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It would be so great to have the mulitple camera angles numbered on the toggle multi camera view
Adobe, can you please just add a button, in the button editor for a rule of third guide?
(Lr v8.2) Den Einstellungsmöglichkeiten für den Bildexport (iOS: "Kopie auf Gerät speichern" / macOS: "Exportieren, Benutzerdefinierte Einstellungen") fehlt die Option, einem Foto einen frei definierbaren Rahmen hinzufügen zu können. Frei definierbar meint: Rahmenbreite und Rahmenfarbe. Bei der entsprechenden Funktion in der iOS-App ("Rahmen hinzufügen und teilen...") fehlen dagegen jegliche weiteren Einstellungsmögichkeiten wie Wasserzeichen hinzufügen, Bildgrösse, Qualität usw. Deshalb der Vorschlag: Die Möglichkeit, Rahmen hinzufügen zu können in die erstgenannte Exportfunktion integrieren, damit für ein gerahmtes Bild alle weiteren Einstellungsmöglichkeiten zur Verfügung stehen. Heute muss ich für den Bildrahmen immer Drittsoftware verwenden, da meine veröffentlichten Fotos immer ein Wasserzeichen enthalten müssen.
Burying the footage interpretation settings in a modal dialog makes adjusting interpretation settings too difficult when dealing with lots of footage items, particularly when each piece of footage needs its own pulldown removal settings. A non-modal panel would be a lot more efficient, since it would allow the user to frame through and play back footage in order to test settings without having to exit and re-enter the modal dialog after each change of the settings. The ability to apply individual interpretation settings to multiple selected footage items at once would be a great bonus. Some of this can be done via scripting, but to make such a script responsive to changes in the project selection requires scheduled task trickery that introduces its own problems.
Maybe this is an easy addition? Was hoping I could use something like [compComment] as part of a custom render file name template. I'd like to retain my internal comp naming system to navigate the project however I have to rename the exports with keynumbers. My current workaround is to copy the comp name to the Comment field for reference and rename the comp to the required keynumber for export.
Perhaps in a future update we could allow users to save settings for sky replacements, or at least make them "sticky" I use them a TON and would love to create a 1 - click action for them.
It would be a life saver to have a footage orientation dropdown in the interpret footage menu. Because it saves time from having to precompose all my 90 degree recorded footage. Also from rotating my layers and screwing up referenced effects and such. Davinci Resolve has it as a clip attribute.0 90and -90 degree option.
いつもお世話になっております。田中と申します。何年も願っていることなのですが、Photoshop(iPad版)にアートボード機能が実装されれば、色々と業務の幅が広がりそうです。ご要望としてお送りさせてください。何卒どうぞよろしくお願いいたします。
For any work in HDR formats, it would be incredibly helpful to have useful graticles ... the horizontal demarcation lines. And one that would really be of help would be the "graphics white point" set in the Sequence menu. It would also be helpful have at least one other user-settable graticle for HDR work.
Is there any reason why you guys would keep updating to the point where my system is incompatible, and not have the option to download older versions of After Effects that actually work? smh what a stress this has caused.
My system was deprecated by Apple a year and a half after I bought it new in 2019 (on clearance from the Apple store). When the AVX2 extensions came out for Intel processors the Adobe team decided to abandon customers with a lot of investment in hardware.My machine's got 24 threads and 128gb of RAM and I get notices that the new versions of the software are "Not Compatible." I know this. I've got a PC that is compatible with the fastest processor I could buy at the time. My Mac still shows all of these notices.The PointIt would awesome if there was a way to "hide incompatible updates." Maybe when a person starts an Adobe account on an old computer you can let them know that they're a pariah on the gods of tech for not trusting Apple then. As for the rest of us, the ones who would not pay $7k for a base rack mount system that was almost comparable to the system we just bought, we don't need to know that Apple doesn't support us.We also don't need to know that Adobe developer's have the latest greatest machines on the market and don't design for existing hardware. Just let us turn off the "incompatible" version in the interface. For years there have been features only available to people with Nvidia cards that were not physically compatible with the systems that Apple made but they were still being tested by Adobe devs and they included warnings about "this feature is not compatible with your video card."Just go back to making Adobe Apps user friendly and intuitive please.
