Feature Requests

Seriously please bring back Legacy Titles, I've tried using Source Graphic and I can;t do half of what I could do with Legacy Titles.. I hate Source Graphic so much.

Hello Everyone,I am editing videos for stock footages. I collect the shots I took and then put them on the timeline, I export them after editing, but I have to export them one by one, it's a waste of time. If the videos in the entire timeline were automatically named and exported with one click, as in the Davinci program (individual clips), it will be easier for me and those who do stock video work, and they will not think about switching to Davinci. I want a one-click solution, please don't be tired to say other long-distance solutions. Thank you

When the display pauses option is on in the beta of premier pro 2023 for text based editing, all it does is not show the pauses, it would be great if there would be an option for it to automatically not include the pauses on insert or overwrite as well when display pauses is turned off This would be useful because we wouldn't need to remove all the silences beforehand or use a third-party app, it would just not be included which a lot of editors need. This would make premier pro 10 times more useful and this is an opportunity to include silence removing since it has yet to be added to premiere pro for years

Apple brings Final Cut Pro to iPad. Adobe Premiere Pro for iPad, where are you?   Mod note: Title was changed to reflect the Idea.

One thing I find still clumsy at Premiere is relinking media. Sometimes criteria is so obvious, and the process is still so mechanic. I dont say it doesnt have to be a carefull process, it is, but what about Premiere suggesting in a more clever way what to reconnect?

You know what would be nice... a keyboard shortcut that could apply ease out/in to a pair of nodes in Effect Controls automatically, including by KB shortcut. Operatiion1. Create a pair of keyframes that move  the image, say for Scale and Position.  One for start and one for stop on the Position and Scale Effect Control timeline.2. Select all 4 nodes 3. Right click and choose "Auto Ease" (new function) or tap a keyboard shortcut4. It applies ease out to the first node, and ease in on the 2nd node.OR if there are only two sets of nodes and they're aliglned, Auto Ease would apply without having to select them. Or how about this idea:  Putting a checkbox option in the Effect Controls  panel so it would apply Auto Ease whenever it saw a pair of nodes that started and stopped a move. Get your AI engine cranked up. That should be easy. 

We can only rename clips one by one. It would be AMAZING to be able to to it in batch.That's it.Thanks.

For doing home movie film transfers we need sequence settings that offer variable framerates, or the silent film framerates of 16fps (16mm, Regular 8mm silent)  or 18fps (Super 8).

Hi Adobe Development Team and Community, I am not sure if this already exists and/or works differently in Adobe's ecosystem. Is it possible to mount Adobe's cloud storage space as a file-system in user space? Similar to what Google Drive Desktop app offers. This is so that for the Adobe CC Apps, user can configure the preferences to point the project data, input and output data paths to the file-system in user-space which will be Adobe's Cloud storage. Which can automatically continue to sync in the background. And hence there's no active effort needed to save or load data from the Adobe Cloud storage. Looking forward to your thoughts and if this is already possible please let me know how so that I can set it up for my usage. Thanks,Bhavik   

You see, I am working on my videos, and need a way to leave patch sourcing on forever without closing a single tab and losing the patch buttons?   Because it is really hard to do so...   Mod note: Title was changed to reflect your issue. Edited for content. Please do not change application functions using engineering debugging tools.

I really enjoy using the transcription tool when editing long interviews or podcasts. A feature that I could really benefit from would be face detection that coincides with that. I want to be able to name the speakers in the transcription tool and also categorize footage based on whose face is present. Being able to filter clips based on who is present in them would speed up editing dramatically.  For example Bob is talking. It would be so nice to instead of having to organize all of my clips manually by person, be able to search through a B-roll folder for Bobs face so I can include his B-roll while he is talking. Has anyone heard of any plug-ins or is this something that is being worked on?  

Add a simple checkbox option in the Effect Controls panel for masks to make them static. That way when you keyframe an image or video clip to move around, the mask won't move with it. That way we don't have to go through hoops copy pasting masks on color mattes on a new track, nesting the things we want effected by the masks, or animating the mask path with keyframes so it moves in the opposite direction of the content we're masking, etc.

Hello, as a content creator, I use Hebrew subtitles a lot. Is there a target date for the release of the feature to transcribe subtitles in Hebrew? 

Like in Photoshop, you can change the appearance color of the app surrounding your image to white, shades gray or black. It would be very helpful to be able to change the background color in your Program Monitor to pure white, not just the entire appearance color of the app to a light gray. Videos are posted to YouTube and websites that have a white background and it would be very helpful to know exactly how it will look.

