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Deleting empty tracks for cleanup is a very common operation. It would be nice if it's available from the initial right-click context menu rather than a new window where you have to select two (or 3 including caption tracks) things and another click to hit ok all from a position in a windows that wasn't at the location of where your mouse pointer was initially. I know you can bind a keyboard shortcut for this function it but it's welcome for those that don't use shortcuts as much or when you're on a system without your user settings. Example:
logo con nombre "nania", con elementos de mariposas, flores y jardin
Please provide separate buttons for UNDO and REDO. There is plenty of space at the top bar when editing on iPhone to include both. This would enable a much faster workflow, instead of a dropdown meny for undo and redo. Thank you for the wonderful Lightroom mobile application.
Dear Adobe Lightroom Team, I would like to suggest a feature that I know would help me and many other photographers. That idea is to add an option in the export “Border” section to allow the background to be a blurred version of the image itself. Right now, we’re limited to solid colors, and for creators like me, that’s not just a design issue; it’s a mental and creative block. I constantly have to take my images into third-party apps like Picsart just to achieve a clean, professional look with a blurred background. It’s time-consuming, exhausting, and frankly draining my passion for photography. It delays my workflow, makes me fall behind, and makes something I love feel like a chore. A built-in blurred background option would save time, keep everything streamlined, and let photographers focus on what actually matters: storytelling and creativity; not patching together workarounds. Please consider adding this. It would make a huge difference. Sincerely, A frustrated but passionate photographer
Hello. I am requesting that there is an automatic size button for exporting to "social media" sizes. I also am requesting a "view recently exported photos". I accidentally changed the file names and now it is hard to figure out which photos I sent to a customer. I am relatively new to this so if there is something I missed- please let me know. Thanks!
To Adobe Stock developpers:Why did you add a "copy link" of the picture in order to share it with other Adobe Stock users?Should be very usefull.Best regards from BrusselsFred
I've been using Generative Fill a few months to change photos. In the last week, it seems to have gotten dumber. One example is to select a head and enter "cowboy hat." Before, it wasn't perfect, but everything that came out was essentially a cowboy hat. Now, I'm getting so much content that is clearly not a cowboy hat - baseball caps, beanies, berets?! A cowboy hat appears maybe 20% of the time, and worse quality. This is disappointing, I hope you can fix this because it's such a cool feature when it works.
Hello, I love the minimax effect, but I can't change the shape of the kernal of it, I think the default one is square.changing the shape of the kernal will allow some cool techniques.for example rounding corners very fast and without changing the original edges size, without using the normal way of bluring and then crushing alphas and shrinking edges back.for example making closing operation(minimum then maximum) with a spherical kernal will smooth corners.also it will preserve the edges shape when using the normal minimum and maximum operation such as circle and curves.Thank you for reading😊.
Dear Adobe Substance Painter Team,I am a regular user of Substance Painter and greatly appreciate its powerful features for 3D texturing. However, I’ve noticed that some commonly used functions, such as adding a new layer or creating a black mask, do not have default hotkeys assigned. This requires manual navigation through menus, which can slow down workflows, especially for users who rely on the software for daily tasks.To improve efficiency, I suggest adding customizable hotkey support for these functions and other frequently used actions. For example, assignable shortcuts for "Add Layer," "Add Black Mask," or adjusting brush opacity would significantly streamline the texturing process. Many other professional software tools, like Photoshop, allow hotkeys for similar actions, which could serve as a reference.I believe this enhancement would greatly benefit the Substance Painter community and improve the overall user experience. Thank you for considering this feedback, and I look forward to future updates that continue to make Substance Painter an exceptional tool.Best regards,
Hi!As someone working on large-scale projects with dozens of clips, audio files, proxies, images, etc., it's quite frustrating that Premiere Pro still lacks a built-in feature to automatically organize files into bins based on file type, camera name, or custom naming rules.There’s no button like "Auto-Organize Project" that can sort media into folders (Video, Audio, Proxies, Images, Sequences, Graphics etc.) — even though other NLEs and extensions can do this.I’m aware that scripting via UXP/JSX is possible (and I use some custom scripts myself), but this should be native in 2025.Why hasn’t Adobe implemented this yet? Are there any plans for a smart organization feature in future versions?Thanks in advance!
I often have keyframes in a precomp that need to be adjusted while looking at the result of those keyframes in another comp (this is more often than not in AE). We can step frame by frame or jump around and see what we need to see, but we cannot scrub or play and have both comps play back or scrub, so there is a lot of back and forth. I'd love it if there were an option to lock playheads and preview/scrub multiple comps simultaneously to speed this workflow up.
Currently, it's not possible to read a layer's comment or label in an expression*. It would be helpful to be able to access these via something like 'layer.comment' or 'layer.label'. This would allow, for instance, changing a layer's colour based on the comment text or the label.(*If I've missed something and this is possible, I'll happily be proven wrong!)