I'd like to request that the Khronos PBR Neutral Tone Mapper is added to the Substance Painter and Sampler programs. Maybe also Designer? I don't really have much experience of that program. Alternatively, I request that you publish a guide for letting the user add it themselves if applicable. I've tried with the OCIO file they've published ( https://modelviewer.dev/examples/config.ocio ), but as-is it crashes Painter (bug reports sent at least twice from the program on restart, running the latest version of Painter on Windows 11). Thank you very much! 😃 Some reference reading available at: https://www.khronos.org/news/press/khronos-pbr-neutral-tone-mapper-released-for-true-to-life-color-rendering-of-3d-products https://modelviewer.dev/examples/tone-mapping
I've made a fake light leak in Lightroom using masks. To get it looking as good as I can, I had to use several masks and several modifications (additions and subtractions) on each mask. But now I can't move the intended effect around without moving each maks and each piece of each mask separately. Which makes putting them all in a different location in the photo, hard. It's hard because there are many things to move, meaning many tasks to do, and it's hard because it's hard to line things up the way I originally intended. So it would be nice to be able to select several things and move them at the same time.
i use this feature a lot pls bring it back
Hi Premiere pro is a video editing software that has high capabilities and many users around the world, also include Thailand too. I have problems using it because there is no thai language pack support in the Text-Based Editing. I hope Adobe to pay attention to this problem and develop better thai language pack support, so that Thai users can use Premiere pro more efficiently and comfortably Thank you
ID files can preferentially read the current “Document fonts” directory to get the fonts they use as if they were already installed.I wonder if AI and PS have this feature?
Sometimes when I open a project my luts just go offline making all the my clips appear black unless I disable that lumetri colour effect. I would love if there was an easy way to relink LUTs in the same way you relink missing media. The process of manually re-adding each LUT clip by clip can take hours and is a serious killer for me!
Na ferramenta inserir, pode aparecer uma opção para upload de arquivo de referência, auxiliando a IA para gerar a nova imagem ou edição de área específica.Talvez nas opções geradas poderiam ficar todas as opções anteriormente geradas, ao invés de suprimi-las pelas novas. Caso contrário, o usuário precisa ficar atento e toda hora salvar as imagens que estão começando a completar sua ideia mas ainda não chegaram ao ponto ideal e re-upload elas para recomeçar caso a IA nas gerações seguintes (antes do upload) tenha gerado resultados ruins.
This is a feature request for Lightroom for iPad. It would be great if I could apply the "auto" edit function to all selected photos (or all photos in a particular album, or all photos in a particular import), rather than having to manually apply the "auto" editing tool for each one, on Lightroom for iPad. I understand this can be done on the desktop version of Lightroom, but it cannot be done on the iPad version. I travel with an iPad, not a laptop, and I prefer to apply "auto" edit to my shots and then work from there with my own tweaks, rather than starting from a raw file or jpeg and manually editing from scratch. For example, I shot 6000 images during a glorious week of travel in Kenya this past week, and I am at the airport right now with my iPad keen to cull them down and edit the best ones during the long flight home. It takes forever to go image by image. I could probably get the whole job done in one plane flight if Lightroom had this feature. I realize that you can apply presets to multiple photos on iPad Lightroom, but there is no way to make a preset that applies "auto" to each image individually for that image. You could apply a set of edits for one image to many other images, but that doesn't really do the trick. Thank you Adobe for considering adding this functionality.
