and emissive propertiesNote that Advanced 3D doesn't support true emission; the material will light up, but it won't cast light onto other objects. Getting StartedApply a Substance 3D material (SBSAR) that supports displacement to a

The Advanced 3D Renderer is making slow but steady progress. However there are really two main areas I’d like to highlight here that severely limits artists to leverage having decent 3D renderer native in AE. HDRI WorkflowUsing an Environment Light with an HDRI assigned has limitations.You can’t rotate the environment inside the Environment Light You can't utilize the HDRI layer's effects to influence the Environment Light as it reads source only. You can precomp your HDRI and manipulate it before hand but now AE does not know that the data should be kept linear instead of the automatic gamma conversion for the purposes of the Environment Light. You can linearize the data manually, but now there is a new problem where if you want to use the same HDRI also as a backdrop, you cannot apply the gamma again because for Compositions, effects applied on it's layer in the maincomp DO get taken in to account for purposes of Environment Light where as the direct HDR file as a layer does not have

Get hyped for variable type! We're excited to announce support for Variable Font Animation in After Effects! Stretch, squash, jitter and transform your text with the combined power of After Effects text animators and variable font axes.  You can now animate variable font properties like Weight, Width, Slant, and more directly in the Timeline using Text Animators, edit them interactively in the Properties Panel, and drive them through the Essential Graphics Panel + Mogrts, unlocking powerful new typographic animation possibilities.    Imagine animating your text from whisper-thin to ultra-bold with buttery smooth transitions, all the characters at once or with a gradual fade from one weight to another. Or making each character dance with its own unique style. Or driving font dynamics with expressions that respond to your scene. Now stop imagining—because it’s all real.   Any axis your variable font supports can be animated with the full power of After Effec

We’re excited to announce that as of After Effect Beta 26.2x25,  the blue text property values in your timeline (you know, the ones that you can drag on to change*) has a fun new capability, and we're calling it Proportional Scrubbing.You’ve probably selected a bunch of layers and then scrubbed on the Position X property to mass move them all left or right at the same time, or scrubbed on the Rotation property to rotate them the same amount. Now, with Proportional Scrubbing, you can select a bunch of properties across multiple layers and affect them differently — all at the same time.To use Proportional Scrubbing, simply select a bunch of layers in the order you want to affect them (from least to most) and hold Cmd+Opt on a Mac or Ctrl+Alt on a PC while you scrub the blue text values of any of your selected layers.Instead of just applying the same value change to all layers, the first layer you selected's property value won't change at all, the last layer's property value will change t

We’re excited to introduce Object Matte in the latest After Effects Public Beta (26.2 build 27) — a major evolution of the Roto Brush workflow.Object Matte shifts rotoscoping from a brush-only workflow to a hybrid approach that combines single-click AI subject selection with precision refinement and intelligent propagation over time. Built on the same AI technology powering Premiere Pro’s Object Mask workflow, Object Matte delivers faster, more intuitive results with significantly less manual effort. What’s New in Object Matte?The Object Matte suite includes four core tools designed for speed, control, and flexibility.Object Selection Quickly isolate objects in your footage with one-click or marquee-based selection (rectangle or lasso). This tool leverages advanced segmentation logic for accurate propagation across frames, reducing manual effort for complex scenes. You can access Object Selection by clicking the icon highlighted in blue. You can select an object in your comp by clickin

Can't double click and go into a precomp (if it marked as Vector "*")When I double-click a precomposition marked as vector, nothing happens.If I unmark the vector, everything works normally. 

Hello explorers of motion design and visual effects knowledge!    The After Effects team is excited to introduce a brand-new take on a much-loved past feature—Tip of the Day!    This feature was brought to life in collaboration with you, our users! We asked the community to share their favorite workflow tips and time-saving tricks so everyone can level up a bit. Starting in After Effects Beta version 25.6.17, these glorious gems of information can be found in the Composition, Footage, and Layer panels. We’ve curated this list of more than 100 tips to help users of all skill levels; and we guarantee that if you read them regularly, you will learn something. A sincere thank you to everyone who submitted tips. If you were one of those folks, you might even see your name front and center in AE!    Worry not, these tips will never get in the way of your workflow, you’ll only see them when the relevant panels are empty. They’re also OS-aware, so tips containing

