Adobe is no longer intersted in fixing bugs that have been in the application for years, or one can even say that the priority has never been very high on the priority list. Today their main goal is to attract new users, mainly Mac users by adding features from FCP7 or adding new meaningless bling-bling features that are far less needed or wanted than transitions that work and behave correctly. I remember when Creative Cloud became the only licensing option that the programmers/staff screamed halleluja since from then on they could release patches and updates as soon as possible and that they were glad that the old release cycle were gone, iow full version > pach update > .1 update > patch update > .2 update, etc. "Hell yeah, now we can adress issues must faster than before!" Today we know that the release of full versions/patches are exactly the same slow process that it was before so nothing did change. Just look at the issues with the Lumetri panel with it´s mislabeled sliders in CC2017. It did take some time before that one got adressed. AFAIK, Lumetri panel has problems with clipping whites today. Ohh, it will be fixed in the next sometime-to-be-released update. Why isn´t an issue like that fixed now? Another example is After Effects. They dropped the multi processor feature in CC2015 with the good intention to rewrite it. Now we have CC2017 but the code for proper multi core support is not yet finished. Lack of staff, lack of resources, new bling-bling feature more important? The Program Manager for Adobe Premiere Pro is more interested in wearing a straw hat at NAB dancing around on the floor and being the funny crazy guy. He´s not even communicating with the beta testers. Former Program Managers did. Premiere Pro has sadly enough been on a downhill path for some time now and the beta testers input is too often ignored. Today it feels like the old days when i had a Matrox card and had to use workarounds all the time to get things done. I have to work with workarounds in every project today: Ohh, the transition looks bad? As a workaround just go to the sequence settings and un-check the "composite in linear color" and the dissolve will look normal and smooth. Ehh, is this still the case with CC2017? (Yes it is...) They has us as subscribers, so why should they shape up?
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