Feature Requests

A common issue I've seen here. When exporting a sequence from premiere the color shifts dramatically in the majority of playback programs. Quicktime, Vimeo, Youtube etc. VLC works fine but not everybody is using VLC. Makes for lots of wasted time on color grades.   Comments from Adobe below This is an issue we (Adobe) are aware of. The best desciption of this issue is in this article and the related video: https://www.todddominey.com/2021/01/24/why-are-videos-washed-out-on-the-mac-exploring-quicktime-gamma-shift/   A feature for handling this issue - adjustable Viewer Gamma - has been added to Premiere Pro v24 and is explained in this documentation: https://community.adobe.com/t5/premiere-pro-ideas/quicktime-gamma-shift-prevent-color-shift-on-export-from-premiere-on-macos/idc-p/14186643.   Fergus

On Windows 10/11, even if you have dark mode enabled in Windows theme settings, it still leaves you with a white glaring title bar on the top of Premiere Pro and After Effects (pictured). I understand this is a technical limitation from Microsoft since their dark mode is wonky, not perfect (essentially just a lazy reskin of their white menus), and even broken in some contexts, but I think what Adobe devs could do is create their own title bars in-app similar to how Photoshop and Acrobat do, and that will give them the ability to color it independantly from Windows. With the onset of different OLED monitors becoming more common & mainstream in the near future, this would be a really helpful feature request as it can help avoid burn-in of pixels, and also cause less stress on the eyes for longer periods of work.Presently, the only real way to get dark title bars in these applications is to use third-party Windows customization software and themes, which pose a major risk to

複数のクリップを選択しても整列と変形項が使用できるように機能改善してください

My big idea is to have the source panel have the option to "free play". Often, I'm previewing music or sfx tracks in the source window and I'd like to scrub through sequences/ edits to see if the music will fit the raw footage. Why is this not a feature? It would be a simple button on the bottom or a setting in the wrench in the source panel.  Thanks.

When an image is dragged from an outside folder (i.e., Images) onto the timeline, have that be the active clip, instead of another, so when features are applied, we are not inadvertantly adjusting a clip that is not showing in the Program window that is not to be modified--obviously--because if I had wanted to edit its features, I would have been viewing it in the Program window!) Thanks!

I will start with I almost always export from source in/out, and that possibly doesn't matter here.  However, if I leave the playhead at a certain point on the timeline, will that be the "thumbnail" frame?  If not, could that be a possibility? Not sure if that could be a metadata feature so you could control that functionality.  Currently, our team uses OneDrive and SharePoint for client delivery, where everything is controlled by the company.  The process of selecting thumbnails is attrocious on our company network., and having that ability to select the thumbnail upon export, would be super clean. Alos, we have met with people within adobe, to talk about enterprise Frame.io so this would be a big win for our team! ...all of this over thumbnails lol

The ability to use the Automate to Sequence function via source timecode would be a great and easy way to produce sequences based on source clip timecode. This would be especially handy for creating sync maps, rather than using the existing method which involves creating multicam timelines. Having this feature work on audio only files as well would be very welcome.

Es desesperante la ausencia de transiciones mas modernas en Premiere. La solucion  pasa por descargar y meter plantillas "overlay", o hacerlas manualmente (pero que cuando hay mas capas no funcionan bien...  o bien meter plugins  que son una plaga de publicidad  o bien son carisimos... como es el caso del unico medio decente que es filmimpact (que llevo gastado en varios años, pagando cuotas, mas de lo que vale el propio premiere). No puede ser que con lo caro que es premiere no tenga una coleccion decente de transiciones como davinci. Parece una decision inquebrantable de adobe en no ponerlas. ...  he esperado por añños que cambiais esa politica de no tener transiciones. Que hasta los programas domesticos para aficionados son mejores que premiere en ese sentido. Puuuufff comprad film impact o desarrollarlas vosotros ¿¿¿¿¿Pq no poneis transiciones?????

A couple features I would love to see included in premiere pro. Sorry if they are already in there and I cannot seem to figure it out. Would love to hear how to access them if they are indeed available. Not interested in third party plug ins - want to see these features native.  DEFAULT SORT ORDER OPTIONS - I think this is a very simple feature that would help me out a lot. From what I can see there is no option to choose a default sort order on files. My current default sort order under list view is "frame rate" and under the thumbnail view it is "user order". These two options make no sense to my work flow. Often times I'm going through my clips and pulling footage onto the timeline and I realize my clips are not sorted correctly - because I forgot to manually choose my sorting order (which I have to do every time). It creates a bit of a workflow nightmare. I would love the option to just have clips sorted by their name at default. I dont want to have to click it every time

After the latest update (also in Beta version) the right click context menu got very long (when you right click on a clip in the timeline).  I use "Reveal in Project" a lot but it's so low down now that I have to click on the scroll down button first, then I can see the feature I want.  Is there a way to control what is shown on the context menu? I'm using 25.1.0 BETA. Windows 10 (Same happens on Windows 11) 

It would help a lot of people if you could assign a keyboard shortcut to a pre-configuration or effect in the "effects" tab.It would also have to work for user-created preconfigurations.This would make it possible, for example, to stabilize a rush with a single keystroke.

Regarding the little square in the label color column of the project panel, what if either you could hover over it and the pop-up stated what it was (b-roll, no good, best take, etc.) ... or ... there was an additional metadata column similar to "comment" but with a drop-down of your editable label choices.