Today we’re introducing three significant updates to our vector workflows in After Effects beta version 26.0x8:   You can now import SVG files as native AE shape layers. Logos, UI mockups, and other vector assets are ready to animate – no conversion required. Improved Illustrator Layer Conversion: Illustrator layers now retain gradient fills, gradient strokes, and transparency when converted to native shape layers. New Gradient Controls: We’ve added animatable Scale and Rotation properties for gradient fills and strokes, giving you more control over vector styling and animation.   SVG Import     Client sends you a dozen SVG logos to use in a project? What once required a tedious, multi-app process is now fast and easy: SVGs import as compositions of ready-to-use native shape layers, no conversion required. Gradient fills, strokes, and transparency are preserved and fully editable.   There are a few limitations of SVG import: Because SVGs import directly as

When you reopen file with torus or sphere mesh with sbsar meaterial texture, taht meshes does not display materials. Cube mesh is applied and displayed correctly. To see material on the sphere or torus I have to manually change material to other and switch back to the initially applied.GPU 5070 Ti.

Hi All,   Thank you for your active participation in our Beta program and for providing invaluable feedback on our new features. Your input plays a crucial role in our efforts to continually enhance our products and meet user needs through iterative improvements. To date, your feedback on the features has been outstanding. Moving forward, we would appreciate your insights on the linguistic aspects of the product as well. As you work with the builds and new features, we request that you also review the UI/UX for localized builds. Please pay special attention to translation quality, contextual accuracy, cultural appropriateness, and consistency across applications.If you encounter any UI elements, labels, or dialogs that do not convey the intended meaning or if you believe a better translation exists, please report these issues by sharing your feedback here for review.Thank you for your continued support and collaboration.

When I import a video, it becomes too wide. The scale is normal, but it looks like the video is too wide when it isn't.

A custom titlebar for after effects in windows like the Photoshop. Ik its useless but will look more cool

Hello compositors and fans of transparent backgrounds! The After Effects team is excited to introduce a brand-new plug-in: a native Unmult effect.   We know... it's about time.    Starting in After Effects Beta version 26.0.08, you’ll find Unmult under the Effect > Keying menu or in the Effects & Presets panel > Keying category.   How Does it Work? Unmult removes solid black or white backgrounds from a layer to restore the original transparency from when your footage was captured.   For example, if you want to composite this fire element over a grill while people enjoy a barbecue in the background, Unmult converts the black areas to transparency and restores the original colors in semi-transparent regions. Instead of black fringing around the fire, you’ll see vibrant reds, yellows, and oranges.      Effect Parameters Some Unmult effects you may have used have one or two parameters, while others have none. These plug-ins work best with

AE BETA 26.1.1 BUild 33MAC OS TAHOE 26.23.8Ghz Core Intel i7AMD RADEON PRO 5700 XT 16GB Dragging an asset in the project window onto the folder icon crashes AE BETA. Is fine if the folder is created first and then item dragged into that.Works fine in 26.0.0 Build 67 

Edit: Aug 17, 2025 — Quick Offset is now released in the official release of After Effects 25.4 Great news for After Effects users! Starting with version 25.4. build 50 of After Effects Beta, we're excited to introduce Quick Offset - an efficiency feature that makes staggering your layers and keyframes in your timeline much easier.   What's New  Quick Offset makes it easy to move each layer in your selection — and keyframes across multiple layers — with just a simple keyboard-modified drag. Just select several layers — or keyframes on different layers — and hold down CMD+OPT on Mac / CTRL+ ALT on PC while you drag your selection in the timeline to watch as your layers (or keyframes) distribute themselves across the timeline under your mouse cursor.  Creating cascading and overlapping animations was much more work than it needed to be, Quick Offset makes it much simpler now.    What it does:  Layer offsetting: Select multiple layers in the order you want to

We’re excited to introduce a small but mighty workflow boost: Crop Comp to Selected Layer(s) Bounds. Starting with After Effects Beta version 26.0 build x40, AE will resize your composition to the visible bounds of the selected layers: either shrinking the comp to tightly frame smaller content, or expanding it to include layers that extend beyond current comp edges.Many of you have asked for a quicker, native way to make pre-comps and assets fit their true content size—without manual resizing or third‑party scripts. This helps you: Pre‑comp faster with comps that match the content you actually need. Keep projects tidy by removing empty margins. Avoid effect cutoffs when elements (like glows/blur) spill beyond the frame. How to Use:Select one or more 2D layers, then choose "Crop Comp to Selected Layer(s) Bounds" from: The Composition menu Right-click on the selected layers in the Timeline Right-click on the selected layers in the Composition panel Note: This feature is designed for

