Currently, the Direct Selection Tool cannot drag select vertices if there are other objects under the mouse without dragging those objects as well. One has to be constantly locking and unlocking the layers below. If there was a Box Select tool separate from a Click Select tool, or a modifier key for the Direct Selection Tool that would either disable click selecting or confine vertex selections to the currently selected object, it would be much faster to select vertices. Blender, as an example, has a Box Select tool and a tool for click selecting. With hot keys it’s very fast to go between the two modes. Thank you! Update- I had Illustrator selected, not Adobe Aero. Moderator please move this to Illustrator Feature Requests.
I am a professional wedding photographer and I edit between 30,000 and 50,000 RAW files every year using Photo Mechanic, Adobe Bridge and Camera Raw.For many years, after confirming a crop in Camera Raw, the image automatically returned to 100% zoom. This behavior became an essential part of my editing workflow and muscle memory.Since updating to Camera Raw 18.4.1, this behavior has changed. The image now remains at the previous zoom level, forcing me to manually press Command + 1 after almost every crop.This may seem like a minor interface change, but for professionals editing tens of thousands of images every year, it adds thousands of unnecessary keystrokes and noticeably slows down the editing process.Please consider restoring the previous behavior or, even better, adding a preference that allows users to choose what happens after confirming a crop:• Return to 100% zoom• Keep current zoom• Fit on screenCamera Raw is an exceptional tool, and this request is simply about preserving the speed and consistency that professional photographers rely on every single day.Thank you for your consideration.
I have two small Premiere Pro workflow suggestions that I think could eliminate a surprising amount of unnecessary clicking.1. Use the Right-Click Position as the Paste DestinationCurrently, Premiere relies on track targeting to determine where copied material will paste, and editors may also use track locks to protect tracks they don't want affected.I think there is a much more streamlined approach.When a user copies a clip, they should simply be able to:Right-click the destination track → PastePremiere could record the exact mouse position of that right-click and use it to determine the destination automatically. The vertical mouse position determines the destination track. The horizontal mouse position determines the approximate timeline position. If the right-click occurs in a gap after another clip, Premiere could snap the pasted clip's left edge directly against the right edge of the clip immediately before it. This would remove the need to manage multiple track targets or lock several tracks just to tell Premiere where one copied clip should go.The user is already pointing directly at the destination, so the mouse position itself contains all the information Premiere needs.The workflow becomes:Copy clip → point where you want it → right-click → PasteI think this would be substantially faster and more intuitive, especially in timelines containing many video and audio tracks.2. Add Control Points Directly While Editing an Ellipse MaskWhen an Ellipse Mask is first created, its existing control points are already visible and editable.At that moment, it would be very intuitive if the user could click, Alt-click, or use another modifier directly on any part of the ellipse border to add another control point.The new point could then immediately be dragged into position.Premiere already allows additional control points to be added to an ellipse by switching to the Pen Mask Tool. My suggestion is simply to eliminate that extra tool-switching step.If I'm already editing an ellipse and can see its control points, I should be able to:Click border → create point → drag pointThat would make refining circular and elliptical masks much faster and more intuitive.
I have several suggestions for improving the User Experience for logging in to Creative Cloud.Support for logging in from Trusted Devices in an Enterprise environment using SSO with Conditional Access enabled In our enterprise environment, when we rolled out Windows 11 over a year ago, our IT Security group implemented Conditional Access. Conditional Access has broken SSO authentication for Creative Cloud. The login control on the welcome screen of the Creative Cloud Desktop, and individual member applications, do not support the requirements of Conditional Access. Specifically the device information is not passed to the authentication server. Thus the authentication server is unable to determine if the login credentials are being sent from a trusted device. So although the authentication server is able to validate that the user has submitted valid credentials, it denies them access anyway, because it cannot determine that the device is trusted.The workaround Adobe Support provided us is to use Login using your browser. The main problem with this is that the Login using your browser option is hidden in the Help Menu, and most users either don’t know about it, or frequently forget. They try using the login control provided on the welcome screen of the Creative Cloud Desktop app, and get an error message saying “You cannot access this right now”. Then they call the helpdesk. The amount of lost productivity adds up and is a drain on our resources, both creative resources and helpdesk resources.Adobe needs to implement support for Conditional Access across all login forms, in all applications.I’ve also been told by Adobe Support that enabling Conditional Access breaks the session life settings. We are forced to have no expiration to a login session, because when we tried to set a time limit on session length, stored credential tokens were not being cleared from the Credential Manager/Keychain when they expired, resulting in an “error”:“invalid_credentials” error being presented to the user after their login. Login Screen customizationsThe administrators would appreciate the capability to customize the login screen, to remove options that aren’t appropriate for our environment. This will make it simpler and easier for our users to log in, by providing them only the methods that are approved and that work in our environment, and reduce calls to our internal helpdesk for issues related to attempting to log in by unsupported means. For example, we’d like to be able to suppress the question, after the user enters their user ID and password, to choose whether they are logging into their personal or business account. We only support logging in to the business account on our devices. We would also like to suppress the “Continue with Facebook|Google|Microsoft|Apple” options from the login screen, as our environment does not support using these methods. We also would like to suppress the “New user? Create an account” link; in our environment, users request access through our internal software request process. It’s misleading and confusing to present a way to request access from the welcome screen of the application.
