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jnwbrInspiring

P: LR Mobile Camera: Shoot Through ProfilesOpen for Voting

The shoot through Pro profiles (esp. the High Contrast B+W) are a great feature. It would be helpful if they could be user-modified/created. That way users could add the effects/adjustments they want to be their shooting defaults.

0
Forum|Forum|1 year ago
Jerry23300790jgbyKnown Participant

Genuine Feedback from a Long-Time Premiere Pro UserOpen for Voting

This isn't meant to be criticism for the sake of it, but rather honest feedback from someone who's been using Premiere Pro for a years. At this point, it’s clear that Premiere is falling behind when it comes to advanced editing capabilities. Adobe has been in the game for a long time, yet software like DaVinci Resolve has not only caught up but surpassed Premiere in several areas — from color grading to stability, performance, and even pricing. Hoping that meaningful improvements would come with each update. But every release seems to bring minor changes, more bugs, and crashes, rather than addressing long-requested features. The much-anticipated rotoscope tool was announced long ago, and still nothing. No significant updates to color grading, masking, tracking, or even performance — all things that modern editors rely it  lacks, as editing nowadays has been upgraded. Meanwhile, even platforms like CapCut are innovating at a faster pace and has much better features. It’s frustrating to pay a monthly subscription only to feel like you're stuck using outdated tools. Most of my colleagues have already migrated to DaVinci Resolve. I stayed and kept using premiere pro hoping that good feature will come — but with every time there is disappointment , it's harder to justify. Even major YouTubers and professionals have openly voiced their disappointment and made the switch. Switch wasn't easy but I feel everyone were forced when they had no options. If Adobe doesn’t seriously upgrade Premiere Pro — or even consider rewriting it from the ground up — I’m afraid more users will leave. This is genuine feedback, not out of hate, but from someone who wants to see Premiere Pro be what it should be. Please, Adobe: listen to your community and bring this software up to the level we know you're capable of.

3
R Neil Haugen
Forum|Forum|1 year ago
FeedbackCommunityMemberInspiring

Preserve Current UI Layout When Opening ProjectReleased

One of the bigger frustrations I have with AE comes up when I open a project created by someone else, and the AE UI converts to THAT person's layout. I can think of 0 instances in which that would be of any use. I know I can go to Window->Workspace and call my saved layout back up, but why should I have to? Please change this behavior.

14
JohnColombo17100380
Forum|Forum|1 year ago
Jaydude-wbInspiring

More accessible ScriptsOpen for Voting

For some kinds of Projects, I rely on a set o f scripts to speed up things.I would like to see a Scripts panel to have these scripts handy.And on top of that, it would be nice to assign a key shortcut to each of the scripts.

3
Roland Kahlenberg
Forum|Forum|1 year ago
AviavladParticipant

Incremental Save Naming in Photoshop Batch ProcessingOpen for Voting

Currently, Photoshop batch processing overwrites files if a file with the same name already exists in the destination folder. This can cause data loss when processing large batches of images.In After Effects, when rendering, the program automatically adds suffixes such as _1, _2, etc., instead of overwriting existing files. This feature is very useful and prevents accidental overwrites.I suggest adding the same Incremental Save Naming option to Photoshop batch processing (Image Processor / Automate → Batch).For example:Overwrite existing filesSkip existing filesAppend suffix (_1, _2, _3, …)This would make Photoshop safer and more consistent with other Adobe applications.Thank you!

1
Sameer K
Forum|Forum|1 year ago
881031Participant

P: Check of AI noise reduction status on iPadOpen for Voting

I know that the iPad version does not support AI noise removal. When I sync the photo that has been checked and done for AI noise removal on desktop lightroom classic to the iPad, I can not recognize whether the photo has been applied or not on the iPad. So I would like the iPad version to be able to check the AI noise reduction status. Also the relationship with "noise reduction" which iPad originally has is unclear to iPad users as well. In the past a separate DNG file was created with AI noise removal, therefore it was much easy to understand AI noise reduction status on iPad. But now AI noise removal being added into one of normal menu on Lightroom classic, as a result I can’t recognize AI noise reduction status on iPad.

