Feature Requests

Is there a way to select/deselect all when copying/pasting attributes between clips? It's so time consuming having to manually deselect the attributes I don't want copied over and would be sorted so easily if there was a select/deselct all at the top of the pop up box. Thanks

It’s 2025 and we’re still forced to adjust audio fades one at a time. We need the ability to select multiple fades or dissolves and change their durations in bulk—yesterday. The current workflow wastes hours as editors slog through every single track, and the new audio-fade UI has made things even worse. Before the update, copy-and-paste preserved both fade type and duration; now it copies only the type, which is maddening. This isn’t a nice-to-have—it’s a glaring productivity hit that costs real time and money. Fix it.

Whe using the Slip Tool, it's nice that we can see the frame at the in- and out points.But please ad a third frame - the frame at the CTI! This will editing to music or other rhytmic audio so much easier.

I am currently the editor for my and my friends YouTube channels. I do my best to make the content able to be monetized, but they make it hard sometimes. This is more so due to their lack of filter with the F bomb.So, idea! Wouldn't it be cool if adobe had built in AI detection in premiere to auto detect curse words in the transcript and give you the option to automatically mute that section and insert a different audio clip onto another track?This way I could have my preset duck sound or bleep out audio and just auto set it each time there's a curse word.

Hello! Looking at the latest updates and features that appear in Premiere Pro, I don't understand - have all the useful and interesting features and functionality been added and implemented?Why are developers wasting time on - “generative video extension” for up to 5 seconds?! If you've run out of ideas, here are a few to implement!- Render and Replace for Nested Clips- Add Cut (Add Edit) for all Markers on Timeline by one click/shortcut- Smart selection like in Final Cut 11 - for color correction, or even better, to do Rotoscoping in Premiere Pro! Like the Keyper plugin from fxfactory does, buy it from them and make it a built-in feature!- Mask tracking often works just terribly and can just freeze; that's where AI can come in!- WARP STABILIZER - this is where AI is really needed to make it work like “magic” and stabilize your video perfectly!- Flicker Free - even Davinci has it! Why not take the guys from Digital Anarchy and their plugin as a basis and make it a built-in fe

I generally work on a pretty small laptop screen so I finally changed my display settings on my MacBook to view slightly larger text so I would be squinting less and have less overall eye strain. In many of my other programs this isn't an issue, however when using Adobe systems I immediately noticed that many windows cannot cope with this change and the size change results in many items being cut off partially. In most applications this is annoying but ultimately fine, as I can still click the edge of many of my most used features, but I recently began using Premiere Pro and it's just plain frustrating. I haven't been able to find a solution other than painstakingly reconfiguring my entire workspace (which would not fix it in all cases) so I'm assuming this is an accessibility issue but please let me know if there is something I missed! Screenshots attached. 

Magnetic Mask For Premiere Pro ✨ 🙌 

Improvement for track sequencing:-Automate to Sequence currently pastes the files always on the first track, that then have to be manually moved up to the correct track. It would be more convenient to paste them directly to a selected track.-Moving clips up to another track with Option+Arrow could be improved, as it currently deletes the clips in between below the final track, which apparently isn't a valuable use case.Thanks!

Hello, there are some cumbersome navigation between which item and pane is active and in focus ready for key commands.Especially between the Program and Sequencer panes (timeline). For example, when selecting an image in the program pane for moving/nugding requires first selecting the program picture frame, then selecting the clip from the sequencer, then clicking the image, then clicking the program window again... Could you make ti easier to select a clip or an image/text and highlighted for editing, thanks!

Sequencer pane (yes, it's a sequencer) could have an option to automatically move the Playhead to the start of the Selected Clip for playing back the section while editing. For reference, Avid Pro Tools has figured out the optimal sequencer functionality decades ago and works beautifully as expected, so easy to just select items, edit them and play back the section. Thanks!

ENGLISH:It would be very useful to allow selecting multiple clips (such as PNGs, text layers, or videos) in the timeline and adding keyframes (scale, position, rotation, etc.) to all of them at once directly from the Effect Controls panel.Right now, Premiere Pro only allows editing one clip at a time in Effect Controls, which is limiting — especially for animation workflows.In CapCut, this is already possible: you can select multiple clips and animate them in sync with keyframes (scale, zoom, movement, etc.) without nesting or combining them, and without any loss of quality.Being able to do this in Premiere would make animation workflows faster, easier, and more precise — especially when using high-quality PNGs, where nesting often causes a visible drop in resolution when zooming.SPANISH:Sería muy útil poder seleccionar varios clips (como PNGs, textos o vídeos) en la línea de tiempo y añadir fotogramas clave (de escala, posición, rotación, etc.) a todos al mismo tiempo desde el panel d

When using "Join Through Edit" or even the "Join All Through Edits"-Shortcut Premiere should warn when the clips have diffrent attributes. I often cuts music-clips and edits the clip-volume (instead of using keyframes) when e.g. voice over appears.When using the "Join Through Edit"-command Premiere will set all attributes as used in the first clip.May a dialog-box "Join Through Edit will delete clip attributes" is helpful when the clips have diffrent attributes and will be erased by using "Join Through Edit"-Command.

