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Mel MatsuokaKnown Participant

Keyboard shortcut mapping for "Overlay" EditOpen for Voting

Please add a mappable keyboard shortcut for the "Overlay" edit mode! I often have to overcut hundreds of timecode-burn edits in a sequence using a new clean master, and would like to be able to mark in/out points on the timeline, based on the existing clip in V1, then edit the clip in the Source Monitor onto an empty track above that clip, without having to manually toggle source/track assignments.  I basically want to be able to perform the same action that occurs when you drag a clip from the Source Monitor to the Program Monitor, then dropping it on the "Overlay" tile, except using a keyboard shortcut! It really surprises me that this very useful edit mode can only be executed via drag and drop!

8
Forum|Forum|1 year ago
simon_2555Participant

Feature request - Expand the colour match option to include key visual elements separatelyOpen for Voting

I love colour match in Premiere, Can this be expanded to include other image qualities like- Exposure, Contrast, Temp etc and include a sliding scale of intensity. Ive had a light turn off mid-shoot and I want to match the colour temp/brightness from the two pieces of raw footageso I can match the light on and the light off footage. I tried to colour match but it couldn't help with this problem. Would be cool to see this colour match feature expanded.

0
Forum|Forum|1 year ago
Dalton5C6BParticipant

FONT RECALLOpen for Voting

Hello Adobe Team, As a long-time Illustrator user, I want to suggest a feature that would significantly improve workflow efficiency. Currently, once text is expanded, there’s no way to see what font was originally used. This becomes frustrating when revisiting a file later, only to realize that I need to retype or match text but can’t recall the font. My proposal is a “Font Recall” feature: when hovering over expanded text, Illustrator would display the original font name (and style) that was used prior to expanding. This would save time, reduce guesswork, and streamline design revisions. This small addition would have a big impact for designers who frequently expand text for outlines, logos, and print work. Thank you for considering this improvement — I believe it would be a valuable enhancement for the design community. Best regards,Salty Design Studio

8
jane-e
Forum|Forum|1 year ago
Abe5EBEParticipant

Symmetrical Drawing Brush, Eraser, and Other in Photoshop IpadOpen for Voting

Hello Adobe Team and Community,I am writing to request the development and inclusion of a native symmetry brush tool within Photoshop for iPad. This is a standard feature in other leading digital art applications on the iPad (like Procreate, Affinity ) and is essential for illustrators, pattern designers, and artists who create mandalas, character designs, and balanced compositions. The current lack of this feature creates a significant workflow gap for artists who rely on iPad as their primary device. While the desktop version of Photoshop has powerful symmetry options, the iPad version does not, forcing users to seek workarounds or use other apps.This feature would bring Photoshop for iPad to parity with its competitors and would be a huge value-add for the creative community who are invested in the Adobe ecosystem. I found that Photoshop is great for drawing, and I hope i can feel that feature in ipad, while procreate limit my layers number, photoshop is not, and its already a stand out point.Please add your votes and comments if this is a feature you also want to see!Thank you for your consideration

0
Forum|Forum|1 year ago
abieSilva*
abieSilva*Participant

Found a bug or simply a feature request then...Open for Voting

While having 2 timelines stacked on top of one another, if one drags a clip from on timline to another, the new timeline that the clip is being moved to should be in focus. Instead, one has to then click anywhere inside the new timeline to activate it again. Hope that makes sense. It is slowing down my workflow. I know I am not the only one that this is happening to. I work on a team of 4 Editors. Thank you for help. Happy Friday!

1
R Neil Haugen
Forum|Forum|1 year ago
Enchanting_quirk5FC1Participant

Feature Request: Import PSD Layers as Separate Tracks in Premiere ProOpen for Voting

Dear Adobe Team,As a regular user of both Premiere Pro and Photoshop, I have noticed a workflow limitation that could be greatly improved.Currently, when importing a PSD file into Premiere Pro as a sequence, all layers are imported as clips but are placed sequentially on the same video track. In contrast, After Effects imports PSD layers as a true composition where each layer is on its own video track, reflecting the original stacking order in Photoshop. This causes extra manual work in Premiere, especially when working on layered graphics.Could you please consider adding an option in Premiere Pro to:- Import PSD layers into separate video tracks automatically- Preserve layer order, basic blending modes, and transparency for each layer- Create a clean, editable layered structure similar to Photoshop's layoutThis feature would significantly improve multi-layered workflows and reduce the necessity to switch to After Effects for tasks requiring layered graphics.Thank you for your continued efforts to enhance Adobe tools—your dedication to user feedback is greatly appreciated.Best regards, 

0
Forum|Forum|1 year ago
Ruth Lamich
Ruth LamichParticipant

Folder and multible file downloadOpen for Voting

Please make it possible to download entire folders or multible files (more than 10) from the cloud. It isn't possible to save hundreds of files for my backup. That's something a cloud should offer for a pofessional workflow.

1
kglad
Forum|Forum|1 year ago
Rich.PhillipsParticipant

Optimize and Streamline Creative Cloud Desktop InterfaceOpen for Voting

I would love to see the desktop version of Creative Cloud optimized for the desktop. Here's a good example of what I mean: lists of horizontally arranged menu items could open automatically as you roll over them and then stay open as you mouse downward to choose the item in the vertical list - like the top menu bar in Mac OS - instead of every, single, thing, being, a, single, click, to open and choose anything. It's just so slow and feels like backwards steps on the desktop - like I'm trudging through sucking mud to move forward. The feeling is similar to when I work with web versions of apps: it's like working on Dropbox's browser interface vs. working in the Mac OS Finder. I'm sure it's easier for Adobe to make all versions the same, but a desktop is not an iPad, so interaction can be different, i.e. desktops allow for rollovers and iPads don't, so why not take advantage of that to make the desktop version the best it can be. Lots of professionals use desktop systems and efficiency is a necessity. Please minimize the number of clicks to choose and do things. Thank you.

1
Forum|Forum|1 year ago
salimnensi
salimnensiParticipant

P: Search by photoOpen for Voting

Imagine a scenario: I have tonnes of gallery folders in my lightroom account that i have accumulated over many years and I need to look for a photo of a person that i know I had taken a photo of some time back. I have a photo that I see online of that person, if I can download as a sample and use it in my Lighroom photo search to find the same face of the person that I have in my gallery - this would be a great feature, esp. for those of us who get last minute request for a personal photo.

0
salimnensi
Forum|Forum|1 year ago
bigfootblakeParticipant

Integration of DJI ALL-I Intraframe 6K Codec for Mavic 4 Pro CreatorOpen for Voting

We've just bought a DJI Mavic 4 Pro Creator drone and have been shooting in the 1200mb/s Intra 6K ALL-I format which looks gorgeous.  But... it is terribly slow to work with in Premiere Pro 25.4 on our M2 Mac Studio Ultra.  I realise this is mainly a DJI problem as they they adopted a codec that is not supported by NLE's, but does Adobe have plans to add this ALL-I codec to future versions of Premiere?

1
Ann Bens
Forum|Forum|1 year ago
Wolf Eilers
Wolf EilersInspiring

P: Allow Named People thumbnail photo to be changedOpen for Voting

The new facial recognition in Lightroom 6/CC is well done (if sometimes amusingly quirky). One change I'd like to suggest is allowing the Named People thumbnail photo to be chosen from the list of confirmed thumbnails. Lr sometimes picks an unflattering image or one of very low quality. When I see a list of faces in the Named People list I want to see nice looking mugshots. We don't all shoot fashion models!

30
Forum|Forum|1 year ago
maric27546410Participant

batch deleting in Firefly's generation history using favorites inverse settingOpen for Voting

Hi - you should be able to delete all the non-favorites in your generation history as a batch by maybe selecting "favorities" and then having an option to inverse that selection and then "deleting all". Most times I have to generate a lot of images before the AI understands what to produce that I have in my mind. It's very labor intensive to delete them one by one, but they crowd up my screen if I don't.