Feature Request: Option to retain local audio preview scratch disks within Productions by default on individual collaborators' machines. I work with several other editors and assistant editors, each of us on multiple machines, on a shared Lucidlink volume, using Productions.We are big fans of Productions and big fans of Lucidlink, but do have a small nuisance that we're hoping find a better workaround for. Our scratch disks are set locally (not on lucid), which seems to help render speed during sessions and prevents those with slower upstream connections from getting their bandwidth choked. Often, sometimes several times per day, one or all editors collaborating will need to reset their video & audio previews in the Production's scratch disk to their own individual local non-lucid cache folders. Ideally, there would be an option in Premiere to allow each machine to have its preview file paths stay locally assigned.  Within Preferences>Collaboration perha

Yay an other update........ Why would I want to have rounded corner on clips in the timeline when 95 percent of my time im trying to butt up next to an other clip? makes no sense.. if im on line 1 and butt up a clip on the edge of line 2 under it.. theres a huge space because its rounded.. why would anyone want this.. how do I change it back.. please.. tell.. me.. theres a way.. Yeah I get it a bunch of weirdos requested rounded edges.... but I have no idea why.. guess im missing something..  

It would be great to define a maximum volume for silences, in some occasions in the recordings you can hear the breaths, and Premiere Pro does not consider them as silences so those breaths must be eliminated manually, if a volume level is established for silences, everything that is below that volume level will be considered silence and will be eliminated, as well as it would be great to allow leaving a space between the cuts, so that the audios once they are cut are not so close together since sometimes you have to edit again and add that space manually

I'm a bit baffled that the default time interpolation is set to "frame sampling" - which I think sounds much fancier than it is!It's actually whole/hold frames- meaning that by default when an editor puts a clip in the timeline in slow motion, (say 50%), each frame is held for 2 frames, and the result is choppy playback....dating myself here by referring to this as 'reservoir dogs' style - aka stuttery CHEAP!I work with some editors that often forget to check in on all speed ramps and timing work they have done, and then we end up with choppy videos. I would love to see a global preference in pref/media where a user could specify an alternate default for time modified clips. Also, I recently learned (pls PLS correct me if I'm wrong here!) that when 'conforming' a timeline that has clips with multiple frame rates within it, it's the time interpolation that essentially conforms the clips for render output.  I was recently working on a documentary project with many mixed so

Will we ever have a built-in audio feature that allows us separate vocals from instruments in Premiere pro? I saw how davinchi resolve implemented this feature in their new release which allows you to seperate audio to 4 stems (vocal, instrumental, ambience, background noise), I`m used to work with Premiere pro for 5 years, and..Since we already have remix tool there, why not implement vocal isolation feature in future releases as well?

Hello,If I edit a long video of my karting session into a short video's for YouTube Shorts, TikTok or Instagram Reels, it takes very much time to manual cut the videos in parts.It's there a way to let AI or Premiere Pro analyse the long videoclip and cut automaticly into short videos so I spend less time into making Shorts voor social media and YT Shorts? I want to be more efficient with my editing.

Manipulating a points of a mask on an effect in Premiere Pro is a pain in the butt, especially compared to After Effects. It's very difficult to accurately grab a point and simply move it to a different position. I invariably end up adding another point or pulling the bezier curve instead of just repositioning the point. I ask that the Premiere team open up After Effects to notice how much easier it is to adjust the points on a mask. Ask the After Effects team how they do it and just copy what they do. One of the biggest frustrations of all Adobe products is how inconsistent tool behavior is from program to program.

When I create a project shortcut from the Project window using the New button, it creates a new project that is saved under the Adobe Premiere Pro Shared Projects directory. Is it possible to replace spaces with a hyphen or underscore in the directory name by default when i create new project ?

Hi, I'm hoping to find this feature in the next Premiere Pro version. You know that Alex Hormozi style of text animations. Is there a way you can add some preset text animations at least 3-5 of them under the Text panel? Perhaps under the Captions subpanel where you can choose basic text animations? What do you think?

I wanna suggest Adobe to bring the feature of animated captions with bunch of formats and styles with the already present automated captions feature. Many people are looking for alternative plugins to do the same thing . As Adobe's premiere pro auto transcription is already powerful, automotive animated captions will spice it up even more.

I'm at a loss to understand why audio effects are explicitly disallowed as source effects. Audio isn't just an obvious use case for source effects — audio is an absolute pain to manipulate otherwise. Say I have an audio recording that needs some processing applied wherever it's instanced in sequences. I really want to be able to apply such effects non-destructively, but as soon as I cut the clip up, I've got dozens of individual clips that have lost their effects connection to the source. I guess I have two options at that point — to destructively edit the source in Audition, or to create a whole  extra sequence to enclose just that one source file, to edit the effects in the sequence's one, unbroken, clip, and then nest that wrapper sequence within my actual target sequence, and chop it up rather then original source clip. This seems like a really backwards process. Am I missing something here?

Premiere Pro Feature Proposal1,Smartphone Notifications for Export Completion & Progress UpdatesExporting a project can take a long time, often requiring users to step away and work on other tasks. A notification system would greatly improve efficiency by providing:Export Completion Notification: Sends a notification to the user's smartphone when rendering is finished.Progress Update Notification: Notifies the user when the export is almost complete (e.g., "5 minutes remaining").This would help users manage their time more effectively.2,AI-Powered Automatic Person MaskingSince people are often the main subjects in video production, an AI-powered feature that automatically detects and masks people in both images and videos would be extremely useful.Use Cases: Background replacement, color correction, applying effects, etc.Benefits: Significantly reduces the time required for manual masking, improving workflow efficiency.With the advancement of AI technology, this feature seems feasi

They pulled the essential graphics windo from Premiere 2025 (I guess to make our lives harder?) and now it seems there is no way to distribute layers. FOR WHY???   Title edited by mod for clarity.