0
Forum|Forum|1 year ago
Michael300745153vnxParticipant

Rounded corner option in Motion settingsOpen for Voting

Where we have the crop options in the motion properties, we should have a 'rounding' option to round the corners of any asset. 

0
Forum|Forum|1 year ago
ZimFromIRK
ZimFromIRKInspiring

P: when creating an import backup, give the directories a sortable name!Open for Voting

This is one thing that drives me nuts: when I import into Lightroom, there is an option to create a second copy of the photos being imported.  However, the name of the folder created for that second copy follows this pattern: "Imported on Saturday, July 14, 2025". Who thought that this date format was a good idea? I have 100+ of these folders and when I'm looking for a particular folder, I have to mentally parse through them until I find the one I need because I know the rough date I'm looking for and need to find the date that was imported. Sorting the folders by the last modified date or created date is useless as well as many of the older folders inexplicably have the same date (maybe I moved them around, can't remember). Here is an example of this nonsense: How about using a format like "2020-05-13 Imported".  Then the folders would at least be sorted.  Who cares about the day of the week! End of rant. Thank you for your attention. 🙂

0
ZimFromIRK
Forum|Forum|1 year ago
Todd_Morgan
Todd_MorganLegend

SCALE ARTBOARD AND CONTENTOpen for Voting

Please get this into the next update.... or is there a script out there available??

24
Stephen Marsh
Forum|Forum|1 year ago
Evangelist ittsui
Community Expert
Evangelist ittsuiCommunity Expert

Clip status indicators using Fx badges should be reinstated.Open for Voting

In Premiere Pro ver24.4.1, the specifications of Fx badges for clips on the timeline have changed.I think it's a very stylish visual.however···In previous versions, the color specifications for Fx badges were as follows:No changes → GrayChanges due to motion have been added → YellowChanges due to effects have been added → PurpleChanges due to motion and effects have been added → Green I was able to see at a glance what adjustments had been made to the clip.In ver24.4.1, only two types can be determined: "Changes" and "No changes." Change the color of your Fx badge to increase your work efficiency.I have had the experience of being helped by this specification many times, so I would like you to return to the original specification.     クリップのFxバッジによる状態表示を復活させるべきだ。 Premiere Pro ver24.4.1でタイムライン上にあるクリップのFxバッジの仕様が変更になりました。とてもおしゃれなビジュアルだと思います。 しかしながら・・・以前のバージョンでは、Fxバッジのカラー仕様は以下の通りでした。   何も変更がない→グレーモーションによる変更が加わっている→黄色エフェクトによる変更が加わっている→紫色モーションとエフェクトによる変更が加わっている→緑色   クリップにどんな調整がされているかがひと目で認識できていました。 ver24.4.1では「変更がある・変更がない」の２種類しか判別しかできなくなっている。   Fxバッジの色が変わることで、作業上の効率が上がります。この仕様に何度も助けられた経験があるので是非元の仕様に戻していただきたいです。  

35
whamalamaboom
Forum|Forum|1 year ago
Bruno Quintin
Bruno QuintinInspiring

Solid Settings in the Properties panelOpen for Voting

Hello, Can you add the Solid Settings to the Properties panel? Thank you.

0
Bruno Quintin
Forum|Forum|1 year ago
Y_42Participant

premiere pro hebrew transcriptOpen for Voting

I cab see in the new update that you'vegot Hebrew spellcheck in the transcribe window. the problem is that there is no Hebrew language pack. coulld you make one available ? 

