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docteur_0865Participant

Create video montageOpen for Voting

Je veux que tu me fasse un montage vidéo a partir d'une video

1
Kartika Rawat
Forum|Forum|1 year ago
Yaneev T
Yaneev TKnown Participant

Keyframe Velocity window - Continuous: Add direction for lockingOpen for Voting

Hi there,in the Keyframe Velocity window there is the "Continuous (Lock Outgoing to Incomimg)" checkbox, which when clicked, copies the incoming speed of a keyframe to the outgoing speed, and locks them together.Every time i need to ease into a continuous motion, I find myself manually copying the outgoing speed to the ingoing before locking them. This can happen multiple times per work session.It would save me a lot of time to have a choice of locking direction - Incoming to Outgoing or vice versa.Thanks for reading!

0
Yaneev T
Forum|Forum|1 year ago
Jash5EC9Participant

Missing generation history in project NeoOpen for Voting

Project neo is a great tool, as it is bringing the control back to the designer and using the AI for rendering. However, currently it is difficult to access the generation history, I cannot seem to find it. This seems like a waste as users will not want to manually download each generation just to make sure they don't lose them. The whole point of generative art is endless variations, so those generations should be saved to our CC account, as there most likely will be a large time interview between generatiion and reviewing them for selection and finalization.

2
Anubhav M
Forum|Forum|1 year ago
f nehrerKnown Participant

Timeline display settings - show video durationOpen for Voting

In the clips on the timeline, I can see their individual names but I cannot see the individual duration... I have to select IN/OUT or stop with the mouse over it (and thus look at the pop up), every time I want to know the duration individual? Why don't they also allow you to show the duration, in the same way as the individual name, like in Avid Media Composer?

15
Forum|Forum|1 year ago
Oguz AKALIN
Oguz AKALINParticipant

importerJpeg sequenceOpen for Voting

I know it's super silly nitpicking, but has anyone noticed what reads on the dialogue when importing Jpegs? It says PNG Sequence, Illustrator/PDF/EPS Sequence & so on for the others, but for some reason reads "ImporterJpeg Sequence" when comes to Jpegs only. I always thought it was a bug, perhaps related to the French interface, but never changed for ages. Does anyone know the reason/story behind it? Cheers

0
Oguz AKALIN
Forum|Forum|1 year ago
jefbrInspiring

Fit image to screen after croppingOpen for Voting

Hi I was wondering how to make photoshop behave so that after cropping an image, it fits the image exactly in the window. (= Ctrl+0) I seem to recall this is how it behaved in the passed, but it doesn't anymore.I've reset the crop tool, played with combinations of "Use Classic Mode" and (de)activate Overscroll...It doesn't do what I want. Screenshots attached of before, during & after + after-desired. Do you know how to do this?Perhaps there is an event to listen for using the Scripts Event Manager? Thanks for your help! 

7
PECourtejoie
Forum|Forum|1 year ago
hellopaul4
hellopaul4Inspiring

Linking Source Text with an expression should also respect the "paragraphness" of the textOpen for Voting

Consider this:I have 3 text layers, two of which are linked to the "master" layer (via a simple "thisComp.layer("master").text.sourceText" expression).I then change the text on the master layer to be Paragraph Text and tweak the dimensions of  the bounding box. The other text layers do not update to reflect this. I suggest they should do.Or is there a way, using text attributes in an expression, to copy the paragraph layout?