1
N8.
Forum|Forum|1 year ago
Pierre Louis B.Known Participant

Keyboard modifier to temporarily disable Pin to Clip in Effect Controls windowOpen for Voting

As an alternative to having to disable Pin to Clip to be able to zoom out on a clip in the Effect Controls window past its cut points, it would be handy to be able to do this simply by holding down the Ctrl/Cmd key while draging out one of the zoom bar circles.  To make this new feature even more helpful, as soon as either zoom bar circles is dragged back such that only the visible portion of the clip appears in the Timeline View,  Pin to Clip would automatically reengage.

0
Forum|Forum|1 year ago
Pierre Louis B.Known Participant

STOP deleting my transition when dragging one end to the cut point!!!Open for Voting

Pr 25.4 seems to have introduced an INSANELY ANNOYING evil new "feature" that makes a transition disappear when dragging one end past the cut point.  I OFTEN want to resize my transitions to half their duration, starting ON a cut point.  Now, however, doing so brings up an evil "Transition will be cleared" tooltip.  What was an easy thing to do now requeres that users be ever so careful to drag the transition handle up to the cut point but not a single frame past it.  WHY ADOBE?????  Who asked for this?????? Adobe, why don't you work on adding new features users actually WANT rather than introducing junk features like this that nobody ever asked for??????????? So far I'm finding version 25.4 to be an abismal failure compared to 25.3 because of this horrible new "feature".  PLEASE REMOVE IT or give users the option to disable it.  Thank you!

0
Forum|Forum|1 year ago
Exavior24674745n4geParticipant

hey i want to add layesr from top to bottom instead of the inverseOpen for Voting

 i want to add layers below the current one so like if i want to add a video below anotherlike the image shown here arrow is added to illustrate what i mean the reason why i want this is becuase there times where i dont want or need to constantly add layers on top just to move the video/ image downwards after adding zed layer

0
Forum|Forum|1 year ago
BrianLevin
BrianLevinKnown Participant

Selecting multiple text assets on the timeline should show all of them at once in Properties panelOpen for Voting

Presently you can select a single graphic asset with multiple text layers in it and align, or move them all together. However, if you have multiple graphic assets (text) on the timeline, when you select all of them together you are unable to control them at once. What should happen is when you select multiple graphic assets (text) on the timeline, the Properties panel should fill up with all of the associated elements so that, in the Properties panel, then can be selected together and things like Align or Position would be taken into account. This currently works with the Appearance tab, but none of the other tabs. I know that this is more of a Premiere issue overall in which multiple video assets cannot be manipulated together, but the graphics assets already populate in the Properties panel, why can't they all be shown together? Thinking about this a la After Effects where multiple text layers can be selected together and manipulated as one. This is important for social media editors who are often stacking text layers so that they pop on one at a time. Right now the worst workaround is to cut a graphic layer instead of stacking so that multiple elements can be aligned, the problem being if you make one change you now have to propogate it to all other instances of that layer. Stacking elements is the best and most efficient way to do this, but it's a chore right now.

0
BrianLevin
Forum|Forum|1 year ago
Ahmet26047475ozevInspiring

Add Ability to Move/Reorganize Tracks Up and DownOpen for Voting

Like AE and Photoshop where you can move tracks/layers up and down, I'm requesting that same ability be added to Premiere. Anyone who's used AE and Photoshop (which you most likely have if you use Premiere long enough) knows how useful it is to be able to quickly move entire layers with a simple mouse drag and it'd be great if that feature could be added to Premiere. Before posting I looked it up first to see if anyone requested this already and found a locked thread talking about this made back in 2009. So hopefully this post gives the request a second chance at life for new eyes to look into it.