Hello, with the new Update to PS Beta, I noticed that we can either left click on the action we want to automatically play it, instead of it simply selcting like it would in the past update, or right click to apply the action to the whole image, subject or background. It would be really awesome if a batch option was included in that right click pop up box. Other wise, I have to right click the image, exit out of the pop up box and then go to File-Batch. This step is sometimes forgotten and I'll accidently left click the action, since this was the process before, which automatically plays the action. Then I have to Remove the action then go to File-Batch to play on all open images. This would simply make work flow faster.
Innovative Feature Suggestion: AI-Powered Transcript Editing and Scene Auto-Cutting in Premiere Pro I’d like to propose a highly innovative and practical feature that would greatly enhance workflow efficiency in Adobe Premiere Pro—especially for editors working with interviews, documentaries, podcasts, and other dialogue-heavy content. Feature Overview:Introduce the ability to paste a time-coded, edited transcript (such as one prepared from a transcription service or AI tool) directly into Adobe Premiere after a video has already been imported, and have Premiere automatically cut scenes based on the transcript. This feature would allow users to edit by text and have those edits instantly reflected on the video timeline. Core Functions: Auto-Cut by Transcript:Once the edited transcript (including timestamps) is pasted into Premiere, AI could intelligently compare it against the original video’s transcription and auto-cut or trim clips according to what remains in the edited transcript.Reverse Integration:Inversely, users could be provided with a transcript editor built directly into Premiere Pro, where they can make edits to the transcript inside the application. Any sections of dialogue removed from the transcript would automatically remove the corresponding video and audio segments from the timeline.Filler Word Cleanup (e.g., “You know”, “Um”, etc.):AI could also offer an intelligent cleanup tool to detect and optionally remove overused filler words or phrases—either automatically or via batch-selection—based on user preferences. This would save editors hours of manually scrubbing timelines to polish unscripted dialogue. Benefits: Significantly reduces time spent on manual timeline trimming.Empowers editors to work in a more intuitive, text-based environment.Enhances accessibility and efficiency, especially for creators with large volumes of dialogue-based footage.Makes Premiere Pro more competitive with AI-based editing platforms that are beginning to incorporate these capabilities. Why This is Needed:Currently, transcript-based editing exists in a limited form (e.g., using Adobe’s Speech to Text and Text-Based Editing), but there is no straightforward way to import an external edited transcript and have Premiere conform the sequence to it, or to automatically clean filler words in a smart way. Integrating this AI-powered, bi-directional workflow would streamline the editing process dramatically.
Current Challenge: I often face this situation:A 20-minute MP4 video is edited down to a 1-minute final cut.Later, the sound designer provides a cleaned and enhanced 20-minute WAV file.(Using the full 20-minute audio is preferable as it enables future re-edits without requiring the sound designer again.)Current Solutions:Re-edit the video with the new audio file from scratch.Unrealistic and time-consuming.Re-export the source video as ProRes with the new WAV file, then replace footage.Cumbersome and error-prone.Duplicate sequence with media, replace the video file with the new audio file to retain cuts, and copy-paste the updated edits into your original timeline for seamless audio replacement.Cumbersome and time-consumingProposed Solution#1. Drag-and-Replace Matching Audio:Allow users to Alt-drag the full 20-minute WAV file over the existing edited audio cuts. Premiere Pro would replace the audio seamlessly, maintaining the edited in-and-out points, instead of resetting to the beginning of the 20-minute file per cut.
I ave many clients with adobe accounts and want to toggle back and forth when working.
I'd love to have a mode where moving a layer with the arrow keys and/or dragging it around is snapped to full pixel values. Snap to grid works for dragging, but a single pixel-per-square grid is so dense that you cannot easily see the image underneath while it is on, and you need to zoom all the way in to make sure it is snapping correctly.