BETA:  In the new Text to Timeline Editing, I so much want to highlight the text (and it turns blue and that's great) but I would love to GRAB that BLUE BOX and just move GUI around to the place I want it to go to without the copy and pasting part.  I mean, copy and paste can be there but adding the literally moving the BLUE HIGHLIGHT BOX to where I want it feels like that's what I would want it to do...  I know, maybe not possible... 

PLEASE can this be made a feature? I have an RTX 3070 for displays, and an RTX 4090 for rendering. In Blender, I can select which GPU(s) I want to use. Premiere doesn't let me do that. It usually ends up using the 3070 and then crashing when it runs out of VRAM.

When sending edited clips from a Premiere timeline into Audition, the only option I'm aware of is to use the "Edit Clip in Audition" feature, while selecting the clips you want in the timeline (labeled Yellow below)  This feature would be far more usefull to Editors and Sound Designers if the user could specify handles for the output, as can be done in the "Render and Replace" feature (Which by the way does not seem to allow the user to specify audio only file types such as .wav, even after attempting to import a preset -pictured below).  The reason is that it does not even seem to calculate audio crossfade handles, ensuring that the files are very infllexible to work witn, and cannot accomadate any revisions/ edits, once back in a premiere sequence.  The curent workflow for what I'm doing are as follows:(A manual Noise Reduction with the tools in Audition, on the interview clips used in a sequence) Duplicate the clips in question and paste into another se

I work at a commercial house. We like everything about Premiere teams besides the sharing and receiving changes to the cloud as there are issues with wait time when sharing and receiving changes. Premiere Productions seems a little too complex for our workflow. We would love all the features of Premiere teams but to just work on a shared storage environment so that there is no use of the cloud.

Hi,Currently, we see new opportunities that these filters in Photoshop. But we still can notum the AI techniques in working with the video inside the Adobe pipeline. We know about the development of several third-party projects at once that open these opportunities, but all of them are not devoid of many shortcomings. Perhaps Adobe should have thought about introducing this technology into work with the video. Since these filters require quite large resources for work, it is possible to make a plugin for AE, in which it would be possible to send clips and sequences for the render with their subsequent replacement on the timeline.

It would be useful to have an audio patching option directly in the Source panel (waveform view) as per attached screenshot. The user could enable/disable the blue buttons on the left hand side of the Source panel which are mirrored in the Timeline panel and vice versa (mockup attached). I'm fully aware of the modify clip dialogue box but I think patching with the Source panel could offer a better user experience.  

One of the main aspects I used in the Legacy Titler was a Stroke Effect called "Depth" which added a retro 3d-like effect to the text, and has become an essential part of the videos I'm editing. I found out recently that this feature was removed entirely in 23.0, and because of that I will keep using 22.0 until hopefully this feature (as well as other missing features from Legacy Titler) are added into Source Graphics for a truly seamless transiton into the new text format. This is my first time suggesting an idea, so I really hope the Adobe team actually reads these posts and takes the user's inputs seriously, but honestly I have no idea if they do. Thank you for reading! 

Similar to Photoshop and After Effects, it would be very useful to get a readout of the RGB value of a pixel in the Info panel. Perfect for checking the accuracy of logos/branding assets. Mockup attached

Ability to save custom scopes presets within the Lumetri Scopes panel. One common setup - Vectorscope YUV, RGB Parade, Waveform Luma is not featured in the list of presets, hence the ability to save custom presets would be useful. Screenshot attached.

Hi, it would be quite helpful for premiere to have a video and audio track colour labelling feature to visually organize tracks on the timeline. A similar feature is available in davinci resolve. I know you can label clip colours and bins but there is no current way to colour code an entire track. I have attached a screenshot from davinci resolve of what i mean Thanks.

There's no denying it... the Export Frame window SUCKS! Here are 4 EASY ways to make it suck less (which would go a long way towards Adobe showing its users they care. BTW, spending resources on accelerating cheesy effects from the 80's that no one uses anymore (i.e. Split and Center Split transitions) as was done lately does NOT show they care about us... it only goes to show how out of tune they are.  Here's an easy opportunity for them to get back on track [/end rant]:  1. NAMING The Name input field should automatically display the LAST USED NAME during an editing session! If I want to export a bunch of still frames to give to a client, and name the first one ‘Ceita Corê Still Image 001’, it's 99.9% more likely that I'm going to want my next exported frame to be called ‘Ceita Corê Still Image 002’ rather than the generic 'Sequence Name.00_03_10_05.Still002'.  So why does Pr completely disrespect our time as editors by defaulting to names most editors d