4
Forum|Forum|1 year ago
RobB123Participant

P: UX change import grid logicOpen for Voting

  1.  Current Behavior     1.1 Already imported photos (from device library → Lightroom)   Marked with an (Lr) icon in the import media grid. Prevents reimport and gives clarity.     1.2 Photos uploaded to Lightroom Cloud (but still present in iOS Photos / iCloud)   Not marked as “already available” in the import grid. App treats them as new import candidates even though they already exist in Lightroom Cloud. Leads to duplicate uploads and confusion.           2.  Problem     2.1 User confusion   Users can’t tell if a photo shown in the iOS import grid is:a) New and not yet in Lightroom Cloud,b) Already imported but not deleted locally.     2.2 Redundant uploads   Same file is reimported into Lightroom Cloud → wasted bandwidth and cloud storage.     2.3 Inefficient workflow   Users have no reliable orientation whether they can safely delete a photo from device storage because it’s already secured in Lightroom Cloud.           3.  Proposed Improvement     3.1 New status indicator   Introduce a semi-transparent cloud icon for assets that: Exist in Lightroom Cloud, Still remain on device (iOS Photos / iCloud), Have not yet been deleted locally.       3.2 Behavioral logic   Import grid checks both local iOS library and Lightroom Cloud catalog. If match is found (via file hash / metadata):→ Photo is marked with cloud icon, not reimported.     3.3 UX benefits   Users immediately recognize: (Lr) icon = imported from device into Lightroom (still only device-originated). Cloud icon = photo already secured in Lightroom Cloud (can be safely deleted locally if desired).             4.  Impact     4.1 Reduced duplicates   System skips uploads of already existing assets.     4.2 Better orientation   Clearer visual status on what’s in Lightroom vs. what still needs import.     4.3 Workflow efficiency   Users save time, bandwidth, and storage.  

0
Forum|Forum|1 year ago
Jake BartlettParticipating Frequently

Add ScreenFlow-Style “Video Actions” for Fast, Eased Animations in PremiereOpen for Voting

ScreenFlow has a brilliantly simple animation system that would be a huge workflow improvement if adopted in Premiere Pro. Here’s how it works in ScreenFlow:Add a “Video Action” (like a transition in Premiere) to a clip.On one side of that action, the clip has its original properties (position, scale, rotation, etc.). On the other side, you adjust those properties to their new values.The software automatically interpolates between the two states over the action’s duration, with smooth easing built in.You can drag the ends of the action bar to make the animation faster or slower, reposition it on the clip, and choose between a set of custom ease-in and ease-out values for the interpolation. No keyframes. No graph editor. Just drop in an action, adjust the transform properties, and ScreenFlow handles the animation. See it in action here. Why this would be a game-changer for Premiere Pro:Fast + intuitive: Premiere isn't set up for easy graph editor work. It would be great for editors who don’t want to be motion designers, or motion designers who want to do more of their work in Premiere.Clean timeline: Animations are represented as clip-level blocks, not buried in effect controls.Polished motion every time: Preset easing interpolation (Sine, Cubic, Quad, Quart, etc.) ensures animations feel smooth without extra tweaking and maintains consistency. This would make everyday animations like zooms, pans, and repositioning so much faster to create in Premiere. I am constantly adding push-ins on screen recordings in my tutorials, or transitioning between full-screen camera to picture-in-picture view. My current setup involves using a custom MOGRT that gets the job done, but it is a much more complicated process than it should be for such a simple task, and it doesn't give me any control over timing or easing. This "Video Action" concept lowers the barrier for beginners, speeds up workflows for pros, and brings a level of polish by default that Premiere currently requires a very manual setup to achieve. Thanks for reading!