We really need Pro Import back to work with AAF files. I know it was removed. I heard they'd be adding it back but I still dont see it. How are we supposed to work with industry standard AAF files without it?----Update, I made this request back in Dec 2023. An Adobe employee said it would be returning in future versions but we still don't have it back. This feature is vital to compatibility with industry workflows.--------- nishu_kushAdobe Employee , Dec 18, 2023Copy link to clipboard Hi naves31200335, Are you on macOS or Windows? If on macOS, this option was removed a few years back. Sorry about that.On Windows, the option is not available in the current version. The team is aware of this and it should come back in future releases. Meanwhile, you can either use the 2023 version or copy the ProImport folder from C:\Program Files\Adobe\Adobe After Effects 2023\Support Files\Plug-ins\Format over to C:\Program Files\Adobe\Adobe After Effects 2024\Support Files\Plug-ins\Format manually and that will get it working again.Let us know if that works for you. Thanks,Nishu
Dear Adobe Team,I would like to request a new feature in Premiere Pro that allows users to snap a selected clip to the playhead with a single shortcut key.This functionality already exists in After Effects, where users can position the playhead and use a shortcut to instantly snap a selected layer to the playhead's position. It would be incredibly helpful to have the same capability in Premiere Pro to streamline the editing workflow and save time.Thank you for considering this request. I hope it can be implemented in a future update!Best regards,Surya
I edit a lot using the Multicam view, but sometimes use proxied MP4's so I don't have to store the 4K footage until it's time to export. To maintain the sequence settings for 4k, I make use of the zoom feature in the preview so I can see what's going on. Unfortunately, in the Multicam View this is not possible, which increases the amount of time it takes to cut these segments exponentially. Can't add images due to client stuff, but it's easily viewable from the zoom box disappearing when the feature is enabled.
Image generation is a frustrating process if you know what you want but the results aren't satisfying. It doesn't matter if I get 3 choices if none of them are giving me what I want. I appreciate Adobe's features such as Style Reference, Composition Reference, and Generate Similar. But after I used ChatGPT 4o's image generation process I realized how efficient it was to have a conversation with the AI to reach your desired goal. It felt very natural, like art directing a junior designer. I think it would be great if they created an alternate generation panel that was more of a chat bot. Don't give me 3 generation options. I'd rather have one. Then I give additional feedback to fine-tune the image and the AI takes it's time to incorporate it. I can even add my image references in the chat. And the image references can be about anything in the composition. For instance I could say, "Make the corners of the shape similar to the way this reference looks".
In typical week I deal with five to 10 (finished) hours' worth of programming by scientific and medical professionals. It is filled with strange words and acronyms. When I provide captions and transcripts, the MUST be accurate! I consistently find myself always making certain corrections. Below are observations/suggestions for refinement to Premiere that could save me many hours each week. First, internal transcription is awful. Considering licensing “Whisper 2” AI transcription module. (As I use it through a Mac app called Jojo, its FREE.) As is, EVERY video I do gets run through it for FAR more accurate transcriptions than Premiere provides. In a one-hour program Premiere can give literally hundreds of errors, compared to one ot two using Whisper. Then after I get a good transcription, Premiere mangles it while creating captions. Here are things I’ve frequently seen [NOTE "/" indicates a lne or bubble break]: Tiny “bubbles…” (caption cels?) I get a lot of 1- 2- and 3-word "bubbles" (caption cells?) from Premiere. Nearly all have to be changed.There are frequently bad breaks… between bubbles or across lines inside a bubble. Group concepts and the word that specifies/modifies it. There should be no break between adverb and its verb; pronoun and its noun, etc.Bad examples:Red/car, After/Effects, health/care, congressional/hearing, etc. Here are a few common to my work:As generatedAs repairedThe Abbott / Nutrition HealthInstitute presents the Global Malnutrition Composite [TITLE IS BROKEN INTO PARTS, EVEN THOUGH ITS CLEAR FROM SPEAKER EMPHASIS THESE BELONG TOGETHER]The Abbott Nutrition Health Institute presentsScore 2024 and its Use in Clinical Practicethe Global Malnutrition Composite Score 2024 Update and its Use in Clinical Practice [SET TITLE APART FROM SPONSOR, GROUP TITLE AND SUBTITLE] As Dr. / Chavez said, …As. Dr. Chavez said, … A period followed by space in transcript forces a WRONG break in caption bubbles:Ms./ColtmanDr./WilliamsThese always need to be fixed to be:/Ms. Coltman/Dr. Williams Connected phrases should be grouped together, both across 2 bubbles and as two lines in single bubble:NOT Catch /up growth BUT Catch-up growthNOT E. /Coli bacteria BUT /E. Coli bacteriaNOT Dr. /Smith BUT /Dr SmithNOT 20/years BUT /20 yearsNOT Global/Malnutrition Composite Score, BUT /Global Malnutrition Composite ScoreNOT relative/to BUT relative to/NOT Joint/Commission standard BUT /Joint Commission standardNOT …intra-/and extracellular water BUT …/intra- and extracellular water An auto-generated double dash (usually for a self-correction) forces:an incorrect line break in transcriptAND an odd characterAND break in captions: Looks like this:"He's having-[BREAK] - like he's spitting up frequently These always need to be fixed in both caption and transcript to look like this:He's having-- like, he's spitting up frequently And while I'm here, why can I not make the Premiere default caption style someting better?! For readability, I ALWAYS have to change to San Serif [Arial], on 90% gray background with 20 x 20 expanded edges and no shadow. There doesn't seem to be a way to make this a style that saves for all projects. Thanks for wading thru this list. I hope some fixes/improvements can be adopted.
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