Feature Requests

I have created a Gaussian blur mask at the first frame in a segment and traced it to the end of the segment creating key frames.  I am now fine tuning the mask but it comes to a key frame where bezier handles are shown.  How do I get rid of the bezier handles so I can tune the mask by just shangin the size/shape of the oval?  

The toggle case keyboard shortcut should be usable when editing the text of a transcript. (MAC: Shift+Fn+F3 PC: Shift+F3) Transcription can't identify every proper noun and it would save so much time.

cambiare la lingua durante l utilizzo delle app ,  spesso chi ha la lingua in italiano e acquista dei templete da parte terze le ritrova solo in Inglese è deve reinstallare  la lingua inglese 

I've found the text-based editing feature to be very helpful on many projects, but I've noticed it doesn't register when someone says "UM" in the audio transcription.    I was just curious if anyone else noticed this or if it's just me.

Reverse Match Frame currently moves the playhead to hover over the clip's matching point in the current timeline, but it requires an extra click to actually make the Timeline Panel the "active" panel. I have literally never used the Reverse Match Frame function without immediately clicking over into the Timeline panel - it should work exactly opposite to the Match Frame function, which moves the playhead in the Source Monitor AND makes the Source Monitor the "active" panel, cutting out the mouse-click middleman. 

Bidirectional linking in Productions or like short-cuts!Two-way connection between files/folders/.prproj that allows users to browse in either direction! this way you don't have to create a copy of any of these files. or just make an API into something like Notion appThey could put this into Adobe Bridge! Bridge has made some breakthroughs over the last few years with their updated features but its still super basic compared to where they could or should be today. I am praying that Adobe will really step up its game in this part. You can't imagine the stress I go through on a daily basis trying to find a workaround for these things.this is why Adobe should call me on the phone, I could really help them take their product to the next level.

I would like to be able to set the blending mode for each layer in Essential Graphics. The current blending mode can only be adjusted using the video opacity setting. For example, even if you want to set the blending mode Multiply to the bottom layer of an Essential Graphic that uses multiple layers, it will be set to all layers. If you can set it on individual layers, the range of designs will expand, so please consider updating.   [text: rendering changed to blending by mod]

It would be really convenient if you could target where clips will land in the edit timeline from the source timeline.  The current behaviour is that you first select which tracks in the source timeline you want inserted/overwritten, then you have to toggle over to the edit timeline and chose from there what tracks  those source timeline clips will land on. If this could all be set from within the source timeline that would be more efficient, as you would have the confidence of knowing where your clips will land without toggling between the two timelines. 

Loving the new audio features in the Beta, although editing with them at the moment is somewhat quirky.One thing I would love to see is a visual representation of Audio Gain in the timeline - you can see clip keyframe, track keyframes and now audio effect but unless I'm missing something, there is no way to see Audio Gain. Often an assistant might add a blanket gain value across a whole bin (for example music) but as far as I can see there is no way to actually see the value without invoking the Gain function.

I propose the addition of a feature that allows users to randomly shuffle and mix video clips, other media, or sequences within the timeline. This feature would provide a quick and efficient way to experiment with different arrangements, enabling editors to achieve a more dynamic and creative outcome. The ability to randomize clips could be particularly valuable for projects like music videos, montages, or any content where a non-linear, spontaneous arrangement is desired.How it Could Work:Integrating a simple button or command within the Premiere Pro interface that shuffles selected clips within a designated range on the timeline would be a practical implementation. Users could customize the degree of randomness or specify constraints if needed.I believe that the addition of a "Randomized Clip Mixing" feature would not only make Premiere Pro more versatile but also enhance the overall creative workflow for video editors 

This is the case in most operating systems and video platforms. So it would make sense that it will be similar to them

Would it possible, or a good / bad idea to Background colors for the Audio Track Mixer?If adding / using mutiple tracks that need to be grouped, having  individual track colorsmaybe be handy for quick level adjustments.  Just wondering if it could even be an option?Thank You.. 

The new audio update is amazing, especially the draggable audio fade points, and subsequent options to shape the fades and effects in multitudes of ways.   PLEASE implement the same interface for speed ramping video.  The current process is so clunky for an editing technique that has become so prevalent and popular.    right click to show speed keyframes, pen tool to add keyframes, pull speed level, spread out keyframes to get ramp, then tug on handles to smoothe, all of which is manual.  If an editor could simply drag a point to initiate a ramp, then use the interface to shape the ramp, that would save editors who use this technique DAYS on certain projects.   PLEASE PLEASE PLEASE implement this ASAP!   It would be a game changer!!!!

