Dear Adobe, I was wondering. You have all these exotic languages supported in your automatic transcription tool, which is awesome. How about you show some love to my fellow Hungarians, by implementing this language too?It would help me and many others who still have to type in captions manually.
cuando quiero generar video usando imágen + video referencia de movimiento, siempre me aparece: HA HABIDO UN ERROR.
Que les prompts soient STRICTEMENT respectés. Cela me coûte déjà 900 crédits sans avoir de réponse vidéo satisfaisante
Currently, when exporting out an individual mask, the export dialog box only allows the user to pick a file format, and uses the current document size for the resolution. It could be useful to allow the user to pick a different export resolution- that way for performance reasons they could be working in their file at a lower resolution than the final intended texture size, and be able to export out an individual mask at that final, higher resolution without having to change the size for the whole project and wait for everything to update.
A place where you can file errors and complaints that gives feedback to the developers. Wich would make the report button usefull.
In premiere. When you're cutting and in the flow- especially with dialogue, I feel it is a waste of time and clicks to have to click the “toggle sync lock” button on the timeline/track area - every time I want to use that command .if there was a way to map that command to a key or series of keys.. would make trimming much faster for me. and maybe other people.. I could toggle a key thats mapped to each track or all tracks- and that would allow me to ripple and roll edit more dynamically i’ve also tried posting this three different times to the future request form and premier and it won’t post it ends up here. I don’t know what the problem is so it’s just gonna stay here and I’m not moving it
I am aware its in beta.. but it would be great to enable the AI assist to create individual folders+projects in a given production
In Premiere, when I export a file, a little blue post-it note sort of window pops up informing me that the export was successful, and displaying the file path where the exported file lives. This is nice, but what I'd really like is to be able to click on that file path (or something like it) and have Explorer or Finder open the folder containing the export. Instead, if the folder isn't already open, I have to manually find my way back to it through Explorer or Finder, which costs time. This functionality is available in Media Encoder, and it's really handy. I don't always use Media Encoder to encode things, but I'd love to have the same ease of access in Premiere.
Hello!I would like to work with OpenType in After Effects.I have to import the character I want from Illustrator (and then create a shape for that character), and I don´t want that. I want to be able to work natively in AE. Could you make that?Thanks
मैं एक वेडिंग वीडियोग्राफर हूं और रोज़ाना Premiere Pro पर काम करता हूं। मुझे एक समस्या का सामना करना पड़ा जो शायद कई एडिटर्स के साथ होती होगी:अगर किसी क्लिप का ऑडियो टाइमलाइन से गलती से डिलीट हो जाए, तो उसे वापस लाना बहुत आसान नहीं है। Undo (Ctrl+Z) सिर्फ तभी काम करता है जब गलती अभी-अभी हुई हो। अगर बीच में कई और स्टेप्स हो चुके हों, तो Undo करने से बाकी सारा काम भी वापस चला जाता है, जो प्रैक्टिकल नहीं है।अभी इसके लिए जो तरीके हैं (जैसे History panel, ओरिजिनल क्लिप को दोबारा Project panel से लाकर मैन्युअली sync करना, या Auto-Save बैकअप से रिकवर करना) काफी लंबे और उलझे हुए हैं, खासकर डेडलाइन के दौरान जब समय की कमी होती है।मेरा सुझाव है कि Premiere Pro में एक सिंपल "Restore Audio" या "Re-link Audio from Source" जैसा फीचर होना चाहिए, ताकि linked क्लिप का डिलीट हुआ ऑडियो एक क्लिक में वापस source से जोड़ा जा सके, बिना पूरा Undo history खोए।उम्मीद है टीम इस पर विचार करेगी। धन्यवाद।
Please add the option to Reload Footage from the project panel.Example:You have an image sequence in your timeline. You edit the sequence in AE (for example) and re-export, having now a sequence that is 1 second longer. This doesn't update in Premiere, which see there have been changes to the sequence but it doesn't realize it's now longer.You now have to select your sequence in the project panel, click Replace Footage, navigate back to where the sequence is (very annoying) and select it again. Just add an option (like in AE) to reload the footage instead.
WHAT'S THE POINT OF THAT??!?!?!? YOU'RE RUINING THE ENTIRE WORKFLOW WITH THIS!!! BRING BACK SCROLLING IN BLENDING MODE, AND I WANT THE BRIGHTNESS AND CONTRAST TO STAY EXACTLY THE WAY THEY WERE BEFORE!!!! NO ONE NEEDS THE CHANGES YOU KEEP MAKING HERE!!!
After Effects has this option, and for good reason! Auto bezier leads to all sorts of unintentional movement. This is especially newb-unfriendly.This is Unique ID 148 on my spreadsheethttps://docs.google.com/spreadsheets/d/1dVJb7kI_ZETLavrplfARgn9gL8HUpvkq6A0jCPxqA3w/edit#gid=1133868629
Seria bom ter a funcionalidade de exportar um projeto do premiere mobile (android), pois facilitaria a edição. Poderia fazer a parte de decupagem no Android e depois mandar para o desktop para continuar uma edição mais detalhada, por exemplo.
