Changing the Colour Interpretation of Merged Clips
Hi There,
having a nightmare at the moment with a picture locked offline edit of 2 half hour broadcast shows that have now fallen victim to the new colour management update in Premiere 22. One show shot on a Sony FX6 and the other on an FX9. The older show had been rough cut late last year before the update when it was still v15 and when i open up the project on 22 its getting blown out like a double LUT has been applied. Did some research and found out about the issue and reverted back to 15 and picked up and rebuilt the sequence. So good so far. The 2nd sequence shot on teh FX9 in Slog edited in a v22 project was displaying correctly up until today when i reopened to export and found the same issue. All of my working files were processed in Premiere with non-sync sound and merged to give synced rushes with proxies etc. I can select all of the raw material in the project and right click - interpret footage and change the colour management overide to rec709 which displays the original footage correctly on a rec709 timeline. However my merged clips are all still being misinterpreted as HLG and the option to interpret footage and colour overide are greyed out for the merged clips. The sync timeline i used to create the merged clips from is displaying correctly.
My question is - without having to start from scratch or recreate all of the merged clips and proxies and rebuild the timeline is there any way to get around this? I'm going to have to export for Online in the next week as well as for sound mix and could be doing without starting form scratch so to speak.
Any help would be hugely appreciated.
Running Premiere v 22.2.0(Build 128) on an iMac Late 2015 4GHz Quad-Core i7, 32 GB Ram, AMD Radeon R9 on MacOS Monterey 12.2.1
Using 4k rushes shot in Cine-EL on a Sony FX6 and FX9.
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