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Participant
December 28, 2020
Question

iPhone 12 HDR Video Support in PremierPro?

  • December 28, 2020
  • 6 replies
  • 9775 views

Hello,

 

When I import videos from my iPhone 12 Pro to PremierPro, they look washed out, or overexposed.  As I understand things, this is becuase Dolby HDR is not supported.

 

Is there a work around I can use to get the color back in my videos?

 

Also, any idears when Aobe will eventually provide support for Dolby HDR?

This topic has been closed for replies.

6 replies

Participant
January 29, 2022

Import footage into iMovie 10 (I'm using 10.3). Export as ProRes maximum quality file. Bring those clip(s) into Premiere - they look perfect. iMovie appears to render HDR into usable/normal ProRes footage.

Participant
February 18, 2022

I'm so glad I'm not the only person having this problem. 

 

The iMovie tip WORKS! I've been working on this for 3 days and have been on the verge of tears. I shot beautifual video on my iPhone 13 Pro, I moved the footage to my new Macbook Pro and it looked great. But when it went to Premiere Pro, it turned it into crap. 

 

I hope there is an easier solution soon then turning off HDR off all my videos because I have 170 for just one project. 

R Neil Haugen
Legend
February 18, 2022

Shooting in HDR formats, unless you actually have need of HDR, is an issue for certain. So until you have a full setup including monitor for working in HDR, it's probably wiser/easier to make sure the phone is set to SDR/Rec.709.

 

Note, I work with a lot of pro colorists daily, most of whom have still not delivered one HDR job. And the vast majority of screens out there don't work well/properly if at all with HDR. It's coming, for certain ... but we're still on the 'bleeding edge' of it at this time.

 

There is an easy way to "fix" all of those clips in one action. In the project panel, select all the clips. Right-click/Modify/Interpret Footage, and use the Override option set to Rec.709.

 

That will get all of them working in a Rec.709/SDR timeline correctly.

 

I'm including links to two forum FAQs ... the first on the massive changes to color management/options/behaviors in Pr2022, and how to work within the new system, plus what's currently broken and awaiting fixing. The second is on the changes to monitoring in HDR workflows, if you do wish to work in HDR ... as the monitor settings/setup and use are also different from Pr2021.

 

Neil

FAQ:PremierePro 2022 Color Management for Log/RAW Media



How to Set Monitors for HDR work in Premiere Pro 2022?

Everyone's mileage always varies ...
Participating Frequently
November 10, 2021

I just downloaded a bunch of video from an iPhone 12 Pro Max, and then spent all day trying to figure out why the video was so overexposed as to be unusable when imported to Premiere.  I tried every Codec in the system, and setting the working color space to Rec.2100 HLG as suggested in another thread.  It didn't work.  Can anybody tell me how to uninstall Premiere v22 and go back to something that works?

 

There is nothing more frustrating than "upgrading' to a new version, and finding that things you've always done don't work.  Things like importing video and expecting it to look like it does in its native format, for example.  What a disaster.

StarViewStudio
Participant
November 13, 2021

EXACTLY!  I am a professional Music & Video Producer and PROFESSOR who has been using Premiere since the early 1990's. I am under a deadline for a big project for a Sli Training movie,  and because of the quality and size of the camera, it was used EXTENSIVLY in the slopes. Now I have this BOGUS DISASTER. ADOBE should REFUND our monthly payments until it is resolve! Shame on ADOBE!

Participating Frequently
November 13, 2021

DavidAMusial:

My files from the iPhone were 60fps 4K, with the HDR switch turned on (unfortunately, this might be the source of the entire problem).

 

It took the better part of a day in trial-and-error to come up with this; here is a workaround that might work for you:  
Set the sequence to: Editing Mode DNX 1080P

Display format 60fps Timecode

Working Color Space:  Rec 709

Preview file format: DNX 1080p60Codec:  DNxE

 (check) Composite in Linear Color.

 

Then, I created a preset with corrections to brightness, contrast, and color, to apply to every imported clip to the timeline:  These were arrived at by matching a scene in the timeline (not the source window, because that won't reflect the preset corrections) to an original clip shown on the same screen in Quicktime.  The corrections were substantial, e.g. brightness -40, contrast - 10, colors +110.  Your mileage may vary.

 

Then I rendered the sequence with the following settings as a final check so I could open the original and the rendered product in Quicktime to compare:

Format: Quicktime

Preset: Adobe Stock 4KDCI

Video Code: Apple Prores 422HQ

HDR Graphic: 300

Export Color Space: Rec 709.

 

Now, of course you may be exporting to some completely different format, but I *think* the important things here are the HDR Graphic setting of 300, and the Export Color Space.

I am anything but a pro, but I've been using Premiere for over a dozen years.  I can't explain why the above worked for me, or whether it will work for anyone else, but it's perhaps a framework to come up with your own workaround.

 

BTW, I had 4K video to start, but will end up with an HD end product, so I used Media Encoder to downsize all the video clips.  I found that doing that meant I had to redo the color corrections, as those I laboriously came up with when I was testing with the 4K clips no longer were applicable.  Again, I have no idea why.

russs1073
Participating Frequently
October 31, 2021

This is not a perfect get around by any stretch, however, I popped a black colour matt under my footage and then reduced the original footage opacity - I think EthanT9999 has a decent suggestion, although I'd taken  my footage off the phone and couldn't find a way to get it back on lol

Alejandro797
Participant
March 1, 2021

Can you resolved the problem? I have a iPhone 12 Pro Max, with the same problems

Participant
April 17, 2022

No one can! I have to go back Final Cut Pro. What a wasted of money. 

R Neil Haugen
Legend
April 17, 2022

Actually, most people can. And have.

 

Yea, there are changes that have been confusing. So it takes a few minutes to puzzle out the new processes and behaviors.

 

Neil

Everyone's mileage always varies ...
Participant
December 28, 2020

I just figured out one kind of workaround, although rathery hokey.

I load the video on my iPhone into iMovie.  From there, I make no edits but when I'm saving the new movie I can unselect the HDR option.  Then, transfer the new video from iPhone to my PC and load into Premier. 

 

Voila, beautiful color is back!

But, I have over 30 videos I would have to do this to.  There's got to be a better way .....   😞

Ann Bens
Community Expert
Community Expert
December 28, 2020

I have the 12 pro max. HDR Video looks fine. Not washed out at all in 14.7.

Ann Bens
Community Expert
Community Expert
December 28, 2020
Participant
December 28, 2020

Thanks, just saw your suggestion.  Unfortunatley, I had already tried this and it doesn't appear to be working for me.

 

I'm not a professional video editor.  I'm just a guy out hiking who wants to share the experience via Vimeo.  So, I was really hoping to export to the H.264 Vimeo settings, but retain the beautiful color I see on the iPhone.

The MXF format one gets following the export options in the article does not appear to be supported on my PC.