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Dash28309532spckInspiring

Add support for XMP Plus "Data Mining" fieldOpen for Voting

(Also see Stephen Marsh's post in the Photoshop Ecosystem topic)I'd like to see the XMP Plus "Data Mining" field added as a selectable parameter in Bridge's Metadata panel. It allows users to allow or disallow data mining of the image, such as for generative AI training. Other XMP Plus fields, such as the "Licensor" field are already supported in Bridge. Information from the IPTC can be found here: https://www.iptc.org/std/photometadata/documentation/userguide/#_data_miningAnd the Specification can be found here: https://ns.useplus.org/LDF/ldf-XMPSpecification#DataMining

2
Stephen Marsh
Forum|Forum|1 year ago
_Olivier_LInspiring

Enable plugins to add content to node context menusOpen for Voting

It would be nice the Designer API enables plugins to add content to the app's context menus, like on nodes, graph objects and maybe other items.

2
Luca Giarrizzo
Forum|Forum|1 year ago
blueridge_2037Known Participant

Photoshop CS5 Lisence Hosts file troubleOpen for Voting

Photoshop CS5 was deleted when I operated Adobe Cleaner Tool.Is there any methos to recover it ?Please let me know. Thanks and regards,Yuji 

1
Ged_Traynor
Forum|Forum|1 year ago
deborah_6803Participant

Feature Request: One‑Click “Remove All‑Black Layers” CommandOpen for Voting

已思考若干秒 Feature Request: One‑Click “Remove All‑Black Layers” Command Background & Pain Points In complex PSD files, it’s common to accumulate dozens or even hundreds of layers that contribute nothing to the final image—either because they’re pure-black pixel layers or their layer masks are entirely black. Manually hunting down and deleting these layers is tedious and error‑prone. Existing script‑based workarounds require setup, can be fragile across versions, and still force users into multi‑step workflows. Key Requirements Auto‑detect Pure‑Black Pixel Layers Identify and remove any normal pixel layer where every non‑transparent pixel is RGB(0,0,0). Auto‑detect Fully‑Black Masks Identify and remove any layer (or group) whose layer mask is 100% black (i.e. completely hides its contents). One‑Click Cleanup Expose a single command (e.g. in the Layers menu or right‑click context menu) labeled “Remove All‑Black Layers” that scans the document and deletes all matching layers. Preview & Undo Before deletion, present a brief dialog listing the layers flagged for removal with an option to confirm or cancel. All deletions should be fully undoable via Photoshop’s History panel. Use‑Case Scenarios E‑commerce Design: Designers iterating on product mockups often leave behind black fill or mask layers used for testing backgrounds or alpha mats. Photo Compositing: Photographers maintain multiple hidden masks during retouching; final exports should purge any masks that hide 100% of their layer. Animation & VFX: Compositors need to quickly strip out unused black‑filled adjustment layers or track mattes before rendering to reduce file size and improve performance. Benefits Dramatically Faster Cleanup: Deletes dozens of useless layers in seconds, saving designers valuable time. Reduced File Size & Complexity: Removes dead‑weight layers that bloat PSDs and slow down performance. Consistent, Native Workflow: Built‑in command avoids reliance on external scripts and ensures compatibility across Photoshop releases. Thank you for considering this enhancement! It would greatly streamline layer management for professional workflows.

1
Trevor.Dennis
Forum|Forum|1 year ago
Adrian29570386zsjwParticipant

Izotope Post Production Suite Full Integration with Premiere ProOpen for Voting

So, I'm going to make movies and I did quite a bit of research to decide which NLE to go with. Most people on the internet said Avid Media Composer is the best NLE for people who want to make movies, but they said that Adobe Premiere Pro is also a good option. The main down side to Premiere Pro is that you really can't do much to edit and enhance audio. I've done extensive research on how to edit and enhance audio and I've found that the industry standard is Izotope's Post Production Suite, in particular, Izotope RX 10 Advanced. It seems that much of Izotope RX 10 Advanced is compatible with Premiere Pro, but there are some very important features that are not compatible with Premiere Pro (for example, Dialogue Isolate, De-rustle, Ambience Match, and others). Much if not all of the rest of the Izotope Post Production Suite seems to only be compatible with Pro Tools and not Premiere Pro. This is a major problem for filmmakers like myself who need the very best audio editing, mixing, and mastering tools on the market. Dialogue Match is an Izotope app that would be especially useful to filmmakers, but it is not compatible with Premiere Pro at all and you can only use it if you have Pro Tools. So, I'm asking Adobe to talk with Izotope and make everything in the Izotope Post Production Suite fully integrated with Premiere Pro. Maybe Adobe could even build a standalone app that works with both Premiere Pro and the Izotope products. Everything else about Premiere Pro seems to be terrific and fully capable of making Hollywood movies, but the lack of integration with the industry standard for audio editing and solving audio problems is a major setback for any filmmaker or content creator who purchases Premiere Pro.

2
adaptable_life5C5C
Forum|Forum|1 year ago
Adge2018Participant

Suggestions for the New UXP Platform!Open for Voting

I've been editing in the content creation industry for over 6+ years and trust me when I say it would be a MONUMENTAL leap to add these 3 things in the Premiere Pro UXP API: 1. Making it possible to save bezier keyframe data. Not just interpolation for the keyframe, but the handle info as well. 2. Saving masks 3. MAKING TEXT/GRAPHIC LAYERS!! All of my friends are editors who have also been in the industry for years and I assure you adding these feautres would be incredible. The tools we could make would be an insane game changer. I know for a fact people have requested these features in the past so please, consider it.

0
Forum|Forum|1 year ago
cinegiakParticipant

P: Relink multiple folders at a timeOpen for Voting

The way files are managed and linked make it difficult to reconnect files that have been reorganised in different hard drives. I would like the relink process to be more efficient and almost automatic, jiìust get the files names and reconnect everything that is found in the folders and subfolders in the designated paths.   At the moment Lightroom tries to do that, but only manages to reconnect a single folder at a time. I contacted customer service and they also agreed that this is the only possible way to do it at the moment, and that it could be improved.

1
Califdan2
Forum|Forum|1 year ago
GHR Sabzipour
GHR SabzipourParticipant

Adding a new feature named "Unnest" to Adobe Premiere Pro CCOpen for Voting

Hello. I am Sabzipour. I'm a film editor and I work professionally with Adobe Premiere Pro. Adobe Premiere Pro is my favorite software and I've been working with it for over twenty years and I want to do something to improve it.After you nest several clips in Premiere Pro timeline, you may need to separate them again and “unnest” them. So you double-click on the nested sequence to open in another timeline.My suggestion is that when we double click on the nested sequence, it will open in the current sequence, not in an independent sequence. Or when right click on the nested sequence, add an option in the menu named “Unnest” , which by clicking on it, the nested sequence will be opened in the same current sequence.

17
thepixelsmith
Forum|Forum|1 year ago
Bruce306x0Participating Frequently

PPT as source file?Open for Voting

Premiere 25.2.1 (build 2)Mac Studio: 32GB, Sequoia 15.3.13 monitors Much of my work involves preparing recorded medical lectures for continuing education viewing. This means my graphics source is almost always a series of PowerPoint slides. Presently, I make corrections to the PowerPoint file, export each slide in it as a PNG file, defining I wat them as 4000x 2250, import the PNG files into Premiere. And then place them on the timeline. Then I scale, place, crop as needed. Every time I update a slide, I have to go back and re export PowerPoint slides to PNG files either singly or as a complete set. Several parts of this are quite cumbersome and time consuming. Is there any chance that much as with Photoshop layers, we could import the PowerPoint file itself in the Premiere with each slide coming in individually? Allow defaults to be changed o import as sizes larger than 1080? Thanks.

0
Forum|Forum|1 year ago
Douglas Allen22245656h8d4Participant

Clipping path in videoOpen for Voting

Blob brush or paint a person or figure that you want to stay stationary, but then you want the whole scene around them to animate. This would BE HUGE in fixing the creepy faces and issues with humans currently.

1
Kartika Rawat
Forum|Forum|1 year ago
0mx9Inspiring

P: Continually pull photos from Apple PhotosOpen for Voting

I use LRC for all photoediting and photo and video organization. I use an iPhone for all photo and videography. My workflow: Take photo/video. Auto upload to iCloud. Rule in Photos keeps all in a Smart Album until I move them into an album. Periodically delete unwanted photos/videos from Smart Album, then export all unmodified original contents of Smart Album to a folder on my desktop. Switch to LRC to import all photos/videos. Continue to discard, keyword, rate photos & videos. File videos by year on external drive. Copy all photographs to a collection which is synched to Adobe Cloud (which allows viewing in LR on my iPhone), and then move the photos to files by year. This solution keeps all photos and videos on my hardware (which is backed up by Time Machine), allows me to see all my photos on my iPhone in LR. SInce they are also availabe in Photos, I can use search tools in both.   Here's what I'd like to see: 1. LRC continually pulls all photos and videos directly from Apple Photos. 2. LRC plays videos a lot smoother than it does now, supports setting poster frame (current ability), clipping both ends of the video, and adding a title frame. 3. Keywords added in LRC are searchable in LR on iPhone (although AI is getting pretty good).   I find it very useful to have the same tools for finding videos as I do for finding photos. This is an existing feature of LRC that I've never seen advertised. 

0
Forum|Forum|1 year ago
perfect_writer9880Participant

AI Features - Autoclip?Open for Voting

AI feature where it grabs 3-5 second (or however long the user wants) clips of whatever im searching within the AI search panel.

0
Forum|Forum|1 year ago
JustinFerratoParticipant

Text based editing - import existing paper edit TXT fileOpen for Voting

Loving the text to edit function - I usually edit on AVID and this seriously saves alot of time.  Just working through the functionality of the transcription and text based editing - one piece of functionality that would be a DREAM to have - since we can EXPORT the sequence transcript or the raw source transcript. I took that text file and used a PAPER EDIT in TXT.  What I'm wondering - is if there's a way to IMPORT and paper edit TXT file and Premiere will automatically splice in the paper edit script directly onto a sequence (rather than having to splice in paper edit manually).  This would save so much time - since I work with producers on the paper edit, usually we need to export a paper edit for shareholder approval. So - once we've locked in the paper edit (with corresponding TC) - it would save alot of time if we can just simply import the TXT paper edit into premiere and it automatically inserts each sound bite (in the order from the paper edit) onto a sequence.  Hopefully this makes sense - happy to clarify.  Thanks!

4
Forum|Forum|1 year ago
jyunte9Inspiring

Easy Way to Retrieve Asset License Number?Open for Voting

I am constantly getting copyright violation notices from YouTube for music I've licensed from Adobe Stock. This requires me to file a dispute with the copyright holder via YouTube. To do this, I have to find the music I used in the video and then find the license number on the Adobe Stock website. To get the license number on the Adobe Stock site seems to require several steps:1) Find the name of the music track - which may no longer be an exact match to the name of the track reported by the copyright holder.2) Use the Adobe stock Search feature to find the track on the Adobe Stock website.3) Copy the track's ID from the search results.4) Copy the track's ID.5) Click on your account icon (top-right corner of the website).6) Click on License History.7) In the results page, copy the asset ID into the Search bar and click the search button.😎 Click the "Info" button next to asset's license type (Standard or Extended).9) Copy the license number. That's NINE operations, just to get to your previously assigned license number for a single track! Imagine having to do that several times for each piece of music (or video, or image) used in a video? Can't adobe make it a bit easier to get the license number for previously licensed assets? How about providing a button on the intial asset search result (right after step 2, above) that you can click to quickly get the license info? This button could be enabled only if you're logged in and would only provide the license number if you licensed that asset. Seems like a simple update which would make things so much easier for Adobe's customers!

6
Forum|Forum|1 year ago
Khairul HamdanParticipant

Feature Request: Mixbox True Pigment MixingOpen for Voting

Currently the colour mixing in Adobe Photoshop is not true to real life (e.g. blue plus yellow makes a cream colour instead of green). I would love to see Adobe impliment a system like the one found here:[link removed as per forum guidelines]It would improve the product greatly and keep Photoshop above the competition for digital artist.

57
Forum|Forum|1 year ago
Bruce306x0Participating Frequently

Transcription Text Panel: Font sizesOpen for Voting

PLEASE!!  I have HOURS of captions and transcripts to go through each week in Premiere and my computer screens are set for a high resolution for more effective editing. This has the unfortunae effect of text sizes visible in Transcription and Captions panels being very small--even with slider all the way up. Eye strain results.  Can you please allow even larger font sizes to be available in text panels? Thanks.

0
Forum|Forum|1 year ago
docteur_0865Participant

Create video montageOpen for Voting

Je veux que tu me fasse un montage vidéo a partir d'une video

1
Kartika Rawat
Forum|Forum|1 year ago
Yaneev T
Yaneev TKnown Participant

Keyframe Velocity window - Continuous: Add direction for lockingOpen for Voting

Hi there,in the Keyframe Velocity window there is the "Continuous (Lock Outgoing to Incomimg)" checkbox, which when clicked, copies the incoming speed of a keyframe to the outgoing speed, and locks them together.Every time i need to ease into a continuous motion, I find myself manually copying the outgoing speed to the ingoing before locking them. This can happen multiple times per work session.It would save me a lot of time to have a choice of locking direction - Incoming to Outgoing or vice versa.Thanks for reading!

0
Yaneev T
Forum|Forum|1 year ago
Jash5EC9Participant

Missing generation history in project NeoOpen for Voting

Project neo is a great tool, as it is bringing the control back to the designer and using the AI for rendering. However, currently it is difficult to access the generation history, I cannot seem to find it. This seems like a waste as users will not want to manually download each generation just to make sure they don't lose them. The whole point of generative art is endless variations, so those generations should be saved to our CC account, as there most likely will be a large time interview between generatiion and reviewing them for selection and finalization.

2
Anubhav M
Forum|Forum|1 year ago
f nehrerKnown Participant

Timeline display settings - show video durationOpen for Voting

In the clips on the timeline, I can see their individual names but I cannot see the individual duration... I have to select IN/OUT or stop with the mouse over it (and thus look at the pop up), every time I want to know the duration individual? Why don't they also allow you to show the duration, in the same way as the individual name, like in Avid Media Composer?

15
Forum|Forum|1 year ago
Oguz AKALIN
Oguz AKALINParticipant

importerJpeg sequenceOpen for Voting

I know it's super silly nitpicking, but has anyone noticed what reads on the dialogue when importing Jpegs? It says PNG Sequence, Illustrator/PDF/EPS Sequence & so on for the others, but for some reason reads "ImporterJpeg Sequence" when comes to Jpegs only. I always thought it was a bug, perhaps related to the French interface, but never changed for ages. Does anyone know the reason/story behind it? Cheers

0
Oguz AKALIN
Forum|Forum|1 year ago
jefbrInspiring

Fit image to screen after croppingOpen for Voting

Hi I was wondering how to make photoshop behave so that after cropping an image, it fits the image exactly in the window. (= Ctrl+0) I seem to recall this is how it behaved in the passed, but it doesn't anymore.I've reset the crop tool, played with combinations of "Use Classic Mode" and (de)activate Overscroll...It doesn't do what I want. Screenshots attached of before, during & after + after-desired. Do you know how to do this?Perhaps there is an event to listen for using the Scripts Event Manager? Thanks for your help! 

7
PECourtejoie
Forum|Forum|1 year ago
hellopaul4
hellopaul4Inspiring

Linking Source Text with an expression should also respect the "paragraphness" of the textOpen for Voting

Consider this:I have 3 text layers, two of which are linked to the "master" layer (via a simple "thisComp.layer("master").text.sourceText" expression).I then change the text on the master layer to be Paragraph Text and tweak the dimensions of  the bounding box. The other text layers do not update to reflect this. I suggest they should do.Or is there a way, using text attributes in an expression, to copy the paragraph layout?

