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As seems to be typical of Adobe, they will implement a “feature” that completely breaks things used previously. In Adobe Lightroom, I would like to request the “feature” of filenames in the custom filename field of the export settings to carry over the history of the most recently used name. This feature I am requesting is how this has worked for years, until the most recent “update”. It would be nice to not have to competely retype or copy and paste every time I export. While you are at it, it would be a nice new feature to have a choice of custom set phrases I can click to “paste” what I would normally type in. IE: “set x” “item x” “branded” “ unbranded” etc. for use in a setting where one shoot will yield multiple photo sets to export with specific naming. It would also be thoughtful to have a toggle to allow LR to automatically add an incremented number in these custom phrases.
I have been an Adobe Premiere User since a past few years. I often come across multiple takes/ multiple cameras and multiple audio layers while starting a project. The current sync feature is basically useless in such scenarios It has to be synced before editing begins. I have used Pluraleyes for most of my years and now it has stopped support and running on Mac os SonomaA basic feature like sync should be inbuilt to Premiere. Why should any editor pay separately to sync a video and audio?Sync is a basic necessity for editors. I hope Adobe prioritizes this.
After Effects:Currently, to create a “template” in Output Settings, you click the drop down next to the Output Module and select “Make Template...”Options Presented When Clicking the Output Module settings in the Render Queue in After Effects ...then have to select “Edit” from the middle of the screen…Output Module Templates Dialog Box, Creating a New Template And then you can edit your settings. Output Module Settings Dialog Box This is the same dialog box that can be accessed by simply clicking the queued item’s Output Module Settings in the Render Queue:Queued Composition in Render Queue I believe it would be beneficial to have a “Save as Preset” or “Save as Output Module Template” button on the Output Module Settings page like Photoshop has on their “New Document” dialog box: Photoshop “New Document” Dialog Box - “Save as Preset” OptionHaving the option on the Output Module Settings dialog box would speed up the creation of templates/presets since it can reduce clicks overall. Also, no matter how I end up at this dialog box, I can still save the template/preset if I access these settings by clicking in the Render Queue (i.e. - I would not have to “back out” of the Output Module Settings dialog box just to reload the same box from a different path). It’s a small change, but could be beneficial for streamlining workflows when you often need to create new templates for clients. Thank you for your consideration.
Why can't I create detailed prompts in NanoBanana Pro on the Firefly website? The number of words I can enter is ridiculously limited!So, it's a silly situation. In the Photoshop interface, the generated description is unlimited, but the maximum resolution is 1k. On the Firefly website, you can generate at 2k, but you can't create detailed prompts. This is completely nonsensical. Please fix it.
Currently there is no way to animate trim paths on live text. A User needs to Convert to shapes or masks and go from there. Meaning that any edits to the text become laborious.Thos animation is a common one too, that I see a lot in titles and motion design.Adding a "strokes Trim Paths" text animator option would be a great way to implement this, once added you set the trim path speed. then use either the range, wobbly or expression selectors to animate. And honestly I don't know why its not part of AE already. as a text animator it would have great control as the selectors have great flexibility.C'mon Adobe.
Please add the Masks folder destination to the Project Settings → Scratch Disks panel so editors can control where it’s stored.Right now, having it auto-create in unmanaged locations: Creates unnecessary project clutter Disrupts organized folder structures Complicates backup workflows For those of us who maintain strict file hierarchies (especially in professional post-production environments), centralized media and cache control is essential. Every other major generated asset type can be directed — Masks should be consistent with that logic.Y’all - Please upvote so we can get this added!!
This might be a long shot and I dont know if its technically possible to implement, but I think this would be a major improvement to after effects as a whole. I think the easiest way to explain it is looking at the dynamic link feature between premiere and AE, but from AE projects to AE projects.I would have plenty of usecases for this and I it would elevate professional workflows into new heights.Just like having your own library of functions in coding, that you can link in multiple scripts, updating or adding new logic to the source function which automatically integrates in the scripts where its linked to. In this case the function would be an After effects project that you can reuse and implement in other projects and automatically updates in all linked projects if theres changes to the master project.Reallife example: I have a beverage flatlabel that I wrap around a beverage can with UV Map. I use this Label in multiple projects, since theres plenty of different campaigns and animations where this can is animated differently and set into different scenes.everytime anything on the master flatlabel changes, or we have to translate it into different languages for local campaigns, then I have to manually update and import the label project in ALL my different campaigns to update the Label there. If this Live Link would be a feature, then I could just do the changes in the master file and it automatically implements into all projects. This could also be further expanded in a way like Mogrts, that you can even control certain properties when its imported/live linked from the master project, without manipulating the actual master project. Obviously this would be a pretty major feature, but Im certain that this would have a huge impact on general user experience and complex professional workflows.
