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I'm a documentary director currently working on a film with approximately 13 hours of interview footage. I've been testing a workflow that I think points to something important for the future of editing inside Premiere Pro.Here's what I did:I used Premiere Pro's Text-Based Editing to transcribe all 13 hours of material. The resulting transcript runs to tens of thousands of words across multiple sessions. I then exported that transcript, combined it with my written script, and fed both into an external AI tool.The AI did two things: first, it helped structure the film into chapters and narrative arcs based on the script logic. Second, it matched specific transcript fragments to each section — identifying which moments from the footage correspond to which part of the story.The result was a working assembly blueprint: a structured map of the film before a single cut was made on the timeline.The workflow works. But it requires exporting from Premiere Pro, switching to an external tool, wor
Requesting support for generating multiple videos simultaneously. Currently, only one video can be processed at a time, which slows down workflows. Enabling concurrent generation would significantly improve efficiency and productivity for creators handling multiple outputs. Thank you for your consideration.
I would like to request a modification or addition of an option to change the appearance of the screen displayed when exporting images. I'd like it to not show the images in the background, but rather that when the "Exporting images, 1/14" screen appears, everything behind it is black, or that the "Exporting" box fills the entire screen so that no images are visible behind it. When exporting large quantities of images, I have to leave my tablet or phone on for several minutes, and if I have to leave it on the table, or if someone walks behind me, I want to maintain privacy regarding the images I'm exporting. This process often takes more than 40 minutes when there are over 140 images. Please add this option or modify the export screen to provide this privacy while browsing. Thank you.
j’ai adobe digital editions et je n'arrive plus à importer des livres voici le message E_AUTH_BAD_DEVICE_KEY_OR_PKCS12 et de plus je ne peux plus effacer l autorisation j'ai desinstaller et reinstaller plusieurs fois et c est le même problème ???je ne trouve pas le fichier autorisation.datmerci d avance
It was really help with workflow if we didn’t have to save and then open or drag reference images into Firefly and the AI models.
I would like the option to pin or lock sequence tabs at the top of the timeline.Often when I switch between sequences, I close one by accident. There is no ctrl-t option like in most browsers or softwares. So an option to pin or lock the tabs could solve that. Obviously a ctrl-t option to re-open the recently closed tab would also solve this.
Going all the way back to the beginning of Bridge, I have always wondered why Thumbnails, dimensions in inches, does not show exact numbers. It is always rounded up from a tenth of an inch. Example: a file described in Bridge shows a file as 15.2x22.6, yet when opened in PS it is 15.2x22.527.I assume it is to save visual real estate but it requires opening every file to confirm exact dimensions in inches. We often make print files with a fine black line around the image. So a 16x20 will show up as 16.1x20.1 with only 6 pixels added around for trimming. It assumes that we are good with the "estimated" numbers. Having exact dimensions allow checking for accuracy and consistentcy.
Lightroom me masking and blur add karna hai
Hello, Please remove the POST a comment feature. I use Adobe Acrobat Pro to edit large documents and am annoyed by the latest update that forces me to “Post” a comment/edit each time. It is cumbersome and achieves nothing! This has also slowed down the pace significantly in my job as a copyeditor! Someone suggested using the “Option, Enter” as well, but I'm still not keen on hitting more buttons to make ONE edit. Also, if this is something I can disable, please let me know. Thank you!
Here’s an idea, can I get a way to actually cancel the sub in the app.. Instead of going to your dogshit website that conveniently works perfectly but the menu to load the cancel plan is the only thing in the website I’ve clicked on that doesn’t instantly load and after over 20 refreshes it still doesn’t work…YOU ARE EVERYTHING WRONG WITH SOFTWARE AND I CANT WAIT FOR THE DAY AI REPLACES YOUR SHITTY PRODUCTS.Best regards,Someone who will do everything possible to not use your products ever again
Hello Adobe Bridge Team,I would like to report a missing/broken feature in Adobe Bridge 2026 regarding ExtendScript filter control.PROBLEM:In Bridge 2026, it is no longer possible to control the Filter Panel programmatically via ExtendScript. Specifically:• app.document.filterParameters returns null (was functional in older versions)• app.document.chooseMenuItem() does not trigger rating filters (e.g. "Rating3")• thumbnail.selected = true/false has no effect on the visual filter• app.addEventListener() is not supported in Startup Scripts context• MenuElement("separator", ...) throws "Bad argument undefined"USE CASE:I use TouchPortal (a hardware/software button panel) to control Bridge remotely. I need to be able to toggle filters for specific star ratings (e.g. show ONLY 3-star images, additive with other ratings) via keyboard shortcut or script — without using the mouse.The existing keyboard shortcuts (⌥⌘1–5) only support "X or more stars" (>=), not exact star ratings. The Filter P
1. AI-Powered FeaturesArtificial intelligence represents the biggest near-term opportunity for Audition to differentiate itself. The following features would automate time-consuming manual tasks and deliver meaningful results for podcast producers, voiceover artists, broadcast engineers, and music editors alike. 1.1 Semantic noise removalInstead of manually dialing in noise reduction thresholds, AI should identify and classify noise types — HVAC, traffic, room tone, electrical hum — and apply context-aware profiles automatically. The interface should expose a single adjustable 'aggressiveness' slider rather than a bank of technical parameters. This makes the tool accessible to non-engineers without sacrificing precision for advanced users. ● High priority 1.2 AI-powered dialogue cleanupAutomatically detect and remove mouth clicks, breath sounds, mic pops, and plosives without affecting the surrounding audio. The current workflow requires manual identification and repair, which
Dark theme capability for those of us with sensitive eyes to bright white screens. I can't use your product if it doesn't have dark theme.
请问什么时候可以添加一个多象限uv单独显示的功能?就是当我导入模型有多个uv象限时候,只想单独显示一个uv象限进行之作,目前只能依赖材质球选择来达成这个效果,但是当材质球增多的时候就变得很不方便,希望尽快可以新增这个功能
I am writing to address a critical, long-standing gap in Lightroom’s toolset that has remained unresolved for decades: the lack of a native FFT (Fast Fourier Transform) filter.As a photo restorer and long-time Creative Cloud user, I frequently work with archives where physical paper textures—such as "silk," "honeycomb," or linen finishes—create repetitive patterns that severely degrade scan quality. While Lightroom has made incredible leaps with AI-powered Denoise and Generative Remove, these tools still struggle to distinguish between high-frequency noise and the structural, mathematical patterns of paper textures and digital moiré.The Problem: Currently, to remove periodic patterns or heavy moiré interference, we are forced to export files to Photoshop and rely on outdated, third-party 8-bit plugins or complex manual workflows. The current "Moiré" slider in Lightroom is often insufficient for deep texture patterns and lacks the precision that an FFT-based frequency domain approach pr
画像が生成されない、いくら生成しても問題があるとなんども表記される
It would save me a lot of time if the return from firefly initiated from LRC was done in the same way as e.g. Photoshop and so on. What I need:- TIFF / DNG or at least JPG file format- metadata as send from LRC in the resultfile Currently it takes a lot of time to manually add metadata.
As a long term user of Lightroom Classic, it is great to see AI enabled object selections. Makes the workflow of a property photographer much easier, so THANK YOU for that.One object we often need selected is WINDOWS (excluding the window frame) to enable us to match the indoor exposure with the brighter outdoors. At the moment, this is achieved by selecting a window pane using the object selection tool, the adding every other window pane to the selection before reducing the exposure. It would be GREAT if a feature could be implemented where there is an AI text prompt for object selection where we could type “select window panes” or “select ceilings”, both tasks done repeatedly everyday. A text box under the object selection pane in which one can prompt what to SELECT. This would be FANTASTIC, please please please implement team! Thank youJosh
I’ve been charged for more than a year. And I don’t use the. Is Almost impossible to unsubscribe is very frustrating. When I go to the app the option tu unsubscribe is not there when I go into my iPhone subscriptions acrobat adobe doesn’t even appear on the list. Why? Is it hidden ? Because I still getting charged every month religiously. please cancel my subscription immediately and refund me for the months of not use.
Hi Adobe Community and Team,I am transitioning from CorelDRAW and Illustrator to InDesign for my publication projects. While I understand that InDesign is frame-based, I find it very cumbersome that we cannot simply click and type without manually creating a text frame first.In Illustrator, we have 'Point Type' where a single click allows us to start typing immediately. This would be a huge time-saver for small labels, page headers, or quick annotations in InDesign as well.Is there any plan to introduce a 'Point Type' behavior or a shortcut to create a text frame with a single click in future updates?Thanks!
Hi Adobe Team,I’d like to suggest an enhancement to Photoshop’s masking workflow that could benefit both intermediate and advanced users. Currently, creating precise masks from colour data often requires multiple steps — using channels, Apply Image, Selective Color, and Levels — which can be fiddly and unintuitive.My idea is an Advanced Masking Panel where users could: Select a source channel (RGB, Lab, or individual channels) Adjust hue range sliders to isolate specific colours Adjust luminance sliders to target highlights, midtones, or shadows Preview the mask live and refine it interactively before applying This would allow users to isolate very specific pixels — for example, only the brightest blue highlights in wave spray — without inadvertently selecting background elements. The workflow would remain non-destructive, visual, and much more accessible, reducing trial-and-error while retaining full creative control.It’s a small enhancement conceptually, but it could dramatical
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Please add the Masks folder destination to the Project Settings → Scratch Disks panel so editors can control where it’s stored.Right now, having it auto-create in unmanaged locations: Creates unnecessary project clutter Disrupts organized folder structures Complicates backup workflows For those of us who maintain strict file hierarchies (especially in professional post-production environments), centralized media and cache control is essential. Every other major generated asset type can be directed — Masks should be consistent with that logic.Y’all - Please upvote so we can get this added!!
Please add Download button in all places..It is so difficult to download PSD files...there is ONE download button but it does not work properly.. We have Open, Share, Delete, Copy Link options...please add Download Option also…please add more Download buttons everywhere
itle: Add "Move Playhead to Cursor" command to Audition and After Effects for consistency with Premiere ProDescription: Please implement the "Move Playhead to Cursor" feature in Adobe Audition and After Effects, which allows the playhead (CTI) to jump directly to the mouse cursor position in the timeline via a keyboard shortcut. This already exists in Premiere Pro (Ive made this shortcut: P as i use shift P for the Pen or get the pen from the menu) and would greatly improve workflow efficiency and consistency across Adobe's core editing tools. Audition partucularly its usper annoying as there is no way to jump quicky othre than clicking - Currently, users must click manually or use less precise navigation shortcuts, leading to frustration in audio and compositing tasks.
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