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Known Participant
June 24, 2022
Question

Premiere just keeps getting worse.

  • June 24, 2022
  • 9 replies
  • 19535 views

I honestly don't understand the people working at Adobe in charge of Premiere, and the ones in charge of all the products. Because they could have an NLE so good, so easy to use, with features that make it so fast to cut videos of all complexities, and some other great features for many other things. But instead they keep making it so unstable, year after year, that by now, it's the butt joke of the industry. 

 

When it doesn't crash, it stalls endelessly, on both Mac and PC. I'm not going to say this to brag, but because it has a very good reason to be brought up. My work computer is a Mac Studio Ultra, an insanely fast machine with 64 GB fof RAM, 20 CPU cores, 48 GPU cores and an SSD that can copy in a second what was the full capacity of a hard drive 20 years ago. And, it really delivers. On everything, but Premiere, surprise, surprise. Always the party pooper that Premiere.

 

I open it and I start a very simple project, which doesn't have many files, and they are simple files, 1080p, not a high bitrate, and just some audio VO files. And a few minutes pass, and for this task I have to switch back and forth between Premiere and Powerpoint. Prior to this, I had been working in Powerpoint for hours, also app switching back and forth, without any problems. So suddenly I see that everything stalls. Then, after like a minute, I see my pointer teleport to a totally different part of the screen, and everything keeps being sluggish. So I close everything and I reboot. 

 

All good for a while, until a few minutes after opening Premiere. Then it all goes to hell again. And I even noticed, if I open it, and then choose the Audio window layout, and add a filter to an audio track, it makes it sluggish almost right away. And when it's not sluggish, it still has a one second delay between you clicking your mouse, and that action happening. Then at some point it goes back to normal again, then later goes sluggish again. Also, I open the Activity Monitor, and I see that Premiere is using around 50% CPU, when it's in the background doing nothing at all. Nothing. No rendering, nothing. 50% CPU for being idle. As ridiculous as a car idling at 5000 RPM.

 

This is like a joke. At least in my case my company pays for my subscription, so I'm not paying for something so mediocre. But millions of people pay for it out of your own salary, like I did for years. And it's a lot of money per year. A lot. And if you pay for the suite and you never edit video, maybe you are exclusively a motion graphics artist, then OK, After Effects is a dinosaur but it's not so extremely unstable most of the time. It's usable. And its renders really fly on this machine. 

 

But right now, if I had to pay Adobe CC out of my own pocket, I wouldn't do it. In 2015 I bought the Final Cut Pro X suite, which sadly these days is reduced to just FCP, Motion and Compressor. But they are all excellent products to this day, stable and fast as hell. And the best part is, I paid $400 back in 2015, and all these years, I still got all the updates for free. That's 7 years of free updates. With Adobe CC, you pay and you pay and you pay and the software keeps getting buggier and buggier. 

 

But I'm far from being the only one saying this. There are tons of videos on YouTube talking about how buggy Premiere is, and those videos are nothing new, they've been popping up since 4 years ago at least.

 

A few weeks ago, I noticed something unbelievable. I opened Media Encoder on the Mac Studio, and noticed that everything that was HEVC/H.265, was missing. All the presets, the codec, all gone. So I open my personal Mac. Also, all gone. I think the version was 22.4, maybe I'm wrong. So I ask a few friends, and some of them tell me that they also see it gone, and others tell me that it's still there. All updated to the latest version back then. 

 

Then today I open ME and there it is, back again. How does a whole codec and its presets disappear from some installations and not others? It's pathetic.

 

So why does Adobe keep doing this? If you evaluate Premiere feature wise, it's excellent. It has some ridiculous things, like being decades old and still not having a way to save a custom transition, when every other NLE has had it for decades. But OK, I can live with that. If it doesn't crash on me often, or it brings down a $5,000 state of the art computer to its knees.

 

So why doesn't the CEO and the Premiere team leader say "OK guys, enough is enough, we have to stop introducing all these cool features and spend a year making this the most stable NLE in the planet, because our reputation is on the floor and we need to recover from it."