I would like to add or remove a few frames at the beginning or the end of a shot, already present in a long sequence. If the sequence isn't too complex, I sometimes have succes making shots shorter with Q and W.Sometimes it screws up everything (for a reason I can't find) but most of the time it does exactly what I want: remove frames towards the playhead and not leave a blank space. However, I can't find a solution for adding a few frames to a shot at the front or end, without having to use the A tool, nudge the entire line from where I want to work, and then make the shot longer. And I most certainly don't want adjacent shots to change at all in out or in points: annoying character of many "tools". I would like to be able to click a shot and make it longer with one key press: extend it to the playhead whilst nudging the entire bunch of shots behind it to the right.Even better would be just ONE tool that allows for making shots shorter AND longer with the arrow keys. Mo

Automatic Crossfade for Audio and Video: It would be highly beneficial if Adobe Premiere Pro could incorporate a feature for automatically crossfading audio and video, similar to the functionality in Sony Vegas. This feature would allow users to overlay video tracks and seamlessly crossfade them without needing shortcuts. For a clearer idea, please refer to this Sony Vegas tutorial: Sony Vegas Crossfade Tutorial.Crossfade Handles for Video Tracks: The addition of handles for crossfading video tracks, akin to the existing ones for audio, would be a great asset. This feature would provide more control and precision in editing, enhancing the overall editing experience.Customizable Tabs for Video Tracks: The integration of the Audio Enhancement button into a tab was a commendable improvement. Extending this concept, could we have the ability to add custom tabs over video tracks? Quick access to frequently used tabs like Lumetri Color, Essential Graphics, and CC/Text would streamline the ed

Hi,It would be great if you could change the path to the Template folder to e.g. a NAS or SAN, so that everyone always works with the latest version of a template, and not as now where it is located locally on the computer.

I like the Ducking feature in the Essential Sound Panel.   However, besides volume ducking, IMHO a ducking technique based on frequency is much more elegant.   This effect is best described as an "outside the club" effect, where you can have a normal conversation between people while still hearing the distant and often bassy version of the music in the background. Like you're literally standing outside the club.   Normally, you would achieve this via a side-chain effect in a DAW. Side chaining, however, is not possible in PPro. Usually, I create a second copy of the music on a new audio track to which I add a graphic equalizer where I substantially duck all the mid and higher frequencies.   All in all, this takes quite a bit of editing work.   Would it be possible to add a slider inside the Ducking section that allows you to determine how much ducking of mid and higher frequencies you desire whenever dialogue appears?    

部分的にテロップを別のデザインに変更するにはスタイルブラウザを開かないといけないので逐一開くのが面倒くさいです。別のタブなどで常に開いておけるようにできるととても便利だと思いました。

Premiere Pro Timeline Track Highlight?When my or anyone's timeline begins to fill with multiple layers filled with clips (video and audio) and I want to, for example, toggle the track output or mute the audio, it's a bit challenging to find what track the clip is on, when there are maybe 12 tracks and they're at the minimum height. Wondering if Adobe can pop a track highlight color or frame on the affected timeline track nomenclature (left of the timeline) when a clip on said track is selected? 

I wish there was an option for the process of automatically exporting long videos every two, three, or five minutes separately, which sometimes can last up to eight hours, instead of doing it manually from the in and out options, which could take up to a full day of work to export the videos. I hope there will be an option with the new update."

When I want to nudge one or multiple audio keyframes in the timeline, say to shift the start/end of a level change, I intuitively select the keyframes and then CMD+ arrow assuming it'll nudge the keyframes the same way you'd nudge a clip in the timeline, but instead, selecting a keyframe selects the entire clip and the nudge command slides the entire audio clip in the timeline.  It would be great if SELECTING A KEYFRAME ONLY SELECTS THE KEYFRAME AND NOT THE ENTIRE CLIP, so that nudging, etc. would work the same for keyframes as it does for clips.  I'm not sure if there's some reasoning behind why selecting a keyframe selects the entire clip, but if there is, I'd be interested to know.

Right now I can set the minimum pause time between 0.10 and 2.50. However, if I use this to edit with, it can remove thousands of little pauses. What it also removes is longer dialogue pauses that I do not want removed. It would be great to set the minimum and maximum pause length that gets removed. Example: I remove all pauses with lenth 0.13 to 1.5. Anything shorter or longer should not get removed. Otherwise, this feature is almost useless to me because I have to go back through and extend too many clips that were edited out because there's no dialogue.

Correct me if I'm wrong, but there is still no built-in video noise reduction effect in Premiere Pro to this day in 2024??Neat Video and ofther third party plugins have been the only solution for almost a decade now!!Adobe, please make this a built-in effect in PP. 

Still completely broken in 2024. (because I need markers to react to speed effects).   Mod note: Edited for content. Title changed slightly.

I would like if Premiere Pro had a dedicated note pad window. I always have to copy paste texts to rename my sequences. Or when someone send me an email with ideas or corrections, I would be happy to stay inside Premiere Pro to read these messages with the ease of a little shortcut just to switch to this panel. And for renaming, I have for example a client that needs me to specify in the name of the export the resolution, 4k or 1080 etc. We could have a clipboard manager where you just click in a list of saved texts that you can paste easily everytime you need it.