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I have an oval with text on top of it. I want to make the stroke around the text transparent so you see the background through the space between the text and the oval but I'm not sure how to get this done in InDesign and I don't know Illustrator well enough to do it in there.
I could take it into Photoshop and simple erase the stroke but then it's no longer a vector.
Ok, here we go:
1. Convert your text „startup” to outlines (Ctrl+Shift+O). Give it a [Paper] stroke. The sequence is not relevant here, also you can not bother about stroke weight so far.
2. Select your outlined text, in the Effects panel, sub-select the Stroke only, and set its Opacity to zero. Your stroke „disappears”.
3. Group the green graphic element and „startup” together (Ctrl+G).
6. With the Group of these two objects selected, in the Effects panel, turn on Knock-Out Group checkbox.
7. Now y
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Here you go, sorry for delay had to drive home and that took about an hour... joys of UK motorway traffic...
Here's the link...I think its virtually identical to what you shared with me - just improved:
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I'm impressed. It really is close. I hope TomKC likes it.
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Thank you Sandee - that's very kind of you to say.
I'm fairly pleased with it considering it's hard to get the curves and the see through separation at an exact match as before but I think it looks good.
I apologise for being grouchy earlier... maybe we got off on the wrong foot?
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I’m putting the past totally behind me.
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Sorry! … the right part ("p") isn't correctly done, … as "bidouillé (french term)"!
(^/)
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Merde!... I'll check it over now.
What does bidouillé mean by the way?
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Ahh got it the center of the P is smaller in my version!! Thanks Obi-Wan
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Hey, Tom,
I think it would be fair to un-mark the 'Correct Answer' for a while...
There's a big battle still going on.
And I'm, frankly, out of ideas, if staying inside InDesign.
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No battle
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Well, wrong word perhaps. Let's call it brainstorming, okay?
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Gotcha!!
Although really I was just trying to be nice to the OP and do my good deed for the week...
Regretting it now jk
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Take the points!
(^/)
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You are great! I appreciate your efforts to assist. You are certainly a credit to the community and I applaud you for it.
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No, your solution actually was correct with a few modifications. The thing I needed to do, as Jeff instructed in his Illustrator solution was to copy and paste in place another unaltered copy of the unaltered copy of the text on top of it all after. Once I did that it looked perfect.
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Yes, there was something like this in my mind yesterday, but was too tired, perhaps, to formulate instruction clearly and post here. Really glad you did it yourself, congrats!
Actually, now considering totally different way of doing this, with one interesting script involved, but... enough is enough. Nearly 60 posts in this thread already...
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My opinion, just TAKE THE WIN!
I agree this got just a bit carried away.
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Done. Will create various versions and send the Dropbox Link when I get home.
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Quick and dirty method... colorize the stroke on the "s" and "p" yellow - the same color as the background.
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Not dirty at all but totally soft and relevant!
(^/)
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Really? OP posted two versions - one with background, and one without. So - that yellow background is optional: it may be yellow or not, uniform or not. It may just be or not!
I'm a bit surprised you find plain stroking acceptable here. Do you mean to edit it every time background changes?
Here it is, stroked and outlined, directly in ID:
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Yes, the yellow background was just simply put there so you could see the contrast of the stroke of my samples.
As for the discussion regarding Illustrator, I do agree that would probably be a better tool for this but I don't have it, I do publication layout I'm not a graphic designer or illustrator.
The reason you see that I only have outline strokes on the "s" and "s" is that the "t" is so close to the oval that if I added the outline stroke to it to bleeds into the oval.
So I created a separate text frames for the "s" and "p". It worked, kind of.
The only problem is with his step 5. With the Outlined Type still selected, go to Object > Flatten Transparency to Convert all Strokes to Outline. I don't see that option in indd CS6.
I was able to complete the rest of it but the lines are hairline in size not the 3 pt I was looking for.
Is there something I'm missing?
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Ok, here we go:
1. Convert your text „startup” to outlines (Ctrl+Shift+O). Give it a [Paper] stroke. The sequence is not relevant here, also you can not bother about stroke weight so far.
2. Select your outlined text, in the Effects panel, sub-select the Stroke only, and set its Opacity to zero. Your stroke „disappears”.
3. Group the green graphic element and „startup” together (Ctrl+G).
6. With the Group of these two objects selected, in the Effects panel, turn on Knock-Out Group checkbox.
7. Now your graphic element beneath the stroke should be knocked out.
8. You can sub-select outlined text and adjust stroke weight and alignment using Stroke panel (most likely you’ll want to set it Outside). Just don’t ungroup, knockout effect will be lost!
Also you may find reasonable to do it with the first and last characters only, it’s up to you.
Hope this helps.
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winterm,
This nearly worked. It did exactly as you said, but now there is a hairline outline in the interior of the "p". (same thing happens with the "a" if I add a stroke to it).
Is there something I'm doing wrong?
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yeah, I see.
well, that's one of the reasons they say logos should be designed in Illy. InDesign's capabilities are not perfect here, it's not intended to do such kind of jobs, after all. Aligning stroke to center would eliminate that hairline, but also it will eat the letters by the half of the stroke weight. It may be not acceptable. You're out of luck having that p at the end...
I think, it's still possible to try playing with pathfinder: one (bolder) copy of text to cut out (subtract front object from back), other (lighter) - to paste in place. But it won't be elegant, anyway.
And think again: do you really need the ability to place this on any background? If not, then Jeffrey_Smith and Obi-wan simplest solution is just enough, indeed.
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Your solution actually was correct but you missed one step that Jeff had in the beginning when he offered the Illustrator instructions.
I then copied and pasted the original text and Placed In Place as Jeff instruction for the Illustrator solution. End up putting it on a new layer just so I could easily hide it.
Then I followed your instructions using the added instructions of Align Stoke to Center as you suggested and doubled the stroke from 3 to 6 as you suggested.. That got rid of the halo effect.
This of course made the "s" and "p" look very strange. But then I unhid the layer with the copied text, changed it to Outlines and it look and acts exactly as I need.