Two things that would make a huge difference:Bend / Twist deformersRight now extruded shapes are completely rigid. It would be really useful to have simple deformers like bend and twist so we could curve ribbons, banners, UI bars, arcs, etc. directly inside After Effects.These are very basic modifiers in most 3D tools, but in AE the only options are exporting to Cinema 4D, or using blender, using plugins, or building awkward workarounds with multiple layers.Boolean operations for 3D shapesboolean operations (subtract, intersect, union) for extruded shapes. For example: cutting holes in a 3D object , creating frames or cut-outs , combining shapes into more complex formsRight now there’s no way to do that in AE’s 3D system, which makes the modeling side of it very limited.Even basic tasks often require switching to another program, which breaks the workflow.deformers and boolean operations would make the system much more practical for everyday motion graphics work.
Hi Adobe team, I’d love to see a major update to the 3D Camera Tracker in After Effects — something that brings it up to modern AI standards and makes it a truly intelligent scene analysis tool instead of just a point solver.Right now, the 3D Camera Tracker works, but it still feels very manual and outdated comparatively. We get tracking points and a solved camera, but we still have to figure out ground planes, scale, object anchoring, occlusion, and scene layout ourselves.What I want to see is an AI-enhanced version of the 3D Camera Tracker powered by Sensei. Something that understands the scene, not just tracks it.What This Could Look Like1. Context-Aware Auto Camera Solve AI-assisted solve that distinguishes between static and dynamic objects Better drift prevention by ignoring moving people, cars, etc. Real-time confidence feedback so we know if a solve is solid 2. Automatic Ground & Room Detection Auto floor detection and proper world orientation Basic room building (floor + walls from detected planes) Scene scale estimation This alone would save a ton of manual setup time.3. Full Scene Depth & Dense Reconstruction Optional full-scene Z-depth scan AI-generated depth map layer Dense point cloud or lightweight mesh generation Even experimental Gaussian splat-style scanning for better object placement This would dramatically improve occlusion and 3D compositing inside AE.4. Object-Aware TrackingInstead of just random track points: Detect and label objects (person, desk, chair, vehicle, etc.) Allow tracking or stabilizing specific objects Generate 3D nulls attached to recognized objects Separate dynamic vs static elements automatically 5. Scene Graph / Structured Data Build a basic scene hierarchy (camera, ground, walls, objects) Allow us to attach elements to real-world objects instead of guessing track points 6. Lens Detection & Distortion Handling Auto-detect focal length Detect and correct lens distortion Match CG lens settings automatically 7. Modern Export Options Export camera, point cloud, depth maps, object tracks Clean export to C4D, Blender, Unreal, etc. Include semantic scene data Why This MattersAs a video creator, I spend a lot of time: Hunting for good track points Manually defining ground planes Fixing drift caused by moving objects Creating fake occlusion masks Guessing scale An AI-enhanced tracker would turn this into:Drop footage → Solve → Get a usable 3D scene.It would make After Effects feel years ahead of other compositing tools and remove a lot of friction from 3D integration.After Effects is already incredibly powerful. Updating the 3D Camera Tracker with Adobe Sensei would make it feel modern again and massively speed up real-world workflows.I’d love to see Adobe explore this direction.Thanks for considering it.
When I first reported this problem I was told it was because my wacom tablet was old, my computer was out of date etc. Now I have a brand new computer and a brand new wacom tablet and still if I am not careful my clone tool goes automatically alined when I select an area to be cloned the box ticks itself I can see it happen if I accidentally tap the pen twice in quick succession to the tablet when making a selection. Now this may be okay for you younger people with your steady as a rock hands but no matter how careful I am this is still happening by accident to me. Some may see it as a feature me I would just like to be able to turn it off.
I’m not liking these new changes to the Adobe community forums. In particular there doesn’t appear to be a way of changing the theme when adding code:This is my code;Isn't it lovely;What lovely code.hello world!Javascript as well as the other languages appear to be a Dark theme. Which is all find and dandy if you are viewing everything else on a dark theme. Some of us who suffer from palinopsia when looking at high contrast images really don’t need this. At least give us an option or some semblance of control to have everything as light or dark theme.Otherwise these forums are a literal (and actual) headache.