With the update today adding gen A.I. right in the toolbar, I found myself looking for ways to hide this unwanted addition and discovered its impossible to remove a tool from the toolbar. A simple change allowing people to choose what tools they see, or overall more options to make these A.I. changes optional instead of them appearing everywhere and sometimes being used by complete accident would be a welcome change. I’m honestly considering looking elsewhere for my work and I know other editors feel the same.
I administer Adobe Creative Cloud for a large group of users, about 1300+ individual contributors.We have been struggling with automatic updates not applying automatically. Many of our users are not in compliance with being on the latest version of the products they have installed.I recently learned that Adobe has implemented a setting in the Application Profile for All Apps and Single App licensed products, to enforce automatic updates. But this setting is not available for Document Cloud, Adobe Acrobat, or Adobe Captivate. Can you please implement automatic update enforcement across all Adobe products?
Feature for basic Text Animation adjustable directly in the Text Properties, without the complicated Key Frame setup for more advanced animations. The Text Properties would include a basic Slide in and Fade in animation, that stays relative to the IN an OUT points of the text clip, when adjusting the clip on the timeline. This would also enable to later resize the Text, without affecting the animation setup or the centred position of the text. Thanks!
I’d really love to know when Premiere’s AI will be able to edit, create, and modify texts inside Essential Graphics. This feature is super important because it would save me hours of work! And if the team is already working on it, could you please share an estimate of when it might arrive in Premiere’s beta?
Dear Adobe team,I’d like to bring up a suggestion that I believe has been overlooked for quite some time. As a regular user of Adobe After Effects, I find it increasingly limiting that there is no built-in option to export animations directly to HTML5 formats—such as JavaScript canvas, SVG animations, or other web-friendly code.I understand that some of this is partially possible through the Bodymovin (Lottie) plugin, but it comes with significant limitations and cannot handle more complex compositions or effects. Adobe Animate is technically the designated tool for HTML5 animation, but let’s be honest—it feels outdated, clunky, and simply isn’t up to the standards required for serious motion design work today.After Effects has immense creative power, and the ability to natively export animations to HTML5 would make its output much more accessible for modern web integration—without relying on video formats or inefficient workarounds. I truly believe this feature would be a huge asset for animators, web developers, and the wider UX/UI community alike.Thank you.
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I use Premiere Pro and every single time you know I go to export a video it always warns me that offline media is present I stay inside the same premier file for a long time i'm creating a TV show in Premiere Pro. And this is a hindrance I always know the state of my scene II don't need constant reminders every time I go to the export tab to export something I'm fully aware of with everything in my scene is doing and those warnings are pretty annoying. Can you add a setting to disable those I think a lot of customers probably hate having to click one or 2 times to get past those warnings every time….. i'm sure they're good for some of users but they're definitely not good for all users. Otherwise thanks for an awesome product... Everything is top notch and I'm really impressed with what the software has become with your new object masking capability
Buenas, Jugando con las opciones de la creación de imágenes de texto a imágen, me ha surgido la idea de tener más opciones respecto a las imágenes de referencia. Cuando subes una imágen, al generar se toma como base únicamente el estilo en el que está la imágen, que está genial, pero no se tiene en cuenta la forma. Podría ser útil que la gente pueda subir bocetos de lo que tiene en mente y a partir de éste y con el texto luego generar la imagén. Como ejemplo, un boceto simple de una mesa redonda que he dibujado y el resultado al generar resulta en una mesa cuadrada en estilo de boceto. Al no especificar la forma de la mesa en el texto, ignora la forma del dibujo o no la interpreta bien, aunque sí mantiene ciertos elementos. Texto usado: mesa de madera antigua deteriorada por el tiempo, en un jardín abandonadoEstilos aplicados primer resultado: Ilustración digitalEstilos aplicados segundo resultado: Foto, Art Decó Un saludo.
