Adobe Aero

I am writing to address a critical, long-standing gap in Lightroom’s toolset that has remained unresolved for decades: the lack of a native FFT (Fast Fourier Transform) filter.As a photo restorer and long-time Creative Cloud user, I frequently work with archives where physical paper textures—such as "silk," "honeycomb," or linen finishes—create repetitive patterns that severely degrade scan quality. While Lightroom has made incredible leaps with AI-powered Denoise and Generative Remove, these tools still struggle to distinguish between high-frequency noise and the structural, mathematical patterns of paper textures and digital moiré.The Problem: Currently, to remove periodic patterns or heavy moiré interference, we are forced to export files to Photoshop and rely on outdated, third-party 8-bit plugins or complex manual workflows. The current "Moiré" slider in Lightroom is often insufficient for deep texture patterns and lacks the precision that an FFT-based frequency domain approach pr

画像が生成されない、いくら生成しても問題があるとなんども表記される

It would save me a lot of time if the return from firefly initiated from LRC was done in the same way as e.g. Photoshop and so on. What I need:- TIFF / DNG or at least JPG file format​​​​​​​- metadata as send from LRC in the resultfile Currently it takes a lot of time to manually add metadata.

As a long term user of Lightroom Classic, it is great to see AI enabled object selections. Makes the workflow of a property photographer much easier, so THANK YOU for that.One object we often need selected is WINDOWS (excluding the window frame) to enable us to match the indoor exposure with the brighter outdoors. At the moment, this is achieved by selecting a window pane using the object selection tool, the adding every other window pane to the selection before reducing the exposure. It would be GREAT if a feature could be implemented where there is an AI text prompt for object selection where we could type “select window panes” or “select ceilings”, both tasks done repeatedly everyday. A text box under the object selection pane in which one can prompt what to SELECT. This would be FANTASTIC, please please please implement team! Thank youJosh

I’ve been charged for more than a year. And I don’t use the. Is Almost impossible to unsubscribe is very frustrating. When I go to the app the option tu unsubscribe is not there when I go into my iPhone subscriptions acrobat adobe doesn’t even appear on the list. Why? Is it hidden ? Because I still getting charged every month religiously. please cancel my subscription immediately and refund me for the months of not use. 

 Hi Adobe Community and Team,I am transitioning from CorelDRAW and Illustrator to InDesign for my publication projects. While I understand that InDesign is frame-based, I find it very cumbersome that we cannot simply click and type without manually creating a text frame first.In Illustrator, we have 'Point Type' where a single click allows us to start typing immediately. This would be a huge time-saver for small labels, page headers, or quick annotations in InDesign as well.Is there any plan to introduce a 'Point Type' behavior or a shortcut to create a text frame with a single click in future updates?Thanks!

Hi Adobe Team,I’d like to suggest an enhancement to Photoshop’s masking workflow that could benefit both intermediate and advanced users. Currently, creating precise masks from colour data often requires multiple steps — using channels, Apply Image, Selective Color, and Levels — which can be fiddly and unintuitive.My idea is an Advanced Masking Panel where users could: Select a source channel (RGB, Lab, or individual channels) Adjust hue range sliders to isolate specific colours Adjust luminance sliders to target highlights, midtones, or shadows Preview the mask live and refine it interactively before applying This would allow users to isolate very specific pixels — for example, only the brightest blue highlights in wave spray — without inadvertently selecting background elements. The workflow would remain non-destructive, visual, and much more accessible, reducing trial-and-error while retaining full creative control.It’s a small enhancement conceptually, but it could dramatical

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Please add the Masks folder destination to the Project Settings → Scratch Disks panel so editors can control where it’s stored.Right now, having it auto-create in unmanaged locations: Creates unnecessary project clutter Disrupts organized folder structures Complicates backup workflows For those of us who maintain strict file hierarchies (especially in professional post-production environments), centralized media and cache control is essential. Every other major generated asset type can be directed — Masks should be consistent with that logic.Y’all - Please upvote so we can get this added!!