 

And I bet they could, if they wanted. And when they start releasing updates, and Premiere starts being more and more solid, people are going to notice, and many of those who switched to other NLEs out of necessity, would come back.

This topic has been closed for replies.

9 replies

mattchristensen
Community Manager
Community Manager
June 28, 2022

@Sebasvideo10677658 For your issue specifically with lag or slow responding UI (not playback) on the Mac – I'm curious if you could check if you have the Libraries panel open. If so, could you close it and see if that helps? We are fixing a specific issue where this can happen on Mac.

Kevin-Monahan
Community Manager
Community Manager
June 28, 2022

When editing captions, close the Text panel and edit the captions in the Program Monitor. This will help stability when working on captions. I second closing the Libraries panel, as well, as Matt suggests.

 

Thanks,
Kevin

Kevin Monahan - Sr. Community & Engagement Strategist – Pro Video and Audio
Rick Janssen
Participating Frequently
June 28, 2022

I was going to post my own discussion, but then I saw this post, where TS describes many of the same issues that are killing me as well. I figured I might as well add my fuel to the fire here.

 

As of late, I feel like it must have been since one of the updates in the past two months, Premiere (and by extension After Effects), has been absolutely horrendous performance wise. It has gotten so bad that it has become near impossible to get any work done in a project. I am currently working on two big projects on different machines, and both are plagued by the same litany of issues. Some of them have already been mentioned, but my major issues are:

 

- Performance in general seems unusually bad in the last two months or so.

- Random freezes and crashes, with no discernible cause.

- Playback stutters and sometimes just outright freezes, even with 'Global FX Mute' enabled, 1/8th resolution and soloing a video layer. Sometimes I'd hit play and have to wait 10 seconds for choppy video to start playing, after which it might even crash without warning.

- Autosaving while editing a captions layer will result in a crash, forcing me to disable auto-save and in doing so risk losing progress on edits when Premiere decides to crash for some other unexplained reason.

- Unable to type and see captions appear in real time, unless I nest the entire sequence first and then add captions, which makes no sense, since nothing virtually changed with regards to the image!?!?

- Audio waveforms will sometimes "flicker" on and off before disappearing all together. Usually when this happens I'm better off restarting the program, since general performance goes down hill from there.

- Export times are insanely long compared to previous similar projects and regardless of settings. Sequences that would previously take an hour to export will now take an entire day if you're lucky.

- Export progress will sometimes randomly freeze without any notification. I have had to resort to exporting every frame to a JPG so I would at least save the render progress and have it get through an entire sequence.

 

Project 1 is a 4K sequence of about 1 hour and 15 minutes, and mainly consists of ProRes LT clips. There's a lot of Lumetri color correction going on, and there are two adjustment layers with moderate CC filter usage and different transfer modes. None of this previously gave any noteworthy problems performance wise. 

 

PC specs project 1: [WILL PROVIDE LATER]

 

Project 2 is a 4K sequence of about 45 minutes, mainly consisting of ProRes HQ clips, but also relies on clips and B-roll from a variety of different formats, ranging from MXF to MP4's, with Panasonic P2 footage being the most exotic outlier. Basic color correction and one adjustment layer with a modest filter and no transfer modes. I would say this project has always had a little more sluggish performance (due to the notorious P2 footage), but never this extreme.

 

PC specs project 2: Intel Core i7-7820X CPU @ 3.60GHz, 16GB RAM, NVIDIA GeForce GTX 1070 Ti. Running on Windows 10 and footage is is pulled from an external one HDD and one SSD.

 

Both projects make heavy use of dynamic links to After Effects comps, but I've done many similar projects before where these issues weren't a thing. Deleting the media cache or render files also doesn't seem to fix any of these issues, and often when I check the Task Manager when experiencing freezes during rendering, CPU and GPU usage seem unusually low to me. RAM usage however, is as high as I would expect (at around 75%ish of max).

