Feature Requests

This pertains to the Helpx website (you should really have an issue category for this).On this page: https://helpx.adobe.com/premiere-pro/system-requirements.html, the link "Supported graphics cards for Adobe Premiere Pro" does not go anywhere. It links back to itself. This is because it incorrectly targets the page fragment "#gpu-acceleration" when it should be targeting "#graphics-cards"

I am using Pr Version 23.0.0 to produce files to use in Encore and the result was terrible. I can produce a H.264 file that is perfect. Going back to the Export function when I changed the Format from H.264 to MPG2-DVD the picture on the Export screen got blurry and the video it produces is also blurry. The workaround for this project was to export an MP4 file on Pr V23, reinstall Pr V22 and produce the DVD files using Pr V22. Until Pr V23 is fixed I will have to build and edit projects on Pr V22 and produce DVD files there.

Lut's are not picked up from PrPro v.23 when using the clip replacement function in AE. When opening a project, AE asks to specify Lut's and does not apply them to the clip to which the color correction was made in PrPro. Fix it

文字起こしで自動生成したキャプションについてですが、1.しゃべり終えて無音状態になっている時間までキャプションが表示され続けている事がある。しゃべり終えて5,6秒キャプションが消えずずっと表示されている事があります。機械学習による自動生成ですので、これは仕様として理解します。2. 以上で生成されたキャプションテキストのレイヤーに対して、再生点を移動し、以後の時間をトリミングする事で喋り終えた状態でのキャプション表示をトリムしたいのですが、デフォルトでCtrl+Alt+Wに割り当てられている「次の編集点を再生点までトリミング」コマンドが動作しない状態です。一方で「次の編集点を再生点までリップルトリミング」コマンドは正常に動作するため、以上の動作は不具合なのではないかと思うのですが、いかがでしょうか。

There is a bug in the current version of Premiere (23.0.0, but was also in the immediately preceding version) where doing a search of a generated transcript causes the Transcript window to jump to the Source Window, but only if a clip is loaded. Closing all clips in the Source Window stops this behavior.Also, there is a routine bug where a search of the Transcript window will not jump the playhead when clicking in the transcript. This requires a re-load of the project to fix.

I dont know how to exactly explain this,but Since I installed this new version everytime I try to re-edit text or make any adjustment on text already withen on the timeline, everytime i click on it, the mark used to appear exactly where i clicked, but now, everytime i click on text to re-edit it the mark always starts at the end of the phrase instead of where i need to make adjuntments, and even if i click directly again on the spot i want to edit, it doesnt move the mark, so i need to scroll with the keyboard arrows to the spot i need to edit, this is very frustrating and time consuming, this was never an issue until now

When navigating through a sequence, I often use the Go To Next Marker command. However, I often have many clips with markers. I use those markers to create subclips, and don't need them included when navigating within a sequence. I would love to have the option to have a Go To Next/Previous Sequence Marker that would ignore clip markers. Alternatively, I'd be fine with a method that turn off clip markers in a similar fashion to the marker color filter so that the regular Go To Next Marker disregards any clip markers.

Bonjour,Voici une suggestion qui aiderait énormément au dérush sur Premiere Pro. Il faudrait ajouter la possibilité d'avoir un écran programme distinct pour chacune des séquences dont on dispose. Ainsi, on pourrait mettre une séquence "DERUSH" avec son moniteur programme côte a côte avec notre séquence "MONTAGE" et son moniteur programme aussi. De cette manière, on a un point de vue en même temps de ce qu'on peut tirer de notre derush, et où on en est dans le montage. Merci d'avance !

This feels like a BUG. I attempt to export ProRes422 video, from 1 track, including live action shot followed by a Photoshop nest graphic animation with six layers.When I leave Edit mode for Export mode, and tell it were to land, I then click AUDIO OFF, then I get this "need 1 media stream" annoyance.Unexpected behavior.Best, as always,Loren

After analysing sync in the transcribe function different speakers are identified. Add the option to automate adding cuts as speakers change and colour label different speakers. Then the option to remove a speaker (e.g. interviewer) and close gaps. Or separate the speakers if there are multiple talking heads, and then combine the same individuals as continuous sync. This has the potential to save a lot of time pre-editing interviews.

there is a problem with the new nvidia driver update when adding a new version of DLSS this causes from the new driver that the preview of the clips does not go well, it goes with cuts and slowness the version that I am using of adobe premiere is 23.0.0 compilation 63

AAF issues are all over the place. I've had AAFs export without handles despite setting my export settings to include handles of multiple seconds. With the latest Premiere update (23.0), AAF exports cause tracks to shift on the timeline so they import improperly into other software. These issues are a massive hindrance when transferring files for final sound mix. Please help!

