What is the best workflow for Braw files with the new Colour options?
At the moment I am taking the Braw log film files into the Braw Studio Panel and converting them to ACEScct. In the sequence Colour Management I am setting the working colour space to ACEScct and the selecting the output colour space to either Rec 709 or Rec 2100HLG depending on delivery requirements.
That's fine, and one of many possible workflows with raw formats. It was the first one I tested out, actually.
Since then, I've been trying several of the wide-gamut working space options to see if one 'feels' better, as I do mostly BRAW for my personal work. I don't have any reason to pick one over another yet, they all seem at least functional.
I wonder what @Shebbe would have to say about this?
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