Fotoğraf oluşturmuyor, sadece hatra veriyor üyelik almama rağmen
working as a doc editor, often need to pull quotes to put into a paper cut and it would be so much simpler if I could select and copy the text directly in the transcript window to paste outside of premiere. currently need to export the transcript, then find the sound bite I wanted, then copy and move it over. this takes a long time when working on long interviews to read back through the transcript instead of being able to copy it while the transcript is following the active monitior I am watching.
I’d like to suggest the following features, which would greatly speed up some workflows out here.Starting with:Custom Shape Tool: Currently when we are saving a complex shape with more than one element, let’s say a shape made from a text layer with 2 characters or more, later on if we use the Custom Shape Tool to place that custom shape, you can no longer edit it’s elements (the letters in that case) individually with the Direction selection tool. It would be insanely useful to keep each element individually editable, meaning you can choose to warp, free transform, skew etc just the element that you want. A current workaround for that is saving the shape layer in the Libraries, it stays editable that way. Masking Effects: I know we already something for this, but what I meant for that, is some kind of mask that only affects the Layer Styles, so we wouldn’t need to go the destructive way and use Create Layer, or the longer workaround duplicating layers and such. Better Layer Styles: It would be great to have more variations for the Layer Styles, such as: Gradient Drop Shadow Gradient Outer Glow The other ideias ran out of my mind now, srry Better Filter Gallery: By better filter gallery, I mean possibly making some effects also work on images/layers without a background… for example making it work on a text layer that was converted to a smart object, with no layer styles on it. That single change would improve many workflows that relies on filter galleries, because sometimes all we want is use the filter gallery on a transparent image, which currently you can’t / are very limited (only a set of filters from the gallery filters works on transparent images without background)
Currently, when editing MOGRTs in the Essential Graphics panel, the text input fields are too small and restrict visibility. When working with longer strings of text (like paragraphs, subtitles, or lower thirds), the single-line input box makes it incredibly difficult to review, edit, or format the copy. Please add support for resizable text fields, or multi-line text areas that dynamically expand, so editors have more room to see the text they are actively working on.Is there any plan to update the UI for the Essential Graphics panel so we can actually see the text we are typing? The current text input fields for MOGRTs are way too small. We need multi-line text areas or draggable/resizable input boxes. Editing a paragraph of text in a tiny, single-line window is a major bottleneck for our workflow.
Relinking is now maybe the most hateful task with Adobe Premiere Pro. The system is incredibly slow and clumpsy when detecting and relinking files. It should be able to make suggestions, detect patterns in folder structure similarities, etc. since many projects without assitant editors, and inherited hells from unproffesional editors do happen. Names with slight changes, or different formats, should be taken into account. The same for Proxies. Also, I was wondering if it would be possible to have a safe environment to organize the HD keeping the linking with the project safe. I know this is not ideal but this kind of situations also happen: you want to reorganize your drive but you have the double task to relink in Pr. Thank you.
While you can still export HDR content using Hardware Encoding 2100 PQ, you cannot "Include HDR 10 Metadata", unless you use Software Encoding. Adding the ability to "Include HDR 10 Metadata"while using Hardware Encoding would help greatly speed up exports for HDR videos. This would help give YouTube more information about your videos to display them correctly.
Please consider adding native JPEG XL (.jxl) export functionality to Photoshop on the web. While Adobe introduced support for importing and exporting JPEG XL in Photoshop Desktop, the browser-based application currently lacks this export capability. Introducing this feature to the web version would resolve a notable capability gap between desktop and browser-based workflows.Key Rationale and Workflow Benefits:- Cross-Platform Feature Parity: Creative workflows increasingly transition between desktop environments and browser-based editing on secondary workstations and remote setups. The inability to export JXL files directly from Photoshop on the web interrupts this pipeline.- Superior Compression Efficiency: JPEG XL delivers superior compression ratios compared to legacy JPEG and alternative modern image formats while preserving fine detail, sharp edges, and complex textures without objectionable compression artifacts.- Advanced Color and HDR Fidelity: As web standards increasingly embrace High Dynamic Range (HDR) displays and Wide Color Gamut (WCG) assets, JPEG XL provides native support for bit depths exceeding 8 bits per channel, broad color spaces, and floating-point imagery.- Lossless and Alpha Channel Support: Enabling JXL export will allow web creators to export images with lossless compression and full alpha transparency at file sizes smaller than equivalent PNG or WebP files.Reference Discussion:https://community.adobe.com/feature-requests-713/please-add-support-for-exporting-jxl-jpeg-xl-656262Integrating native JPEG XL export will ensure Photoshop on the web continues to support modern delivery formats for digital photographers and web professionals.
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