Select multicam sequence, open in timeline & slip the offending camera to achieve sync. Are you able to edit with the sound ok though? If not vote here: https://adobe-video.uservoice.com/forums/911233-premiere-pro%2… ... View more

Vote early, vote often: https://adobe-video.uservoice.com/forums/911233-premiere-pro%2… ... View more

Not entirely the same issue, but may be related? Vote for: https://adobe-video.uservoice.com/forums/911233-premiere-pro%2… ... View more

****************************************************** If you are coming to this because of your frustrations with PP multicam audio - vote for this on the Adobe voice site. Better audio management for multicam sequence – Adobe video & audio apps ****************************************************** ... View more

I didn’t see the problem described by the OP. I suggest he takes all camera switching shortcuts off his keyboard & see if problem persists. ... View more

Not my suggestion and I am in complete agreement with you (comparison view reference is 'live' sequence and respects current track visibility - which makes comparison across tracks tricky ... View more

On further inspection: a. when enabling multicamera, prior to flattening, the audio only appears from muliticam tracks 1&2 b. flattening restores the correct clips but some clips do not have any source tracks enabled ... View more

OK I faffed around a bit more and have figured out a way to achieve what you want (I think). Firstly, when creating your multicam sequence you must use a preset with multichannel (rather than stereo) audio. Otherwise your multicam sequence can only have 2 audio outputs. Group your cameras & sep sound (I had 'all audio' selected). Open the resultant multicam timeline as a timeline and rearrange audio so that the correct audios are on the correct tracks (for my test I had an 8 channel wav file on first 8 tracks then 4 stereo pairs from the cameras on the next 4 tracks) - and delete empty audio tracks. Open audio track mixer and route the audio correctly (e.g. in my example A1 should be panned left and routed to outputs 1&2, A9 was a stereo pair routed to outputs 9&10) Modify audio for the multicam clip so that it reflects the correct number of audio clips (16 mono in my case) Edit that mulitcam clip into a timeline with correct number of audio tracks - I now had 16 (8 x mono from the dual sound and 4 x stereos that appear as monos) tracks on the timeline, with 16 different audio tracks, all showing a sync relationship with the multicam clips, that I could then edit. Flattening *appeared* to produce the correct results (with the caveat that more than one audio clip in a multicam source timeline track does lose clips when flattening). Yet to use this in anger though.... ... View more

I think your method is the only way to ‘compare’ shots on different tracks. ... View more

If you check the box shown in the first reply the label colours do propagate from clip to timeline & vice versa You really need a ‘show media relatives’ option, like Avid (useage columns are useful but not for this) Or maybe a smart bin/search filter that offered that functionality (show only items in current timeline, the inverse would also be useful) Premiere Pro: Hot (2503 ideas) – Adobe video & audio apps  Is the place to request it ... View more

Vote here - CSV Markers file IMPORT to sequence or clip – Adobe video & audio apps ... View more

Here’s hoping. But they haven’t marked any of the bug reports as ‘under review’ Also seems to occur when Loudness Radar added to master bus on multichannel sequence. ... View more

Fix Audio Dynamics Bug – Adobe video & audio apps Is a similar bug report. This is a major PITA ... View more

If you set the mode to edit individual clips, rather than the nest, then you shouldn’t need to copy/paste timecodes. Should be be able to set a macro to do it... (Assumes your multicam seq is set up right - I’ve not done this though) Mark clip Match frame to multi-cam Overwrite Switch to Sequence Next edit Repeat ... View more

Maybe go and add a request - these two were the only ones I could find and they are not very descriptive. Switch audio in multicam – Adobe video & audio apps disappearing audio when flattening a multiclip – Adobe video & audio apps ... View more

Show through edits only likely to be a workaround for 2 camera multicam though! I’ve got a multicam edit on PP 2018.1.2 this week, I’ll see if I run into this... ... View more

Are you sure you’re not doing it yourself, inadvertently, with keyboard shortcuts? I know I’ve done that myself in the past ... View more

If you really want to keep dot releases too then rename the enclosing folder (eg to PP2017.1.2). I’m sure it’s not supported & I’ve never used it on a production machine, but it’s been fine on my laptop. (Rename the app too so you know which one you are running). Works for Resolve too. ... View more

PP does not insert into files like CineX (https://cinextools.com/ ) does or Avid does (for a limited range of file types / frame rates currently. Smart renders will get you part of the way but you should really QC the entire file again. ... View more

i think it isn’t possible with PP/AME but you can export a multichannel QT or MXF file and trancode that to a multichannel H264 using 3rd party encoder (I think I used editready) ... View more

Kevin would know more, but I think th answer is no. Avid has the feature, it writes the LTC to an aux TC track. This way it also allows for discontinuities in the timecode. See some discussion - Read Audio Timecode changes... - Avid Community I’ve never had the call to use it - but it could be useful in dual recorder / off-speed scenarios. I would suggest making a ‘read audio timecode like avid’ request at Adobe.com/go/wish and pasting the link here for folks to vote on. ... View more

Look at that - I even started it myself! And a whole 7 votes, it’s a winner!! ... View more

Often the search is greedy. Never nailed down a why ... View more

It's a toggle - just toggle it back before exporting any lists. And adobe.com/go/wish for a feature request for "aux timecode like avid" - I expect there is already a request for it you can add your vote to ... View more

When I've been on long form with cameras that produce files of the same name (C0001.MP4 00000.MTS etc) then I've batch renamed those files before importing - generally appending the date in YYYYMMDD_ format, maybe with a unique identifier if that isn't enough. Then there's not a reliance on the folder structure in relinking & it's clear from the clip name where the file should be. ... View more

Yes, just did a little test. -18dB tone feeding left & right of sequence - exported as DNXHD 25P SQ MXF OP1a Reimported (it flagged as 2 x mono tracks) - plays fine at -18dB in source monitor on both channels. Dragged onto 'create new sequence' - defaults to DNX SQ timeline with 4 *standard* audio tracks - thus: a. both mono tracks are attenuated (reduced) by 3dB b. The standard tracks are centre panned (as they are really 'stereo' tracks) c. The two channels summed to centre should be +9dB but the attenuation reduces that to +3dB So your levels are not unity and your tracks are now summed (which you may not want) Your answers are to either: a. modify the track mixer so it pans left & right and increase gain on both tracks by +3dB b. modify the clip to be 'stereo' before editing into the sequence (thus track 1 will be left, track 2 will be right and there will be no attenuation) c. create a sequence with mono tracks, panned alternate left and right in the track mixer, before cutting in your exported clip. Audio in PP is powerful but a little bit farked in places & tricky in others. I've often taken over edits where the music & fx are mono because the previous editor didn't understand this. ... View more

Ah - the 'sound timecode' is metadata - and defaults to blank (so won't do anything). Might be more useful if it defaulted to 00:00:00:00. Better still if it could read audio timecode and possibly contain stop / starts or different frame rates.  You could manually set it to the start timecode for each clip but that would be painful. ... View more