Exit
  • Global community
    • Language:
      • Deutsch
      • English
      • Español
      • Français
      • Português
  • 日本語コミュニティ
  • 한국 커뮤니티
2

Premiere Pro Video nach Export überbelichtet

New Here ,
Apr 13, 2023 Apr 13, 2023

Wir haben ein Video mit einem IPhone 13 aufgenommen, problemlos in Premiere Pro geschnitten, während der Exporteinstellungen sah auch noch alles gut aus, aber nach dem Export war die mp4 Datei total überlichtet. Nach einigem Suchen im Internet haben wir rausgefunden, dass es daran liegt, dass unsere Ausgangsvideoaufnahme Rec. 2100 HLG hat, Premiere Pro aber standardmäßig alles in Rec. 709 rausgiebt. Nachdem wir das Footage in Rec 709 interpretiert haben und "Weiß für HDR-Grafik" im Exportmenü auf 100 gesetzt haben, sah es besser aus, es ist aber immer noch nicht in der Qualität, dass das Originalvideo vom IPhone hatte. 

 

Gibt es irgendeine Möglichkeit dieses Problem zu beheben?

TOPICS
Export
7.7K
Translate
Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
New Here ,
Jan 16, 2024 Jan 16, 2024

I hvae the same problem. Did you find a solution?

Translate
Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Community Expert ,
Jan 16, 2024 Jan 16, 2024

It all has to do with color management. Everything need to have the same color profile.

Tone mapping in Premiere Pro

Color management in Premiere Pro

Translate
Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
LEGEND ,
Jan 16, 2024 Jan 16, 2024

As Ann's links will cover, this is because of incorrectly set color management settings.

 

Premiere can work either SDR/Rec.709 or in HDR in either HLG or PQ forms. Your choice. Although at this time, as someone who works for/with/teaches pro colorists, most of whom have yet to deliver a single paid HDR job ... I recommend working in SDR.

 

HDR is the wild wild west. Few screens handle it correctly, many don't at all. 

 

For that iPhone media which is in HLG, a form of HDR, on a Rec.709 SDR (standard video) sequence ...

 

  • Set auto log detect to on.
  • Set Display Color management on.
  • Set SDR/Rec.709 in the Sequence CM.
  • Set auto tonemap to on. 
  • Set Display Gamma to your choice. Non-Mac users to broadcast/2.4, or maybe web 2.2; Mac users can do Quicktime 1.96 for Mac-only use if you prefer.
  • Use presets that DO NOT HAVE HLG or PQ in the preset name.
Translate
Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
New Here ,
Jan 28, 2024 Jan 28, 2024
Translate
Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
LEGEND ,
Jan 28, 2024 Jan 28, 2024
LATEST

That is an old link to a long outdated version of Premiere. ONLY used with the Pr2022 version.

 

It does not apply to the 2023 or 2024 versions.

Translate
Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines