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felipep88271530
Participant
April 16, 2024

Premiere Pro 2024 - Color and effect issue on export

  • April 16, 2024
  • 5 replies
  • 1756 views

Hello all

I recently updated my Premiere Pro to the latest version at the same time I got a new camera.
I've been trying to edit videos shot on Nikon Z8. When I color correct it I can see just how I want on the timeline, however when the export is done the colors come way off. It seems the export applies a Gama on top of the video.

 

Here are the 2 images



I also turned the "Effects" button off when exporting.

 

Can anyone help me understand what is going on?

 

Thank you

 

Felipe

5 replies

Kevin-Monahan
Community Manager
Community Manager
September 3, 2024

Hello,

The team needs more info. See, How do I write a bug report?

 

Thanks.

Kevin

Kevin Monahan - Sr. Community and Engagement Strategist – Adobe Pro Video and Audio
R Neil Haugen
Legend
August 31, 2024

Did you follow the steps I outlined in detail above?

 

This is basic color management that everyone needs to learn. And the 25.x public beta, now out, gives us a much wider array of options including setting wide gamut sequence working spaces with say Rec.709 viewing set.

Everyone's mileage always varies ...
hekyma
Participating Frequently
August 31, 2024

Hello,

 

Did you find a solution? Would you mind explaining it, please? Because I encountered the same issue with the export. 😒

felipep88271530
Participant
April 17, 2024

perfect! I am not experienced but I'll look into your instructions! 

Thank you

R Neil Haugen
Legend
April 16, 2024

Color management 101 ... and that's a new thing in Premiere, so even if you were an experienced user, you could be struggling.

 

Bring up the Lumetri panel, which you can do either fromt the main menu or simply by going to the Color workspace.

 

Settings Tab ... the one named Settings at the top. This is where all CM controls now live.

 

Auto Detect Log and Auto Tonemapping are interactive, and for most workflows, should both be set on.

 

Disiplay Color Management should be on unless you've got a broadcast-grade calibration and profiled routine for setting the monitor display. Very few do, and if you don't know exactly what that is, you don't. Add on Extended Dynamic Range for Mac users.

 

Your sequence color space should be to what you will be exporting to, and for the vast majority of users, should still be Rec.709. And your export presets must be in the color space of the sequence.

 

So only use export presets with HLG or PQ in the preset name if you have the same HDR setting for the sequence color space.

 

For Rec.709, use presets that do not have HLG or PQ in the preset name.

Everyone's mileage always varies ...