0
Forum|Forum|1 year ago
ty_9920Participant

Price as a college studentOpen for Voting

First of all, increasing the Adobe Pro Creative Plan from 20$ a month to 29.99$ a month is insane. To top it all off I've had this subscription for over a year now, which means I have to pay 39.99$ a month??!! How am I as a college student supposed to pay this 40$ a month till I graduate? I have never seen more of a greedier company who do not care about its users. Don't even get me started on the cancellation fee... 

1
kglad
Forum|Forum|1 year ago
SpivRKnown Participant

Generative extend for ProRes 4444 alpha clips?Open for Voting

Can generative extend support clips with alpha transparency? I tried generative extend on my video clip which is ProRes 4444 with alpha and it baked in a black background instead of preserving transparency.This particular setup is a green screen talking head shot where my workflow is to render out the ultra-key clip to a ProRes 4444 file which I import back into the project.This allows me to bake-in the ultra-key and other effects, while preserving the ability to switch out the background layer which is underneath.I know this isn't first-world priority, but would have been nice to be able to use generative extend and preserve the transparency so this would still work.

1
Ann Bens
Forum|Forum|1 year ago
Patrick_F_SSGrille
Patrick_F_SSGrilleParticipating Frequently

Placing clips on timeline at the timestamp location of Video In in the metadataOpen for Voting

Lets see if I can explain this correctly.Goal: To line up multiple video clips on the timeline by putting them on the timeline at the timestamp that is showing in the Video In Point metadata - automatically.Scenario: Three GoPro cameras, none of which the times matched, and audio is nothing but wind from riding a bike. One GoPro "Fixed Cam" is set to constant record, powered by a power bank it can record straight for about 10 hours. So there is a "reference" I am trying to line up here. The other two are turned on and off via a remote, and they move from facing rear, to chest mount, to helmet, to tripod, and so on.The footage is coming back with a Video In Point and Video Out Point in the metadata, guessing that is based off the internal clock, as accurate as that can be. Right now I am dropping the footage from "Fixed Cam" onto the timeline and getting a 3 hour plus long clip.I would like to automatically place these clips on the timeline at the points marked Video In Point. They may not line up with my reference footage from "Fixed Cam" but I will only have to move the whole track once, and they should line up pretty close. At least enough to nudge them forward or back. Right now I am selecting the Video In for EACH clip, copy, going to the timeline, double clicking on the playhead numbers, paste, and the playhead moves to that spot, drag the clip over. I am looking at doing this a few hundred more times today, so looking to see if there is a way to move them to line up with that Video In metadata, or better, some kind of shortcut key to click on the clip, "magic keystroke or script" and the video gets placed on the timeline at that spot without me having to go find it. Even though I have actually found an easy way to sync all three cameras for future projects, I will never have good audio to do a syncronize, and I don't think I am getting actual "timecode" per se' but rather the internal clock acting as timecode. Factor in that even the long "Fixed Cam" track is made up of multiple files. The other cameras are hundreds of small chunk mini files, a few seconds to a few minutes, with no useable audio, I am hoping I can get this automated somehow, because I either have to place each clip manually, or sync each individual clip to the Nested "Fxed Cam" one at a time. Thanks in advance for any ideas.It is also about to get worse, GoPro cam #3 is on its way, so that will be one master track and three sub tracks that need to be synced. I do have a workaround to sync the internal clocks, so hoping that helps, it will if I could just get the clips to land on the correct timecode point.

6
Mathias Moehl
Forum|Forum|1 year ago
Sam KnutsonParticipating Frequently

P:Import Photos and Videos should default focus to target collection if add to collection is checkedOpen for Voting

in Lightroom Classic when you Import Photos and Video if a target collection is set when I check the Add to Collection box it would be helpful to immediately highlight and put focus on the target collection.  A not uncommon workflow is to create a Collection and then kickoff Import.  It would make sense if a target collection is set to have the focus on it by default rather than some random collection you last imported into.  I use the Scott Kelby SLIM system workflow and so before working on each project in LrC I create a Collection Set and inside collections Full Shoot, Picks, and Selects and set Full Shoot as the target collection to make it easier to pick in the tree during import.  If Import selected the target collection when I picked the Add to Collection checkbox it would make this a little faster and less likely to accidently pick the wrong collection when doing the import.  

