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Simply put, I have a .mov file that gets extremely saturated once I put it on the timeline. I tried messing with it with Color but it just makes it worst. I have another file filmed on .Mov but it doesn't appear to have the same issue.
Pics are included below to show what I mean, the sooner the better as it's for a school project.
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As Ann's post would cover, there is a completely new color management setup in Pr2022, and new default behaviors. And the new defaults are not always following what they are supposed to do.
I have a forum FAQ covering this. What's changed, and how to work in the new setup.
Neil
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