It's useful to have guides on screen when moving stuff around, but they can look annoying during playback. It'd be nice to have the option to have them disappear during playback and reappear when stopped - exactly like in After Effects.

sorry for short eng, for i'm foreignerfirstI know how hard working adobe is havingI'm so appreciate that--------but you have to know thisI'm using mac OSand premiere proin windows OSTo use short-cut keyIt has to be in 'state of engilsh key' not in other languagebut in mac OSit doesn't mattershort-cut key works in other languagesbutfrom version 22.6it doesn't work in macOS alsoand now version 23doesn't work....pleasetill 22.5 >>> works wellform 22.6 >>> doesn't workwhy did you BOTHER to make that NOT WORKING????Pease make it come back

イラスト素材などを位置キーフレームで動かすとプログラムモニター上で動いた軌道が青い点線で表示され、ベジェハンドルを掴んで動かすことで滑らかな曲線の軌道にすることができると思います。このときのモーションパスの青い点線やべシェハンドルがとても細く小さくて見えづらいです。例えばシェイプパスまたはマスクパスのように太く大きくして、視認性を高めてはいただけないでしょうか。Photoshopのようにパスの太さとカラーの選択ができるとさらに便利です。よろしくお願いいたします。

In Monterey 12.6.1WTF??? I'm dissolving title cards. They work fine as fades, but I can no longer Cross Dissolve one title card into the next! It plays as a butt cut, I've cleared the cache, rebooted, etc. I have to go back to physical overlaps one track over the other, you know, the way the lab did it on 16mm film 40 years ago????Real kid stuff. BTW, titles generated in Essential Graphics, currently one of the least appealing, unfriendly title tools on the planet. There's nothing quite like drawing your attention from the composing screen text- one of its better features-- to search for kerning, leading and all the other nifty font manipulation tools --in a completely separate panel. But that's a complaint for later. This is just weird behavior, and likely a bug.Best, as always,Loren

I have a very bright iMac screen and edit in a dark room. I often don't realize my video is a bit too dark until I deliver it to social media and view it on my phone on their white backdrop. It would help if I could change the UI of at least the program monitor to white, like I can in Lightroom, to give me a good reference when coloring my projects.

Currently, Essential Graphic clips that have been re-named on a timeline retain the new name, even if the text in the graphic is changed later.Rather than having to re-rename the layer every time to match the changes, please add an option under the "rename" popup (when right-clicking the source graphic clip on a timeline) to "revert back to live-type naming" or some such designation. Thanks!

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as a youtuber, I quite often bring in all my video files and then weed out the unusable clips. It would save time to be able to delete files from the timeline or media window and choose to delete them completely from the drive they're stored on. Personally, I prefer not to clog up my drives and project folders with unusable clips. It takes up drive space and makes it harder to find good files.At the moment, I have to find the clip on my drive then delete it manually. If I want to do this from the media window, there's no "Reveal in finder" option. That means I have to sometimes put the file onto the timeline, use the "Reveal in finder" option, manually delete, then return to Premiere and deal with missing file messages.How about being able to right click any file and choose: delete from project and drive - ?

Hi! Can we talk about the pop-up boxes which invades my workspace every time the cursor hovers over anything for more than a second. All it would take is a check-box somewhere in the preferences , just a way to disable it. Please.

When auto updates happen try not removing my previously saved presets. All of my custom export setting are gone.

Premiere locks up for 10 seconds when I select the edge of a clip to edit it - when it comes back all the clips are black. Have to use a previous version of the project.

Not an idea, but a problem report.With timeline rendered to match, export Match sequence preview settings - using Previews -- renders very fast directly out of Premiere = GREAT. However, sending same sequence and settings to Media Encoder = HOURS to encode!I've tried both Premiere 22 matched to Encoder 22, and Premiere 23 matched to Encoder 23 - same result - SLOW! Even after restart - no change.Suggestions?

As Essential Graphics hold the intellectual property it would be great to have a password protection that prevents clients from accessing the MoGRTs source files through After Effects. So the MoGRT works the same as usual in Premiere, but can only be edited by the creator or the password holder.