 

I don't know what is causing this horrendously bogged down performance, but I do know it's driving me crazy, to the point where I actually start to dislike doing my hobby and my job. Both projects could've been done a month ago, but because of these issues I regularly have to take a break as to not break the mouse and keyboard in the accumulated anger of having to work with this horribly slow and buggy piece of software.

After almost 15 years of enjoying working with Premiere I've gotten to the point where I am seriously considering switching to an alternative.



R Neil Haugen
Legend
June 28, 2022

Wow, that's a load of pain!

 

Wondering if @mattchristensen  might pop in and comment?

 

Neil

Everyone's mileage always varies ...
Inspiring
June 27, 2022

I'm just glomming here to sympathize, because I'd been thinking the same since the 2018 version of Pr on OSX, which was the most solid build on my computer ever.  I bought a $15K MacPro in Dec. 2019.  Pr 2018 was the last version that supported my OpenGL GPU, and most of my subsequent issues had been with inferior perforumance with Apple's Metal.  And as you experience, Pr crashes and corrupts its own prefs multiple times a day.

I wrote "had been" because I switched to Resolve for the majority of my editing about a year and a half ago, and keep my CC subscription current because I still use Ae a lot (which unfathomably still only offers 8-bit support for many of the nativive effects), and Pr for some utility functions, and to update older projects I did on Pr when those come up, if they're minor enough to make a complete project export to Resolve untenable.

 

I also wanted to agree with you that Adobe keeps adding features that old guys like me don't welcome.  I'd gotten along fine without any of the "Essential" panels that seem devised to attract novices and YouTubers.  I suggest Adobe call that version "Premiere Amateur," or just "Premiere," and make a version of "Premiere Pro" that is not only rock solid, but a Resolve competitor and an app with no bloat.  Adobe takes so much pride in color technology, but can't seem to make Pr a competitor in color correction, nor a built in DAW that's anything like Fairlight in Resolve that doesn't require a silly export and rewrite of audio files going out and back into the NLE.  To that point, BMD did what Adobe did by combining separate preexisting apps (NLE + color + DAW) into a mega-app.  The difference is that BMD did/does it a lot better.

The only advantage I see to Pr at this point is the Dynamic Link to Ae, and even that has been pretty buggy for me up until I abandoned Pr that I solved by rendering everything in Ae and only using the Create Ae Comp in Pr for the export to Ae, then replacing the clip in Pr after rendering it in Ae (That also eliminated the constant rerendering I was having to do in Pr.).  I count only one downside to using Ae with Pr vs. Resolve that has to do with Resolves automatic background rendering (which is awesome), which can be disabled, and eliminates the issue.

 

Honestly, IDK how unstable Pr is today, because I don't use it that much any more.  I upgrade to the latest versions with abandon because I have a backup (actually primary) NLE that's reliable.  I also wonder how much attrition Adobe is losing to BMD over Pr's instability.

 

BTW, I did a job last month in which the client wanted open captions on a deadline, and the functionality for automating that in the latest Pr was impressive, which made the choice to use Pr for that pretty obvious.  I'll even admit that having the Essential Graphics pane that allowed me to format the text to my liking was very useful.

R Neil Haugen
Legend
June 27, 2022

Good post, Jim.

 

As someone who also works with Resolve daily ... they're two different birds. Yea, the dumb decision a few years back to end SpeedGrade and substitute a 'panel' in Premiere to handle color was ... dumb, to be polite. My comments about that at the time had me kinda persona-non-grata with the then-head of Premiere. Ahem.

 

[But he's long gone now ...  😉   ]

 

The captioning in Premiere now has fits & starts at times, but in general, is amazing and yea, I find it VERY useful. The EGP in general is adequate to my graphics needs, so ... it's fine. I find the process with Pr/Audition to be rather easy and solid, so ... no complaints there.

 

And Pr2022 is working better/faster on both my Ryzen 24-core desktop and my 4-year old Acer Intel-based 6-core laptop. That's one of the bizarre things currently seen ... similar rigs getting radically different performance, and that's extremely puzzling. And frustrating.