1
Forum|Forum|1 year ago
JboProd.Participant

Hybrid Acceleration for Media Encoder: Cloud Power, Local ControlOpen for Voting

Hello Adobe Community and Product Teams, I want to share an idea aimed at significantly improving our experience with resource-intensive Creative Cloud applications, such as Premiere Pro, After Effects, Media Encoder, and potentially others. --- ### **The Current Problem: The Local Performance Bottleneck** We love the power of Adobe tools, but many of us face major challenges: * **Prohibitive rendering and encoding times:** Hours of waiting for complex projects, which hinders creativity and productivity.* **High hardware requirements:** The need to invest in expensive workstations to achieve acceptable performance.* **Slowdowns and lack of fluidity:** Choppy previews, less responsive interfaces on heavy projects, even on good machines.* **Lack of flexibility:** Difficulty working efficiently on less powerful machines or on the go. These factors limit our ability to fully exploit the potential of the software and meet our deadlines. --- ### **The Proposed Solution: Controlled Hybrid Acceleration** I propose that Adobe develops a **hybrid acceleration** system. The core idea is to keep the main software operations running on our local machines, while having the **option to send the most computationally intensive tasks to optimized remote servers**. --- ### **How It Would Work (Key Principles):** * **Solid Local Foundation and Guaranteed Offline Functionality:**    * Creative Cloud software remains installed and fully functional on our computers.    * Offline work must **always** be possible. Remote acceleration is an *option*, not a mandatory dependency. * **Targeted On-Demand Acceleration:**    * The user could choose to send specific tasks to servers for accelerated processing. Typical examples:        * Final rendering (Premiere Pro sequences, After Effects compositions).        * Encoding/Exporting via Media Encoder.        * Complex calculations (motion analysis, Warp Stabilizer, physics simulations, demanding preview renders, etc.).    * The main interface and light interactive tasks would remain handled locally for maximum responsiveness. * **Full Data Control and Maximum Security (Crucial Point):**    * **Primary Local Storage:** Project files (.prproj, .aep, etc.) and all source media (rushes, assets) **remain stored on the user's local hard drives**. This is our intellectual property, our client data.    * **Temporary and Secure Transfer:** For a remote server to perform a calculation, it is technically necessary to send it the *strictly required* data for that specific task (e.g., the relevant video segments, assets used, calculation instructions). This transfer must be:        * **Secure:** Using robust end-to-end encryption.        * **Temporary:** Data is only present on the server for the duration of the calculation.     * **IMPERATIVE DELETION GUARANTEE:** This is the most important point for trust. Adobe must **guarantee explicitly, contractually, and transparently** that all user data temporarily transferred to its servers (or authorized third-party servers) is **permanently and irretrievably deleted** as soon as the calculation task is finished and the result is retrieved by the user, or in case of cancellation/disconnection. No residual retention should be possible. This guarantee must be central to the privacy policy and terms of service. * **Plugin and Script Compatibility:**    * The remote processing environment must be able to load and use the same third-party plugins and scripts that the user has installed locally, ensuring the consistency and fidelity of the final result. * **Choice of Processing Infrastructure:**    * To offer maximum flexibility, users should have a choice regarding the source of remote computing power:         * **Option 1: Adobe Cloud Servers:**            * An integrated solution offered by Adobe. It would be essential for this option to be offered with **reasonable, transparent, and predictable pricing** (perhaps power tiers or a clear usage-based cost).         * **Option 2: Third-Party / Private Servers:**            * The ability to configure the software to use:                * External cloud computing services (Render Farms on AWS, Azure, Google Cloud, etc.).                * **Private** servers (on-premise or hosted) managed by the company or user. Adobe could provide recommended technical specifications and potentially server software or APIs to facilitate this integration for organizations requiring full control over their infrastructure. --- ### **Expected Benefits:** * **Massive Time Savings:** Drastic reduction in waiting times for renders and exports.* **Increased Accessibility:** Allowing those with less powerful hardware to tackle complex projects.* **Flexibility:** Working more smoothly, potentially from different machines.* **Potential Hardware Cost Reduction:** Less pressure to constantly upgrade to the most expensive local hardware.* **Scalability:** Adapting computing power to the specific needs of a project.* **For Adobe:** Strong added value to the Creative Cloud subscription, addressing a major user pain point, and potentially new service offerings. --- ### **Conclusion: A Logical Step Forward** Implementing a controlled hybrid acceleration solution would be a major step forward for the Creative Cloud ecosystem. It would address a pressing need for performance while respecting the imperatives of control, security, and flexibility for creative professionals. Of course, implementation presents a technical challenge (transfer optimization, remote plugin management, server infrastructure), but I am confident that the Adobe teams have the expertise to meet this challenge. I invite other community members to share their thoughts on this idea, and I hope Adobe will seriously consider this path for improvement for the future of Creative Cloud. Thank you for reading.

1
EckiAME
Forum|Forum|1 year ago
hee_chong
hee_chongParticipating Frequently

feature request: Please improve the time remappingOpen for Voting

Time remapping in PR really painful....V2025 still inconvenient to use.Even compare to cap cut(mobile app). Please make the PR to really professional software. Please.