0
Forum|Forum|1 year ago
Pierre Louis B.Known Participant

RESPECT KEYFRAME POSITIONING when adding a speed ramp to clipOpen for Voting

When adding a speed ramp to a clip, the timing of any current or future keyframes on other effects gets thrown out of whack.  For example, if a clip has position and scale keyframes on its first and last frame, to steadily animate over time, the timing of these keyframes should be respected when time remaping the clip.  I know that nesting a time remaped clip and keyframing the nest solves this issue, but it's a tedious workaround that shouldn't be necessary.  In the effects stack, time remaping should always apply to a clip first, so that any keyframes added to other effects, including Motion, remain (correctly) relative to their position on the clip itself, as expected. Please fix this!

0
Forum|Forum|1 year ago
Pierre Louis B.Known Participant

When copy/pasting text, option to MATCH THE SETTINGS of the title being pasted into!Open for Voting

When selecting text from the Text window for example, and pasting it into an existing title, users should be able to decide that the pasted text take on all of the characteristics of the title that is being paste into, whether the entire title or just part of its text is being replaced!  To add this feature, simply give us a new user-customizable shortcut (which users can set to Ctrl-V/Cmd-V if they want it to be the default behaviour).   Microsoft Word 365 allows users to decide on the fly if they want to paste text with its original settings (Cmd-V) or with the settings of the text it's being pasted into (Cmd-Shift-V). Premiere Pro NEEDS THIS FEATURE!!!!! The default could be Ctrl-Shift-V/Cmd-Shift-V, just like in Word 365. It never stops to amaze me that despite the hundreds of keyboard shortcuts Pr has, it's still missing dozens of the most important shortcuts users actually need! Adobe, please add this!  THESE are the kinds of small, quality of life features users need, not fancy AI gimickery.  I can only imagine how many small improvements like this could be added compared to a single, programming-intensive AI gimick.  

0
Forum|Forum|1 year ago
louisd79464044
louisd79464044Inspiring

P: Include ruler (measuring tape) in pictures based on exifOpen for Voting

Pictures used creatively may often disguise the actual size of the objects. In art that is the tool applied but in there are subjects like pictures of animals, flowers or even buildings of which the actual size may be usefull to know. Especially science, but also forensics may be served by it. Modern camera's have the object distance, focal lenght in the exif, and the camera characteristics do include the image distance + chip size, so the size calculation and visualisation of the object focussed on in Lightroom and Photoshop is an opportunity to include relatively easily. For me as a biologist, not enjoying addition of a measuring tool in the picture (and miss the living object because of  that), and considering the technical data is already available in most modern camera's producing RAW files, am wondering if Adobe is supporting this idea and open to the opportunity to launch such first in photography apps land. In fact I did actually make a calculation spreadsheet to calculate such myself, so how easy can it be to have the scoop in Adobe novelties?!   Hope I find some enthousiasts in Adobe . Regards, Louis          

4
louisd79464044
Forum|Forum|1 year ago
Mel MatsuokaKnown Participant

Keyboard shortcut mapping for "Overlay" EditOpen for Voting

Please add a mappable keyboard shortcut for the "Overlay" edit mode! I often have to overcut hundreds of timecode-burn edits in a sequence using a new clean master, and would like to be able to mark in/out points on the timeline, based on the existing clip in V1, then edit the clip in the Source Monitor onto an empty track above that clip, without having to manually toggle source/track assignments.  I basically want to be able to perform the same action that occurs when you drag a clip from the Source Monitor to the Program Monitor, then dropping it on the "Overlay" tile, except using a keyboard shortcut! It really surprises me that this very useful edit mode can only be executed via drag and drop!