Hi,I'm a user who does mobile only editing for half the year (when I'm hiking, i only have a phone). As such, I had high hopes for this release, but I am underwhelmed. I'm sure that my expectations were too high, but I hoped for at least parity with Rush, since you've deprecated that. Having said that, the interface is nice and fluid, although there is some wasted space (even on the phone). It hasn't crashed on me like Rush did so that's good. The audio/music/voiceover/sound effects features are really great and easy to use. The generate video from image feature is pretty darn cool i must say. I don't want to sound negative either and I do hope you have plans to expand the features. I'd be willing to pay for a subscription if it includes features on par with or surpassed those of Lumafusion. But currently I'm unsure if this is ultimately meant to compete with apps like Lumafusion (since you deprecated Rush) or if this is only meant for short and simple TikTok-like videos. Some examples of features that I hope to see:1. More contol over clip fit, crop, position, size, scale, blending, and rotation. For example, the ability to Zoom in/out of a video clip. Rush only had this for still images. Being able to zoom in/out video (with control) would require the next item.2. keyframes. 3. effects4. adjustment layers5. double-tap in blank area of timeline to collapse/expand all clips to fit to horizontally in view. I understand this is not possible vertically. 6. ability to select multiple clips in the timeline for editing or dragging7. Finer control of Titles. Especially size and position. For example, the ability to Apply to All for text size and position. Currently we're just guessing with the haptics. Or even give us the ability to create a user generated template.8. Project settings. Everything seems to be preset by first imported clip, but there's no way to tell in the app. Only Aspect ratio is exposed to the user. Anyway, thank you for taking the time to read.
We want to hear your ideas about how we can improve After Effects. Your opinion is very important to us and the ideas provided here regularly appear in future versions. When posting an idea, here are a couple of things to keep in mind: How will the idea help your workflow? You're the expert on your workflow, so tell us how your idea would improve your workflow. What problem are you having today that the idea could solve? That helps us understand your idea better. It also makes it easier for us to follow up with you to get more info on your idea. One idea per thread If you've got two (or more!) ideas, make each of them a separate thread. Doing this will allow others to vote on a single, specific idea and not confuse up-votes amongst a list of feature requests. Enlist support! If you feel strongly about a feature, and you know other people do too, get them to vote on it.
I'd like to have the name of the sequence burned in with my timecode/metadata burn in, as well as the ability to add freeform text as one of the Lines, without having to use separate instances of a Text clips in order to burn in this metadata.
I primarily use this tool for virtual staging work, where I need to write highly detailed prompts describing specific furniture, materials, color palettes, layouts, décor styles, lighting conditions, and spatial arrangements for each image.Because of the level of detail required (for example: furniture material combinations, edge styles, color restrictions, flooring types, wall finishes, lighting direction, décor placement, etc.), I often exceed the current prompt character limit.Having a higher character allowance would significantly improve my workflow and output quality, as it would allow me to provide clearer and more precise instructions without needing to shorten or remove important details.Thank you very much for considering this request.
It’s 2026 and I can’t believe a something so simple like dashed lines don’t exist!!
Instead of all CCLibs downloading to my computer - why aren’t they available as selective sync like Google Drive or Dropbox? Libraries are for differerent purposes, different projects, different apps, different clients etc - users do not need all of them, all of the time, taking up lots of local drive space - when they already in the Adobe cloud. I’ve been told in the past that users are able to remove from the cloud and store on an external hard drives etc to save space if so desired - which seems a somewhat backwards solution. Selective sync please!
After loading the photos from your SD card in the app, there should be a way to display the ratings selected in cameras. This way you would be able to select to import those photos you already know are good for work and development. I always rate the best photos I took in camera before start editing, because this way I can import them to Lightroom and save time working only in those I’ve ranked.
It would be really great, and practical, to have ‘transcription’, ‘text-based editing’ and ‘enhance’ functions integrated in Audition. I’m well aware that there’s a workaround by doing this in Premiere, but, to be honest, I really don’t like working with audio in Premiere. Besides, it’s also a bit of a tedious and clumsy workaround to go back and forth between Premiere and Audition. Especially since the interaction between Premiere and Audition isn’t dynamic at all.Transcription, text-based editing and enhancing make a lot of sense to have in Audition for podcasters, transcribers, translators, audiobook and -course production… anything related to voice-based projects.I find it a bit annoying that this is only available in Premiere, which primarily is a video editor and not an audio editor (for which Premiere really is a drag).Thanks
In Photoshop I would like to have colors in all color editing tools (Saturation, Selective color atc.) similar as it is in Lightroom.Especialy orange is very usuful when editing skin tones.
Please add a recap with the list of everyone of our generations on how much credits it has cost us for us to see how we used our credits and be able to predict how much a project is going cost us and correctly bid it
many users use ChatGPT for a creative prompt, when you past it in Firefly and pick Nano, there is a LIMIT...so you cannot use Firefly...you need to do it in Nano directly.
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