3
Forum|Forum|1 year ago
adamfp
adamfpInspiring

Export comps without frame numberOpen for Voting

I would like the option to remove frame numbers from exports. When I export a single frame PNG I can use the 'Output To:' function but it doesn't give me the option to remove the five digit frame number. I'm aware of 'Snapshot' 'Save Frame As' and plugins like Gifgun and AEJuice export GIF but I am exporting 200+ comps at a time and need to use the render queue and automation processes. Using a bulk renaming program would work but adds another, unwanted step to the process. Thanks

0
adamfp
Forum|Forum|1 year ago
nathan1976
nathan1976Participant

P: Ability to shuffle the order of images in a SlideshowOpen for Voting

I would like to have the ability to have a slideshow that you can start from a top level parent folder, and for it to be able to shuffle the order the photos appear. for example - I have a 'Travel' folder and then albums of each of my travels/holidays contained within. I would like to be able to set a random slideshow shuffle of these photos. We like to sit as a family and view our photos in this way, rather than every photo from one trip, and then every photo from another trip.

8
Forum|Forum|1 year ago
amichaeldpParticipant

GUI Indicator to show status of Copy Paste Includes Sequence MarkersOpen for Voting

I occasionally need to use the Copy Paste Includes Sequence Markers. I have created a shortcut to toggle this function, but the only way I can see it's current status is to go to the Markers Menu with my mouse. Would love for there to be a button that I could add to the Source or Program monitor that shows current status similar to Proxy or Loop Playback. Alternatively, there could be two different keyboard shortcuts: one for turn On, and the other for turn Off. That way, I can turn it on with confidence when I press the 'turn on' shortcut key and not wonder whether I just inadvertently turned it off.

0
Forum|Forum|1 year ago
Eccentric Locust
Eccentric LocustInspiring

Allow Option for Split Encoding for Faster Exports of VideosUnder Review

In recent years, new releases of graphics cards have included more than one encoder for significantly enhanced performance when writing video files. For instance, the NVIDIA RTX 40 series cards have two NVENC encoders while the RTX 50 series have three. What it allows for is the ability to divide the encoding task into multiple segments for each encoder to perform simultaneously. This process is called "Split Encoding" and this allows for much faster exports of videos in less time than them being done on a single encoding process, which is what both Premiere Pro and Media Encoder currently do at the moment. I strongly believe many video editors can benefit a lot from Adobe implementing Split Encoding. Export times can be greatly reduced without compromising on quality and save a lot of time for quick turnaround projects. Competing video editing platforms, namely DaVinci Resolve, have support for it. I feel Premiere Pro and Media Encoder can greatly benefit from it as well.

1
Fergus H
Forum|Forum|1 year ago
Kyle Hamrick
Community Expert
Kyle HamrickCommunity Expert

Allow markers in AE-created .mogrt files to be seen in PremiereOpen for Voting

.mogrts are a great way to create stylized transitions and such, but the inability to add markers that are viewable within Premiere creates inconvenience when actually putting these into use. Being able to send an AE timeline marker back into Premiere within the mogrt would be hugely helpful!

25
LightDive
Forum|Forum|1 year ago
Ritika36873379k604Participant

INCLUSIVITY ISSUE IN THE FIREFLY IMAGE GENERATOROpen for Voting

For the prompt  - KID it is producing image of a boy only. whereas kid is a gender neutral term. 

1
Kartika Rawat
Forum|Forum|1 year ago
melissapiccone
Community Expert
melissapicconeCommunity Expert

I want to Group My librariesOpen for Voting

I have so many libraries - every project, class I teach, etc. has a library. For every class I teach (a couple per month) I create a shared library for my class then delete later. Having the ability to organize the libraries into groups would be a huge time saver. 

0
melissapiccone
Community Expert
Forum|Forum|1 year ago
Abhishek RaviKnown Participant

Premiere pro Need to add Advance Color Page Like NodeOpen for Voting

DAVINCI RESOLVE has copied all the features of Premiere Pro one by one and is now going ahead of Premiere Pro... Now is the time to completely copy the Feature Color Node of Davinci Resolve and give Premiere Pro a good interface with experience because everything is fine in Premiere Pro except that there is no flexibility in color correction... Premiere Pro should also provide a separate node based interface for color and put all the features in it... Now is the time when Premiere Pro can make its software even more advanced

5
R Neil Haugen
Forum|Forum|1 year ago
acaurora2Participant

P: "smart" watermark to include data (location/name/date/lens/camera - EXIF/metadata etc.)Open for Voting

Is there a way to create a watermark in either Photoshop or Lightroom that is "smart" in that you can customize it to pull data from the metadata of the photo (date/time image was taken, lens used, camera body used, etc.) or file information (folder, subfolder, etc.) ?