8
Forum|Forum|1 year ago
simon_2555Participant

Feature request - Expand the colour match option to include key visual elements separatelyOpen for Voting

I love colour match in Premiere, Can this be expanded to include other image qualities like- Exposure, Contrast, Temp etc and include a sliding scale of intensity. Ive had a light turn off mid-shoot and I want to match the colour temp/brightness from the two pieces of raw footageso I can match the light on and the light off footage. I tried to colour match but it couldn't help with this problem. Would be cool to see this colour match feature expanded.

0
Forum|Forum|1 year ago
Dalton5C6BParticipant

FONT RECALLOpen for Voting

Hello Adobe Team, As a long-time Illustrator user, I want to suggest a feature that would significantly improve workflow efficiency. Currently, once text is expanded, there’s no way to see what font was originally used. This becomes frustrating when revisiting a file later, only to realize that I need to retype or match text but can’t recall the font. My proposal is a “Font Recall” feature: when hovering over expanded text, Illustrator would display the original font name (and style) that was used prior to expanding. This would save time, reduce guesswork, and streamline design revisions. This small addition would have a big impact for designers who frequently expand text for outlines, logos, and print work. Thank you for considering this improvement — I believe it would be a valuable enhancement for the design community. Best regards,Salty Design Studio

8
jane-e
Forum|Forum|1 year ago
Abe5EBEParticipant

Symmetrical Drawing Brush, Eraser, and Other in Photoshop IpadOpen for Voting

Hello Adobe Team and Community,I am writing to request the development and inclusion of a native symmetry brush tool within Photoshop for iPad. This is a standard feature in other leading digital art applications on the iPad (like Procreate, Affinity ) and is essential for illustrators, pattern designers, and artists who create mandalas, character designs, and balanced compositions. The current lack of this feature creates a significant workflow gap for artists who rely on iPad as their primary device. While the desktop version of Photoshop has powerful symmetry options, the iPad version does not, forcing users to seek workarounds or use other apps.This feature would bring Photoshop for iPad to parity with its competitors and would be a huge value-add for the creative community who are invested in the Adobe ecosystem. I found that Photoshop is great for drawing, and I hope i can feel that feature in ipad, while procreate limit my layers number, photoshop is not, and its already a stand out point.Please add your votes and comments if this is a feature you also want to see!Thank you for your consideration

0
Forum|Forum|1 year ago
abieSilva*
abieSilva*Participant

Found a bug or simply a feature request then...Open for Voting

While having 2 timelines stacked on top of one another, if one drags a clip from on timline to another, the new timeline that the clip is being moved to should be in focus. Instead, one has to then click anywhere inside the new timeline to activate it again. Hope that makes sense. It is slowing down my workflow. I know I am not the only one that this is happening to. I work on a team of 4 Editors. Thank you for help. Happy Friday!

1
R Neil Haugen
Forum|Forum|1 year ago
Enchanting_quirk5FC1Participant

Feature Request: Import PSD Layers as Separate Tracks in Premiere ProOpen for Voting

Dear Adobe Team,As a regular user of both Premiere Pro and Photoshop, I have noticed a workflow limitation that could be greatly improved.Currently, when importing a PSD file into Premiere Pro as a sequence, all layers are imported as clips but are placed sequentially on the same video track. In contrast, After Effects imports PSD layers as a true composition where each layer is on its own video track, reflecting the original stacking order in Photoshop. This causes extra manual work in Premiere, especially when working on layered graphics.Could you please consider adding an option in Premiere Pro to:- Import PSD layers into separate video tracks automatically- Preserve layer order, basic blending modes, and transparency for each layer- Create a clean, editable layered structure similar to Photoshop's layoutThis feature would significantly improve multi-layered workflows and reduce the necessity to switch to After Effects for tasks requiring layered graphics.Thank you for your continued efforts to enhance Adobe tools—your dedication to user feedback is greatly appreciated.Best regards, 

0
Forum|Forum|1 year ago
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