Currently, mask tracking in Premiere Pro processes every frame by default, which is great for precision but slow and unnecessary for many use cases.It would be very useful to have an option to track masks every n frames (e.g., every 5 or 10 frames) to speed up the tracking process and reduce CPU usage, especially for scenes with slow movement.Similar functionality exists in other tools (such as Mocha AE), and bringing this to Premiere Pro would greatly enhance workflow flexibility and usability for video editors.

Let Replace work for a selected Gap too. In Premiere, filling a gap with a clip is not very intuitive.Since we are able to select gaps like those were clips (e.g. to tipple delete 'm), it would be logical to let the Replace  function work for a slected gap, just like it were a clip.

I'm working on an ongoing documentary set in the Arctic and doing a number of interviews in different languages. I'm keen to explore using Premiere to transcript from either Icelandic or Finnish into English.There are a number of documentaries being made in the Arctic region currently and I'm pretty sure I'm not the only film maker who'd benefit from these languages being available on premiere.Well done for already adding Norweigan and Swedish.

Hi all,I love Scene Edit Detection, however I've noticed that it's only an option when a clip is on a timeline.  I'm wondering if it's possible to add the feature while a clip is in the Source Monitor, prior to bringing down to the timeline?  I get that it wouldn't be able to add the cut points, but at least being able to add markers before bringing to the timeline would be great.  Thank you!

With prin files added to autosaves and previews, the project folder can become quite messy. The user can organise this into a custom folder, but then if the project is migrated to another workstation, the path to each scratch disk then has to be redefined upon opening. I suggest that when the user defines a scratch disk as a subfolder to the location where the .prpoject file is located, this is saved as a relative file path (e.g ~\Media\Cache) instead of the whole path (C:\Users\Editor\etc...). This is then relinked like any other media after the project is opened after copying to another machine or drive. If simpler to implement, the default "Same as project" option could save in a subfolder with a default name. We currently delete these files before archiving just to keep things clear for the next editor, but that's a shame, autosaves especially could be useful and the size of these files is usually a tiny fraction of the overall project.

It would be so great to have the mulitple camera angles numbered on the toggle multi camera view

Adobe, can you please just add a button, in the button editor for a rule of third guide?

For any work in HDR formats, it would be incredibly helpful to have useful graticles ... the horizontal demarcation lines. And one that would really be of help would be the "graphics white point" set in the Sequence menu. It would also be helpful have at least one other user-settable graticle for HDR work.

i use this feature a lot pls bring it back  

Hi Premiere pro is a video editing software that has high capabilities and many users around the world, also include Thailand too. I have problems using it because there is no thai language pack support in the Text-Based Editing.  I hope Adobe to pay attention to this problem and develop better thai language pack support, so that Thai users can use Premiere pro more efficiently and comfortably Thank you

Sometimes when I open a project my luts just go offline making all the my clips appear black unless I disable that lumetri colour effect. I would love if there was an easy way to relink LUTs in the same way you relink missing media. The process of manually re-adding each LUT clip by clip can take hours and is a serious killer for me!

Considering the widespread use of the Persian language worldwide, which encompasses a population of approximately 80 to 100 million people, it is crucial to emphasize the importance of this language in software such as Adobe Premiere Pro. Additionally, in recent years, video production in Persian-speaking countries has seen significant growth. Therefore, it is recommended that the Adobe development team consider adding Persian language support in Premiere Pro and implement AI-powered subtitle generation for the Persian language.This feature would not only enhance the user experience for Persian-speaking users but also play a significant role in expanding the use of Adobe software in Persian-speaking countries and strengthening international connections. As much of the video content is produced in Persian, adding support for the Persian language could help attract more audiences and increase the software's functionality.Furthermore, in order to improve communication for Persian-speaking

Lose the Crop option at the top of Effect Controls. You can not move it below other effects, (e.g., Roughen Color Edges, so it doesn't Roughen the cropped edge), and the Crop option under Transform allows softening of edges, etc. which works better with Transitions than the Crop option at top. Also, it takes up valuable space with something redundant. Thanks!