 

Some Mac users are getting tanked, some are having marvelous performance. Why? No clue.

 

Resolve ... I thoroughly dislike both the fixed UI  which doesn't put anything where I'd want it ... and the way they limit all control surfaces especially those by other makers. My Tangent Elements panel is only half used at any one time in Resolve, I can't change it.

 

And the "menu" system the Resolve devs make us use on the Tangent panels is just bizarre. Hit the X option to bring up some of the controls for Y, but hit the Z button to get back ... hit A to get to the controls for B, and ... yea, it's just weird.

 

But I can map the Hades out of Premiere with it, set the names for anything on the panel's internal displays. And I now use my Elements panel for controlling audio mixes, moving/sizing/positioning graphics and other screen elements ... anything I can think of about.

 

Yup, everyone's mileage always varies. But in the end, they're just tools ... fancy hammers. Everyone needs to simply use the hammer that works for them now. And if that's Resolve, Avid, Vegas, whatever ... great. Get the work done, that's all that counts.

 

Neil

Everyone's mileage always varies ...
Richard van den Boogaard
Community Expert
Community Expert
June 29, 2022

Probably Blackmagic Design has a very valid reason to partially block non-BMD panels... it's eating into their business model of giving away software as a driver for hardware sales.

Inspiring
June 27, 2022

I agree that Premiere Pro is getting worse and worse but I also agree Premiere Pro could be the best NLE on the market. Having said that I am having some serious performance issues myself as seen in the video link below. I cannot help but think the people who created the Mercury Playback Engine have all retired or quit. You would think all the transitions would be GPU accelerated in the year 2022. I say drop the Mercury Playback Engine and give us the Saturn Six system ASAP. One could argue there is a corporate spy from Apple working at Adobe sabotaging the software. 

Community Expert
June 27, 2022

Technical support does not work well when driven by baseless conspiracy theories.

 

 

Inspiring
June 27, 2022

Technical support is not working well as is now is it? We got changes to the GUI that are worse than before yet the transitions and effects have not been switched over to GPU acceleration? It is 2022. Does anyone at Adobe know how to write for CUDA in 2022?  Adobe gets rid of filters and transitions. What gives? Something is not right? We should get a few new GPU accelerated transitions each year and a few new GPU accelerated effects each year. The CEO, project managers and programers could to a live stream to let us know what is up. 

I for one would like to know why all the filters and transitions have not been GPU accelerated by now. I don't think anyone should have to put in a feature request for all the effects and transitions to get CUDA acceleration. Premiere Pro used to get great upgrades 15 years ago. Even 10 years ago Premiere Pro had good upgrades. I never had to make a feature request. Now days the upgrades kind of suck and they are buggy.  Resolve on the other hand is getting great upgrades. That is reality! 

Christian.Z
Community Expert
Community Expert
June 26, 2022

Its not only about Premiere and your system specs. It's also about what other software are installed, what is compatible with your storage configuration, what is your usual practice of things.

 

As an example, I was running with Premiere awesomly smoothly until it started crashing randomly. Not only crashing, but freezing the entire system. Photoshop was fine, illustrator was fine, AE was seamless, only Premiere.

 

The culprit was evantually a Cisco update for their AnyConnect VPN that was pushed by our IT department that forces new protocols which were apparently conflicting with our Avid Nexis server.

 

You really think our IT department will figure this out? or Premiere Peeps? or Avid people? and do you really think that even after we figured it out Cisco will cooperate swiftly with any of those 3 to have the issue resolved?

Even for anyone who is reading this, can you really give a guaranteed accountability to any of those parties and who is responsible of fixing this issue?

That's one issue, what happens if you add an antivirus to the mix? or any Chrome extension? or any other App or software for that matter?

Community Expert
June 26, 2022

@Christian.Z 

 

It really helps to have software technicians and hardware technicians that specialize in video post production.

 

I can remember when we didn't install anything other than our OS, necessary drivers, and the NLE to best ensure a stable system.  A few places I freelance at keep the video editng and motion graphics workstations off the interent.

