Using Squadcast with Audition: How can I monitor levels while recording a session in this program?
- April 6, 2022
- 1 reply
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I don't know if any of you have used Squadcast, which is a program for recording multitrack remote interviews in high quality 48 kHz/32-bit Floating Point .wav files on split tracks. We use it for a podcast. As "Director," and dilitannte sound editor, I am a silent guest: I listen in, muted, on one channel, while our Host and the Guest converse on split tracks. Ideally, I would be recording this in Audition at the same time, where I could watch the levels and adjust accordingly, but Squadcast strongly advises against this (I wouldn't know how anyway). When the session is finished, I download the .wav files, import them into Audition, and edit the narrative. I can make adjustments in levels, and even "de-clip," but I have had some very rude awakenings when I get these tracks into Audition. Even though, subjectively, they SOUNDED okay when I was just listening, we had one session where the host track came in TOTALLY blown out, unfixable. (Fortunately, we could just re-track his lines -- he's a great voice actor and mastered the intonations, pauses, chuckles, all perfectly.) But when the GUEST is overmodulated to the level of distortion, I'm screwed. We've started doing short sound checks, test sessions where we record a few minutes and I check the levels in Audition. But this is terribly inconvenient and not all guests are into it. Squadcast says there is a level meter in each participants setup that they can adjust -- but we don't see it, and the only opportunity for participants to set levels is BEFORE the session; they are "locked in" once we start recording. I have no control over the recording levels DURING the session, and neither do they. Bottom line: How can I ensure during a session that the levels are in range, not pinning, not distorting? I'm frustrated that I can't run it through Audition at the same time that Squadcast is recording.
Does anybody have any experience with this setup, and any suggestions on how I can monitor AND ADJUST LEVELS DURING A SQUADCAST SESSION and avoid blown out clipped audio?
Thanks, as always. I love this commmunity.
Rob
Screengrab of our test session below. Even after the guest had turned the volume on his sound preferences slider on his new Mac almost to zero, he continued to come in hot and is distorted