Please add Download button in all places..It is so difficult to download PSD files...there is ONE download button but it does not work properly.. We have Open, Share, Delete, Copy Link options...please add Download Option also…please add more Download buttons everywhere

itle: Add "Move Playhead to Cursor" command to Audition and After Effects for consistency with Premiere ProDescription: Please implement the "Move Playhead to Cursor" feature in Adobe Audition and After Effects, which allows the playhead (CTI) to jump directly to the mouse cursor position in the timeline via a keyboard shortcut. This already exists in Premiere Pro (Ive made this shortcut: P as i use shift P for the Pen or get the pen from the menu) and would greatly improve workflow efficiency and consistency across Adobe's core editing tools. Audition partucularly its usper annoying as there is no way to jump quicky othre than clicking - Currently, users must click manually or use less precise navigation shortcuts, leading to frustration in audio and compositing tasks.

I am furious. I NEVER signed up. I have had my money taken out for 3 months now (actually longer now that my bank is tracking it) and I had already reached out to cancel months ago what I NEVER had in the first place. I am disabled and terminally Ill. You just took my money to get home from the hospital. I AM NOW STRANDED.THIS HAS TO STOP. I spoke to the police. This is considered fraud. I expect 3 months of refunds back AS SOON AS POSSIBLE (and that is being lenient or else I will pursue with the law.) A file has already been opened with the OPP and bad business bureau. I will not accept a "one month" refund. At LEAST 3 months if it becomes a problem I will pull my bank statement and ask for the entire months and months worth back that you stole. This has turned myself and everyone I know off of your program. Very unprofessional and fraudulent. Especially prying on the very poor folk. Fix this instantly. 

In Photoshop, I would like the “snapshots” in the “history panel” to stay at the top pinned,  and not have to scroll back up to see it when the panel gets full.  All of the snapshots should always be visible all of the time.

Acrobat is fine for pdf writing but NOT practical for reading. Do it like Web browser side-by-side tabs. I am reading and comparing the knowledge on the pdf documents. Read one, close then open the other and close, open another.. annoying, tiring and unnecessary and absurd. 

It used to take 1click and draw. Now I have to find the right tool draw and move the mask to the right tab, so much more convluted. I‘m glad you are moving to a system that can use masks for different reasons but 95% of the time I think people are going to mask something for opacity so it makes scense to keep it there. If you want to add an object shortcut even better but at least give us the old tools we had.

When opening the Marker dialog box and using the Tab key to navigate between fields, the focus skips the Duration field entirely on the first press, jumping straight to Comments.Currently, I have to press the Tab key eight times to reach the Duration field, even though it is visually positioned right after the Name field. I would like the Tab order to follow the visual layout of the window for a more efficient workflow.

In Photoshop, I would like a feature to create and edit a dashed line when stroking a path.. Possibly a Frame feature? something editable (size, color and width of spacing) 

Ich möchte mein Abo kündigen. 

I work in cultural heritage and i am looking to make an AR project with a 3D scan of an excavation unit, which would ideally go down into the ground like a hole. Running into a problem where the bottom of the model can not go below surface level. A fix for this would be much appreciated!

Hi Adobe Aero team,I’d like to suggest a feature that would be very useful for creators: a Clean UI or View-Only Mode that hides all interface elements — such as buttons and editing tools — during preview. This would be especially helpful when recording AR experiences or presenting them to others in a more professional, distraction-free way. Even a simple toggle in the settings or Overrides panel to hide the UI during playback would be a great addition. Thank you for considering this, and for all the work you do on Aero — it’s a fantastic tool! Best,Bernardo

When using Location AR to display 3D data that you have created yourself, if you are more than 500m away from the anchor point, it will not be displayed. Is this adobeaero's specification? Or is it a specification of Google GeospacialAPI?Is there any way to display the data beyond this 500m limit?

Can we change the camera view? My iPone 11 has a 0.5 wide angle view, this would be useful to use inside the Aero app. Thanks Paul Costello 

I guess I'm wondering if Aero has a size or distance restriction for an object or scene.  Could make objects that appear over a large area or are viewed from over a mile away?  

When created with "Surface Anchor" and displayed in AR, the object will not be displayed if it is 60m away from the camera. 60m is short for architecture, so I would like to be able to enlarge or set the far clip.