 

In 1996, there was a fax extension on the Mac side that caused all footage to show as 0 pixel by 0 pixel.  

 

As for anti-visus software, I've found Sophos to be fairly non-intrusive.

 

 

-Warren

 

 

Community Expert
June 28, 2022

Sophos is a great firewall, but their CVE-2022-1040 RCE flaw in March was something to

take into consideration when dealing with all firewalls and anti-viruses and have them 

configured the right way according to each organization's policies. 

Richard van den Boogaard
Community Expert
Community Expert
June 25, 2022

I am sorry to read about your bismal experiences.

 

As a community we are here to help you in the best way we can. Like R Neil said, the experience varies from one workstation to another, so there must be a way to solve your perils. Carlos suggested some solutions. Have you tried any of them?

Community Expert
June 25, 2022

did you try to reset Premiere Pro's preferences?

did you clean your media cache?

are you using external drives for editing? better keep those for backups only.

switch off automatic updates on Creative Cloud, and never update to newer versions

before testing them on every system you are using, and not test them on on-going projects.

you can always keep multiple versions of Premiere Pro installed.

Check your workflow, the files you are working with, there are many tips for project management

and backing up projects for later uses, and plans you have to think of when storing your project files

for a long time, I mean by long when the version you used to create your master project is totally out.

Known Participant
June 25, 2022

Yes, I tried all that, and it's the same thing. And no, I don't edit from external drives (which I have done for years when my computer had a rather slow internal drive and the external USB 3 drive was faster), but now I edit from the internal Mac Studio SSD, which has a speed of 6 GB/s. So even if it's the same drive with the OS and program files and all, it's no contest with anything else, including really good external SSDs. I have a Samsung T5 1 TB drive, which is really fast. But Blackmagic Disk Speed gives me 1 GB/s, and it gives me 6 GB/s for the internal drive. I copy (not move) an entire folder with several subfolders which is like 1 GB total, to another folder in the same drive, and it takes 1 second.

 

See, you can ask me if I'm doing this and that, and see what's the problem in MY case. And if Premiere didn't have such a low reputation for being unstable, I would maybe give some credit to that, and see what am I doing wrong. But in this case it's obvious it's nothing I'm doing when you search online and you find hundreds of posts in forums and videos on YT with people saying the same thing as me, that it's unstable as hell.

 

I mean, I learned to live with it, and I use it as best as I can. I can still edit. But only for work projects. When I have to edit my own stuff, I open Final Cut Pro. Because unlike Premiere, FCP had tons of updates in the 7 years since I bought it, and I never had a version that was unstable, or froze the whole OS, or did anything but doing its job. 

Kevin-Monahan
Community Manager
Community Manager
June 26, 2022

Hi Sebas,

Sorry for the trouble. Something has gone wrong with your workflow, I think. I am not sure what is at the heart of your issues. Usually, it's media related. I don't have the problems that you describe with both my M1 and my Intel-based Macs. I do have some trouble with my standard 1080p DSLR footage, (and it's even less performant than some of my iPhone 4K H.264!) but once I create proxies, I don't have that problem. I am going to recommend always creating proxies for any Long GOP footage.

 

I follow standard editing protocol by creating ProRes proxies for Long GOP footage (Warren is correct in that FCPX creates ProRes Proxies in the background—causing much smoother performance), deleting media cache between every version, trash preferences regularly, avoiding unnecessary applications, extensions, and plug-ins, Run Disk First aid weekly, and using high-speed media drives connected via Thunderbolt (I never have trouble with playback performance). 

 

You are operating with newer Apple hardware. Though I have an M1, I don't see many issues at all related to the machine. That said, when new hardware comes out it does take some time before all the issues are completely ironed out. When Apple switched from Motorola to Intel chips in the 90s, this caused odd issues for some years. I still use my Intel machine more often than the M1 to be honest. There have been a few M1 issues over the past months and they are always listed in the known issues documentation by the product team. FYI: it's good to be checking that frequently while you're in this phase of development.

