Hey everyone 👋
I’ve been experimenting with different LUT combinations and workflow settings in Adobe Premiere Pro 2025, and I noticed that using the Lumetri Color panel with a dual adjustment layer setup gives a much more cinematic tone — especially for racing or motion-heavy clips.
I documented the full workflow and test results (with before/after frames) on my blog carx street where I often write about creative editing and visual tuning.
Has anyone here tried using dual LUT layers for highlight control in Premiere? Would love to know what color depth settings you prefer for smoother exports.
Thanks!
— Elena
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