1
Forum|Forum|1 year ago
JboProd.Participant

Hybrid Acceleration for Media Encoder: Cloud Power, Local ControlOpen for Voting

Hello Adobe Community and Product Teams, I want to share an idea aimed at significantly improving our experience with resource-intensive Creative Cloud applications, such as Premiere Pro, After Effects, Media Encoder, and potentially others. --- ### **The Current Problem: The Local Performance Bottleneck** We love the power of Adobe tools, but many of us face major challenges: * **Prohibitive rendering and encoding times:** Hours of waiting for complex projects, which hinders creativity and productivity.* **High hardware requirements:** The need to invest in expensive workstations to achieve acceptable performance.* **Slowdowns and lack of fluidity:** Choppy previews, less responsive interfaces on heavy projects, even on good machines.* **Lack of flexibility:** Difficulty working efficiently on less powerful machines or on the go. These factors limit our ability to fully exploit the potential of the software and meet our deadlines. --- ### **The Proposed Solution: Controlled Hybrid Acceleration** I propose that Adobe develops a **hybrid acceleration** system. The core idea is to keep the main software operations running on our local machines, while having the **option to send the most computationally intensive tasks to optimized remote servers**. --- ### **How It Would Work (Key Principles):** * **Solid Local Foundation and Guaranteed Offline Functionality:**    * Creative Cloud software remains installed and fully functional on our computers.    * Offline work must **always** be possible. Remote acceleration is an *option*, not a mandatory dependency. * **Targeted On-Demand Acceleration:**    * The user could choose to send specific tasks to servers for accelerated processing. Typical examples:        * Final rendering (Premiere Pro sequences, After Effects compositions).        * Encoding/Exporting via Media Encoder.        * Complex calculations (motion analysis, Warp Stabilizer, physics simulations, demanding preview renders, etc.).    * The main interface and light interactive tasks would remain handled locally for maximum responsiveness. * **Full Data Control and Maximum Security (Crucial Point):**    * **Primary Local Storage:** Project files (.prproj, .aep, etc.) and all source media (rushes, assets) **remain stored on the user's local hard drives**. This is our intellectual property, our client data.    * **Temporary and Secure Transfer:** For a remote server to perform a calculation, it is technically necessary to send it the *strictly required* data for that specific task (e.g., the relevant video segments, assets used, calculation instructions). This transfer must be:        * **Secure:** Using robust end-to-end encryption.        * **Temporary:** Data is only present on the server for the duration of the calculation.     * **IMPERATIVE DELETION GUARANTEE:** This is the most important point for trust. Adobe must **guarantee explicitly, contractually, and transparently** that all user data temporarily transferred to its servers (or authorized third-party servers) is **permanently and irretrievably deleted** as soon as the calculation task is finished and the result is retrieved by the user, or in case of cancellation/disconnection. No residual retention should be possible. This guarantee must be central to the privacy policy and terms of service. * **Plugin and Script Compatibility:**    * The remote processing environment must be able to load and use the same third-party plugins and scripts that the user has installed locally, ensuring the consistency and fidelity of the final result. * **Choice of Processing Infrastructure:**    * To offer maximum flexibility, users should have a choice regarding the source of remote computing power:         * **Option 1: Adobe Cloud Servers:**            * An integrated solution offered by Adobe. It would be essential for this option to be offered with **reasonable, transparent, and predictable pricing** (perhaps power tiers or a clear usage-based cost).         * **Option 2: Third-Party / Private Servers:**            * The ability to configure the software to use:                * External cloud computing services (Render Farms on AWS, Azure, Google Cloud, etc.).                * **Private** servers (on-premise or hosted) managed by the company or user. Adobe could provide recommended technical specifications and potentially server software or APIs to facilitate this integration for organizations requiring full control over their infrastructure. --- ### **Expected Benefits:** * **Massive Time Savings:** Drastic reduction in waiting times for renders and exports.* **Increased Accessibility:** Allowing those with less powerful hardware to tackle complex projects.* **Flexibility:** Working more smoothly, potentially from different machines.* **Potential Hardware Cost Reduction:** Less pressure to constantly upgrade to the most expensive local hardware.* **Scalability:** Adapting computing power to the specific needs of a project.* **For Adobe:** Strong added value to the Creative Cloud subscription, addressing a major user pain point, and potentially new service offerings. --- ### **Conclusion: A Logical Step Forward** Implementing a controlled hybrid acceleration solution would be a major step forward for the Creative Cloud ecosystem. It would address a pressing need for performance while respecting the imperatives of control, security, and flexibility for creative professionals. Of course, implementation presents a technical challenge (transfer optimization, remote plugin management, server infrastructure), but I am confident that the Adobe teams have the expertise to meet this challenge. I invite other community members to share their thoughts on this idea, and I hope Adobe will seriously consider this path for improvement for the future of Creative Cloud. Thank you for reading.

1
EckiAME
Forum|Forum|1 year ago
hee_chong
hee_chongParticipating Frequently

feature request: Please improve the time remappingOpen for Voting

Time remapping in PR really painful....V2025 still inconvenient to use.Even compare to cap cut(mobile app). Please make the PR to really professional software. Please.

3
Forum|Forum|1 year ago
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