 

As far as Premiere Pro's reputation goes, there are a lot of editors that are unaware that NLE software requires special consideration, unlike other applications. Because these editors do not take certain precautions into consideration, they have problems, and then chalk it up to Premiere Pro being "buggy." Yes, Premiere Pro has bugs, but so does every other NLE. I know that because I've worked at other NLE companies so I am aware.

I am so sorry that some people are having trouble, but it's frustrating to know that a few tweaks to the way they approach the edit (like creating proxies or transcoding to ProRes) is the only thing preventing having a blast editing. Like Warren, I am a big purveyor of smart rendering. I suggest you look into it. 🙂

Good luck,

Kevin

Kevin Monahan - Sr. Community & Engagement Strategist – Pro Video and Audio
Community Expert
June 25, 2022

Is there a particular reason you are not taking advantage of Smart Rendering with Apple ProRes?

Also, are you just looking to vent some frustration or are you actually looking for solutions?

 

Known Participant
June 25, 2022

Yes, the reason is that I'm not working with ProRes footage in this project.

To answer your second question, in part frustration, but mostly, hope that someone high up the chain at Adobe reads this post and many others, and does what needs to be done to fix it. I know it may seem so, but I'm not here to throw crap at Premiere. I love Premiere, I learned to edit in it back in 1998. And it used to be a great NLE, that was stable and reliable. Now it's so bad it has become a joke. And Adobe has nobody to blame but themselves. They keep adding crap that nobody asked for, and they don't test it enough to make sure it's ready to release. When you open Premiere and ten minutes later it starts clogging your system with tasks nobody told it to do, and you see the Activity Monitor, and it shows Premiere using 30 to 50% CPU when it's just sitting in the background not rendering or doing anything, that's very poorly written software. And the new crap I was talking about is that incredibly stupid new export UI that as far as I saw doesn't bring anything useful, and people now have to start to figure out where the hell are the same things that had been in the previous UI for, I can't remember, like, 13 years?

 

And I wouldn't complain much about it, but the thing makes not just Premiere, but the whole OS feels like an 80's computer, where you click on something and it takes a second to act. Anything from a button or a drop down list. Then suddenly it wakes up and works normally. Then a bit later it's back to the 80's again. So they could've just left the regular export dialog that worked just fine, but no, they had to screw it up.

 

Everyone who pays for a CC subscription is a Premiere beta tester. That wasn't always the case, but it is now and it's been since about three years ago. That has to stop.

Community Expert
June 25, 2022

What makes editing smooth in Final Cut Pro X is ProRes and what makes it stable is how closely it is tied to the operating system (which can at times be frustarting as a FCPX update often requires a macOS update), but we should not paint it with rose colored glassses.  That NLE has its ongoing list of bug fixes and perhaps more importantly is still missing key features that professional editors require and are asking for.

 

Premiere Pro offers comparable smoothness via Smart Rendering with ProRes (even when not running it on a Mac with dedicated ProRes encode and decode engines); however, it's up to us to best configure our software and hardware.  It's 100% possible to have stable versions of Premiere Pro, Media Encoder, After Effects, Audition, Photoshop and Illustrator.

 

Also, none of the Adobe applications should change in the way Final Cut Pro classic did.  Frankly, that was a disaster and thank goodness Premiere Pro to fall back on.  

 

 

R Neil Haugen
Legend
June 24, 2022

The variability between users right now is simply astounding. Even between users on the same OS, system specs. I know of Mac users who are getting awesome performance, others with similar gear getting the crappy performance you are.

 

I've got a 24 core Ryzen desktop with 128GB of RAM, and a 2080Ti, running a couple Nvme drives and six other large internal SSDs. Premiere flat out screams on my rig, best performance I've ever had.

 

I know others with similar gear, but they are getting total crud. Why the differences?

 

My laptop is a 3-year old Acer Predator ... with a 6-core Intel CPU, 32GB of RAM, and a 2080 (laptop version of course). That's getting the best playback I've ever had. And yet, others with far 'hotter' laptops are getting poorer playback.