We're excited to share an update to the After Effects Preferences, starting with After Effects Beta 26.0x40. We've reorganized and refreshed the preferences to make it easier to find the settings you need, when you need them.   What's New The preferences have been thoughtfully reorganized into logical groups that reflect your workflow: Project & Workflow Startup & Repair - Configure how After Effects launches and handles project recovery Project - Manage workspace preferences, Dynamic Link settings, new project templates, solids folders, and auto-save options Composition - Fine-tune composition behavior, layer creation settings, double-click actions, mask preferences, and more Previews - Control preview quality, caching, and playback settings User Interface Appearance - Customize themes, UI scaling, colors, hardware acceleration, and visual display options Grids & Guides - Configure grid spacing, guide snapping, and safe margins Label

Hello, motionkind! Now in After Effects (Beta) build 26.0x40 and later, we are introducing two improvements for expressions & scripting.  Quickly find the keyframe or marker before or after a given time, without writing lengthy, repetitive logic.  Read the current text and the full list of dropdown menu items, so you no longer need to keep duplicate strings in your expressions just to show the text from a dropdown menu.    previousKey() and nextKey() in JavaScript expressions    This Beta build introduces new expression methods to quickly get the keyframes or markers before or after any given time:  Property.previousKey(time): Returns the keyframe or marker at or before time. If none exist before time, returns the first keyframe or marker.  Property.nextKey(time): Returns the keyframe or marker after time. If time is after the last, returns the last keyframe or marker.    These new methods are only available in the JavaScript

macOS環境において、After Effects 25.3以降（現在の25.4含む）で OutputModule.file に日本語のファイル名を含むパスをスクリプトから設定しようとすると、出力ファイル名が ？？？.mov のように文字化けする不具合が発生しています。■ 発生条件：• ExtendScript にて以下のようなコードを使用し、出力ファイルを設定する場合：outputModule.file = new File("/path/to/保存先/動画_日本語.mov");• fsName・absoluteURI 等では正しく日本語が表示されているにもかかわらず、After Effects のレンダーキュー内のファイル名表示や、実際の出力時にファイル名が文字化けします。手動で Render Queue のアイテムを一つずつ保存先の設定を行うと、保存先の文字化けと、ファイル名の文字化けが解消されます。⸻■ 動作確認環境：• マシン：Mac Studio M3 Max• OS：macOS 15.5（日本語環境）• After Effects バージョン：• 25.2.2：日本語フォルダー、ファイル名をScript から自動設定しても正常に反映（問題なし）• 25.3 / 25.4：日本語部分が ??? に変換され、意図したファイル名になりません⸻■ 補足：• ASCII文字のみ（例: Test123.mov）のファイル名では正常に動作します。• File.fsName では正しくフルパスが表示されているため、OutputModule.file に代入した際の内部処理（エンコードまたはフォーマット変換）に問題がある可能性があります。• 日本語や記号（例：漢字、ひらがな、全角カナ、全角記号など）を含むフォルダー、ファイルを使用するプロジェクトでは、スクリプトによる自動処理が機能しなくなっています。Output Module: の項目が、日本語が含まれている部分、01_日本語フォルダー名　が　01_?????????? となってしまい、手動でひとつずつ保存先を再設定すると、文字化け(????.mp4)という名前のファイル名も日本語に正しく変更されます。 ⸻■ ご対応のお願い：日本語を含むファイル名がスクリプト経由で正しく扱えなくなるこの仕様変更（またはバグ）

From Premiere Pro beta, when I try to create a dynamic link, it creates a link, and it will create a comp in After Effects beta as well, but no clip, text comes from Premiere pro to after effcts beta

I just updated my AE beta (Nov 14) and now it's unable to open. dvastorage.dll not found. I can not Copy paste any dll file in the support files folder because it's requesting admin rights. Even my IT admin doesn't seem to have admin rights for this folder.

 The ProblemIn Shape Layers, the “Anchor Point” in the Shape Transform group only affects Scale and Rotation, but not Size.When animating the Size property (e.g., of a Rounded Rectangle), the shape grows or shrinks symmetrically from the center, regardless of where the anchor point is.This makes it impossible to do natural-looking directional growth (e.g., “expand downwards from the top edge”) unless you hack around it. Here's an example:I have a Rounded Rectangle.I move its Shape Transform anchor point to the top edge.If I animate Scale, it respects the anchor point, but the rectangle gets distorted (stretchy look) instead of staying proportional.If I animate Size, the proportions are preserved, but the anchor point is ignored — it always expands outward evenly in all directions.Why I think the anchor point should affect the "Size" property: Motion designers often want shapes to “grow from” or “shrink into” a specific edge or corner (like buttons, UI panels, progress ba