Seriously, we can't import .flac audio files into Premiere still? Am I missing something?Has anyone tried http://valion.net/flacimporter64/ ? Any good?Not sure why Adobe wouldn't support this FREE, open-source format. I'm thinking about converting my 8,000 licensed songs, jingles and sound effects from .wav to .flac so I can:have the ability to tag them (8000 clips is a lot to search through one by one)chop file sizes in half.I guess I've asked 2 different questions in the same post, so why not go for 3 as long as I'm breaking etiquette. Do you see any problems converting a audio library from .wav to lossless .flac? Anyone ever had any problems with this?
DNG should be able to have sidecar .xmp file for the edits we do in LR classic. it would speed up the backing up processit would preserve the integrity of the filesit would preserve the life span of ssd and hddit would make the workflow with different raw files from different brands more consistent.It would prevent the original creation date of the file from being changed, thereby avoiding mistakes when synchronizing or overwriting files with the same name but from different years.Since synchronization is primarily based on the file name and creation date, this is particularly important for professional photographers. We only have 9,999 numbers available in the file naming system, so it is common for RAW and DNG files from different years to have the same numerical file name. In these cases, the original creation date is the only reliable parameter the computer has to distinguish between them and prevent the wrong file from being overwritten.I am hoping this discussion gets some support the only threat on the topic is 11 years old and last activity is 6 year old. I really hope Adobe bring this easy feature to LR
Earlier today Photoshop updated and added advertisements for new “features” to the front page. I pay you money. I should not have to scroll past advertisements for features I neither want nor use to get to my own files interface. I don’t want to have to disable the welcome screen entirely, I want it to be functional again. These should be optional. Add a toggle for them.
I have like 25 sequences in many of my projects. They are all needed for the future come backs so when I archive then, I need to manually click each one which is an antique approach and wastes a lot of time.What I request is adding 2 features to the project manager:An “Add all” checkbox which will put checkmarks on every sequence. Unchecking the unnecessary ones is usually faster than checking the necessary. Selecting the sequences with Shift and click only one of the selected ones to select several sequences
We have keyboard customizability; you have the “hide all your toolbars” button, in what I must assume is a prank, on an unmodified key that is possibly the second easiest key to hit on the keyboard after the space bar. Why on earth can I not remap that to something completely out of the way so as to not whammy myself with frustration.
Add Ukrainian language interface please.Add Ukrainian language interface in Adobe Reader mobile (android/IOS)
We really need to be able to export GPT images in 2K and 4K resolution. The 1K outputs are quite low quality and only sufficient for basic social media use. Do you have any active development or plans regarding this? Upscaling images to 4K using other models ruins the fine textures and doesn't yield useful results.
Add color calibration to Lightroom mobile this is a crucial thing that can assist many with color grading on the go or for those who exclusively edit on mobile
As a heavy After Effects user for almost 20 years, I often find the Project panel very limited. We usually juggle many kinds of assets, mainly JPGs and PNGs, often in the hundreds. I still need to switch to Finder to see larger icon previews because the AE thumbnails feel too small, and there is no way to make them bigger. I think it is time to redesign the Project panel, similar to what Premiere already offers:Ability to view folders and assets in an icon grid layout Ability to zoom in and out on icon size Improved search functionality, including filtering by file kind Instant preview of video and audio files directly in the panel Ability to change Interpret Footage settings (such as frame rate, alpha channel, or loop count) on multiple files at once, instead of doing it one by one Ability to change multiple composition settings at the same time (we currently rely on an external script called CompSetter for this) Ability to see more metadata, such as color space There are probably other improvements that are not coming to mind right now, so please feel free to add more ideasThese are all practical, everyday issues that quietly eat into production time. A full redesign of the Project panel, built by people who actually use it daily, could solve most of them at once.
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