 

That variability is maddening.

 

Neil

Everyone's mileage always varies ...
Known Participant
June 25, 2022

But see, when they have to test Premiere on a lot of different gear, the world of Windows PCs is far more difficult. You have people like me who build their own PCs with excellent components and checking the HCLs for all the components, and my last PC I built in 2012, and save for one of the hard drives (obviously inevitable), it works flawlessly to this day, and it's still a reasonably fast PC in which you can edit 4K, but you can never render to HEVC because it takes days for a 30 minute video.

But then you have all the people who either don't check the HCL and just buy whatever catches their eye, or like most do, buy brand PCs. And most brand PCs you need to get to a certain price level to be any good because if not they are garbage. Dell in particular is a brand whose garbagerie extends to even their most expensive ones, and nobody can tell me they're not because I had two that were one the highest price tier and the other one, the tier right below that. And my work PC until recently was a Dell Precision 7740, which is like a $3,500 laptop that granted it's really fast, but the fan noise, even at the "quiet" setting, is annoying as hell. And I'm talking about the machine just idling. Forget about rendering anything because it takes off.

 

With a Mac, the only time you used to hear the fans, was when you were actually rendering something. Now with the Apple silicon machines, not even then. I mean, I suppose if you have to render a sequence out of Blender in 2160p for days on end, perhaps it will get a bit noisy. But I tested the thing for hours with a render that was maxing out the CPU, then another that was maxing out the GPU, and nothing. 

 

But I digress, like they say. It would make sense if Premiere was terrible on some home built PCs, or a $1,000 Dell, or something crappy like that. But the world of Mac is far more simple, you only have so many machines. And I don't expect Adobe to test it on every single Mac, but I do on the ones that are currently in the market and that represent a huge step in computing power, which Premire can obviously benefit from.

 

I mean, I know coding is super hard, I couldn't do it for all the money in the world, but the people who do are way smarter than me and it's not impossible to code software that works fine most of the time. Apple does it. FCP even has one of the best features in any software ever, which is that it's constantly saving every user action, so if it crashes, you lose almost nothing. And the funny thing, in the 7 years I've had it, it must've crashed less than 7 times. So less than once per year. Logic Pro X, all the Apple office apps, and so much software from other companies is very decent nowadays. Adobe reminds me of 25 years ago, when software was flaky and would crash or stall, or both.

 

I mean, why would you put that abomination of export interface, that is slow as hell, and completely inefective. I had to export some files and I had to take the time to see where the hell Adobe decided to put things now, and everything is in different places. Why? What was wrong with the standard export dialog? It worked, that's all that matters. In the 7 years I've used FCPX, I've seen some GUI changes, but never anything so drastic.

 

And here's another thing that annoys about the Premiere team: you edit something big, and you archive it. But that team has the annoying habit of making some filters obsolete every major release. So at first you see I think it's like the word "obsolete" next to the filter name, and the next major release, or at best the one after that, it's gone. I've seen that so many times since I started using their forced subscription model. So one day I decided to open a project from ten years ago that I wanted to update with some things, and like half the audio and video filters I had used were gone. So it took me a much longer time, because a lot of the work that I had done ten years ago, now I had to do it again with the filters that replaced the old ones.

 

The Premiere and After Effects teams work for the same company, but in some ways, they seem from a different company. After Effect, as far as I can remember, hardly ever removes filters. It's the other extreme. It's a dinosaur from the 90's that they keep piling features on top of more features, and generally speaking, those features they dangle on your face like the hottest new thing, are inferior versions of things that Maxon/Red Giant, Imagineer and all those 3rd party companies do far better.

 

But hell, at least it works. Premiere doesn't, and it's sad, because if it did, it would be such a great NLE. But it's plagged by terrible management and has been for years. I remember the major releases. I still have the CS6 box. And ten years ago it worked great. Premiere, AE, and all the rest. Plus, it had Encore, so you had a decent Blu-ray authoring solution.

 

If Adobe doesn't change their course on Premiere, five years down the road, it's going to practically disappear.