0
Forum|Forum|1 year ago
Filmus
FilmusKnown Participant

Find Visually Similar clips and syncOpen for Voting

We already have a tool for searching for frames by description, but...It seems that we still lack a tool that would work like a "visual PluralEyes" and automatically synchronize video clips on a timeline based solely on the analysis of matching video content (movement, frame composition, etc.), just as easily as it is done with audio, but with video only. For example, there is a movie with low-quality fragments, and other materials are provided that contain similar fragments but in higher quality. You need to find and match the low-quality fragments on the timeline with the higher-quality fragments from the other provided movies. This is necessary when high-quality clips are received during the final stage of editing or during the restoration process. 

0
Filmus
Forum|Forum|1 year ago
Justin36853830lql2Participating Frequently

Change the brightness of the transparency grid (like in Photoshop)Open for Voting

In Photoshop, you have the ability to adjust the brightness of the transparency grid, from the default light mode to something much darker.I would like the ability to do the same in Premiere's program monitor.  

0
Forum|Forum|1 year ago
digital paradiseInspiring

P: New suggested order for AI editsNot Prioritized

We have been adapting to the suggested workflow. To better help us follow the order I suggest to switch positions of the Crop and Remove Icons. Since you suggest to use Remove first it would be helpful. Also flip these in the Remove tool because you suggest to do Distraction Removal first.   Thanks                           

2
Forum|Forum|1 year ago
Maniac-D
Maniac-DParticipant

We need a Foliage Category in Substance 3D Sampler !Open for Voting

We need a Foliage Category in Substance 3D Sampler !I’m already in contact with Lory from the Sampler development team, and they need to hear from more artists.Please message Lory on Discord and say you’re interested in a Foliage category for Substance 3D Sampler: discordapp.com/users/815950478861009006Right now, when using "Image to Material (AI Powered)", we’re forced to choose categories like "Ground".Which often produces poor results and requires lots of corrections in Designer (especially for normal and height maps).A dedicated "Foliage" category would give much better results, just like there’s already a category for bark "Wood (Outdoor lighting)". The more artists request this, the faster it can become reality.Please take a minute to contact Lory and show your interest.Thanks !

0
Maniac-D
Forum|Forum|1 year ago
Stan Jones
Community Expert
Stan JonesCommunity Expert

Split Caption at Text Under PlayheadOpen for Voting

See this post for a no longer available UserVoice request. Can staff recover it? I do not find it or a similar one in a search. Is there already a request for what I am asking? https://community.adobe.com/t5/premiere-pro-discussions/transcription-fixing-automated-errors/m-p/12367619#M366421   When a caption is split in the Timeline, the timecodes are split by the playhead position in the timeline. This is correct and is the current behavior in 23.6 and Beta 24.1.0.21.   But the entire caption text is repeated in each of the new segments. There was much discussion about this in the Beta forum during development, and there are continuing requests for a different behavior. I don't think any users are advocating for the current behavior.   I recommend that the text be split so the beginning text through any word completed before the playhead position goes to the new, earlier caption segment and the rest of the text goes to the new later caption segment.   Note that this would not apply to operations in the Text Panel as currently set: a split in the Text Panel uses a timecode in the middle of the segment being split; it does not reference the playhead.   Also note there are different issues for split and merge and these may vary depending on whether we are talking about captions, source transcripts, or sequence transcripts. For example, see this post about the changed merge behavior: https://community.adobe.com/t5/premiere-pro-bugs/merge-captions-suddenly-gray-and-unlcikable/idc-p/13891108#M11033   Stan  

4
Stan Jones
Community Expert
Forum|Forum|1 year ago
Mikael PetterssonParticipant

[Feature Request] Add dynamic information to adjustment layer nameOpen for Voting

Id like to see a feature that shows, at a quick glance, what an adjustment layer is doing in the layers panel. At the moment, you have to either rename the layer, or click and see what it does. For example, a hue sat layer could show  +m2, +b1, -y11 (+magenta 2,+blue 1, -yellow 11) below the filename(this would auto update).   This would improve navigating in the panel and finding the right adjustments layer quicker. It would also eliminate the need to rename many of the adjustments layers as this would be automatic. 

2
Forum|Forum|1 year ago
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