A while back, I suggested for an Incremental Iterative Preview feature where a user may set a lower-than-comp-fps as the initial preview fps and AE would then increase the AE for each subsequent iterative preview, in the same preiew session, until full fps is met. This was to allow the user to get a good idea of the movement/layout/issues as early as quickly as possible.Here's another useful feature, IMO, Intelligent Precursive Preview - Current constructs are such that the user has to wait for AE to cache/create the entire playback range before providing a full framerate preview. So, a Intelligent Precursive Preview feature will look ahead (and back) to ascertain when it can start playback such that when playback is initiated, the user receives full framerate preview and continuous playback even at the uncached/un-rendered when Preview was initiated. So, the Preview Engine correctly estimates, or precursively estimates the time time it will take to prep the entire Preview Range and starts playback automaically. FWIW, I'm having to do this manually - so, it'll be good if this happens in an automated manner.
Considering the widespread use of the Persian language worldwide, which encompasses a population of approximately 80 to 100 million people, it is crucial to emphasize the importance of this language in software such as Adobe Premiere Pro. Additionally, in recent years, video production in Persian-speaking countries has seen significant growth. Therefore, it is recommended that the Adobe development team consider adding Persian language support in Premiere Pro and implement AI-powered subtitle generation for the Persian language.This feature would not only enhance the user experience for Persian-speaking users but also play a significant role in expanding the use of Adobe software in Persian-speaking countries and strengthening international connections. As much of the video content is produced in Persian, adding support for the Persian language could help attract more audiences and increase the software's functionality.Furthermore, in order to improve communication for Persian-speaking users with the global community and to make international content more accessible, it is suggested that the ability to automatically convert subtitles from English to Persian also be provided. This feature could significantly enhance the user experience for filmmakers, editors, and content creators.Thank you for your attention, and we look forward to seeing this feature developed in future versions of the software.
Considering that a wide range of Persian-speaking graphic designers around the world rely on Adobe Photoshop as a fundamental tool—and the number of users continues to grow—there remains a major issue: Persian text rendering.In the Middle Eastern version of Photoshop, Arabic is the default supported language, and Persian is only partially accommodated under those same settings. While the two languages share visual similarities, they are structurally different in key ways. This leads to issues in proper character display, text direction, kerning, and overall typography in Persian.We respectfully propose the creation of an independent Persian language engine within Photoshop, separate from the Arabic language support. This would greatly enhance the usability of the software for Persian speakers and allow for more accurate and professional-level Persian typography.Thank you for considering this request to improve the experience of a significant and growing community of Adobe users.
Hi there! Could it be possible when uploading RAW photos onto Bridge that have been taken in a B&W profile to be maintained in that way?Although you've configured your camera and all profiles to show how your pictures would look like in B&W, Bridge automatically surpasses all these ticks and leaves them in colour, making the selection of the ones to be finally kept (and developed in Cr/Ps) somewhat cumbersome... :-(( Thanks in advance.
Dear Adobe Team,I would like to bring to your attention an issue that affects the proper display and use of Persian text in After Effects. Currently, when working with Persian text, After Effects uses Hindi digits (०, १, २, ३, etc.) instead of the proper Persian numerals (۰, ۱, ۲, ۳, etc.). This causes a typographic issue as Persian numerals are distinct from Hindi digits, both in appearance and usage.The Issue:After Effects does not recognize Persian numerals, and instead, uses Hindi digits by default.This misinterpretation of digits can lead to incorrect typesetting and visual inconsistencies for Persian-language users.While Hindi and Persian numerals may appear similar, they are different and used in different linguistic and cultural contexts.Proposed Solution:I propose that Adobe introduces proper support for Persian numerals in After Effects, ensuring that the application recognizes and correctly displays Persian digits (۰, ۱, ۲, ۳, etc.) when working with Persian text. This would significantly enhance the user experience for Persian-speaking professionals and contribute to the overall typographic accuracy of the software.Why This Is Important:Persian-speaking users rely on correct numeral representation for professional projects, especially in areas like motion graphics, video editing, and visual design.Supporting Persian numerals would streamline workflows and improve the overall quality of text-based designs in After Effects.Given the large number of Persian-speaking users around the world, addressing this issue would greatly benefit a significant portion of the After Effects user base.I believe this issue could be resolved by a future update, and I appreciate your attention to this matter. If you require further details or examples to assist with implementing this change, I would be happy to provide additional information.Thank you for your consideration.Sincerely,Akbar
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