84
Forum|Forum|1 year ago
BASIC_church_krParticipant

I would like to see keyframe editing on passes in the next version of Premiere Pro.Open for Voting

I am using Premiere Pro 2025.2.1 version.I didn't really feel the need for an update, so I used the 2024 version for a long time, and I updated it because I thought 'maybe it will work in the latest version', but it still doesn't work, so I'm asking for it. Keyframe editing (Ease In/Out, Besier, etc.) is possible for motions such as position, scale, and rotation,Keyframe editing (Ease In/Out, Besier, etc.) is disabled for paths and masks~! I don't think that function puts a burden on the system, but is there a reason why it's disabled? I hope you support 'Path/Mask/Shape Keyframe Editing' in the next update version.

0
Forum|Forum|1 year ago
Nathan37274524nhhmParticipant

P: Automatically detect and move zoom field to faces while reviewing and rating photosOpen for Voting

In order to more effectively rate and flag photographs based on how well focused the image is on the eyes of the subject, I suggest a feature that would allow you to scroll through your images while initially reviewing them, and automatically shift the zoomed area over the face of the subject.

0
Forum|Forum|1 year ago
Nancy OShea
Community Expert
Nancy OSheaCommunity Expert

IDEA: Support for WebP and AVIF ImagesOpen for Voting

More & more websites are using newer WebP and AVIF file types.  But not Adobe. WebP and AVIF offer better picture quality & file compression than JPG, PNG and GIF. Most browsers support them: https://caniuse.com/webp https://caniuse.com/avif   This platform still does not allow embedded WebP or AVIF files.  When can we expect that to change?      

2
Nancy OShea
Community Expert
Forum|Forum|1 year ago
Xoomler28542107j3g9Participating Frequently

Add a billing email that is not an administrator.Open for Voting

Currently, all administrators get billing emails.  Our accountant should not be an admin on our account - following the basic security principle of "least access."Please allow a way to add a billing email that is not an administrator.

2
Forum|Forum|1 year ago
SHGMC
SHGMCParticipant

MKV: why only H264/AAC?Open for Voting

MKV files?? How many years as it been since we asked for that? I stopped counting. But why only H264/AAC???? MKV files are incredibly polyvalent...   Also, FLAC support out of the box without the need of external plugin? Audition supports FLAC but not Premiere. WHY?????????

0
SHGMC
Forum|Forum|1 year ago
ClintMayers
ClintMayersParticipant

Right-click context menu in Effect Controls and Clips in Timeline to Add EffectsOpen for Voting

Suggested short-cut menu for Premiere: Right-click menu to add effects both in Effects Control window and on clip in timeline. We can do this in After Effects.  See sample images.  We can right-click inside the Effects Controls of a Selected Layer or even right-click the Layer and Add an effect.  However, it's never been possible in Premiere Pro. This would be a great feature to speed up the workflow saving us from having to open the Effects Window and dragging onto a clip or into the selected item's Effect's control.  I added jpgs below to clarify.AFTER EFFECTS:PREMIERE:SOLUTION:    

3
Ann Bens
Forum|Forum|1 year ago
gabors88990664Participant

Request for Hungarian Support in Adobe Products e.g. premier proOpen for Voting

Kedves Adobe közösség! Több éve hűséges Adobe-előfizető vagyok, elsősorban az Ön fényképezéséhez kapcsolódó szoftvereit használom, mint például a Photoshop és a Lightroom. Nemrég úgy döntöttem, hogy frissítek a teljes tervére, azzal a szándékkal, hogy bővítsem a videószerkesztési képességeimet az Adobe Premiere Pro segítségével. Csalódásomra rájöttem, hogy azonban mégis, hogy ugyanazt az előfizetési díjat, mint a többi ország felhasználóit, nem tudok sok Adobe programot, köztük a Premiere Pro-t is anyanyelvemen. Ez nagyon megnehezítette a tanulási folyamatot, mivel csak a feliratos oktatóvideókra tudok támaszkodni ami nem ideális megoldás összetett szoftverek elsajátítására. Tekintettel arra, hogy a piacon lévő többi szerkesztő szoftver már támogatja az anyanyelvemet, amely magában foglalja a Photoshopot is, az Adobe kínálatában ez a korlátozás és méltánytalan. Remélem, az Adobe fontolóra veszi az átfogóbb nyelvi támogatást minden termékéhez, különösen az olyan felhasználók számára, mint én, akik befektettek a teljes tervbe. Köszönöm a figyelmet erre az ügyre. Várom válaszát. Üdvözlettel: retinagphotography   Title edited by mod.

1
Forum|Forum|1 year ago
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