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Photoshop 26.9.0 / Camera Raw 17.4.1Windows 11 PRO 24H2 OS Build 26100.4652- NVIDIA 3080TI GPU - NO overclocking or under clocking.- NO external drives.- Latest NVIDIA Studio Driver 577.00 as well as older versions. 3. Basic steps to reproduce the problem:Open PSD, open image, open Camera Raw, click on Masking Icon, Face detections starts, - instant crash and reboot.Open PSD, open image, open Neural filters, click on Style Transer, click on a downloaded style - instant crash and reboot.Open PSD, open image, open Neural filters, click on Photo Restore, download starts, as soon as it's finisthed - instant crash and reboot. This happens on both my current system and a clean system with fresh install of Windows with only Adobe products installed. GPU and RAM and PSU have been stress tested with no known issues. GPU works perfectly with other Adobe prodcts including Light Room Classic. Suggested Area for Adobe to InvestigateModel lo
One of the biggest challenges when editing digital photos is reducing the artificial, overly crisp appearance that’s often associated with the “digital look.” While current frequency-based tools in ACR (texture, clarity and dehaze) are useful, they fall short when trying to soften this digital harshness. Pushing these sliders to the left often produces undesirable artifacts and side effects. Main limitations with current tools (texture, clarity and dehaze): Color bleeding and smearing: Reducing clarity or dehaze tends to spread colors beyond their natural boundaries, causing them to mix with neighboring tones in an unnatural way. Unwanted darkening: If there is a large area without highlights, what area will become overly dark when reducing dehaze (adding haze). Usually this ends up darkening faces or other relevant parts of the photo. Dark halos and artifacts: When reducing clarity, a noticeable dark halo often appears around dark objects placed against midtone backgrounds, pr
I have a problem when using presets in camera raw. Camera Raw freezes and then the whole PC crashes . I can't even acess task manager to end Camera Raw and have to turn off the power supply and restart. Any suggestion? It isn't any particular preset and everythin is up to date. It didn't used to do this - it has only occured with the more recent PS updates
I don't see the button to update multiple AI resolution photos. How do I do this?lightroom
Cada ves que quiero usar Camera Raw se cicla photoshop y no abre el programa y deja de funcionar photoshop. tengo que cerrar cesion y bolver a intentar. Ya desinstale y volvi a instalar todo los programas y no soluciona el error.
I have an ongoing problem where I reopen a Canon .cr2 file in Adobe Camera Raw (ACR) but the settings from when I have worked on the file in the past are not there when I reopen the file. I am not the only person having this problem. Please see camera raw not reading previously saved XMP files By opening .xmp files in Word, having changed the extension to .txt, and reading the information within I have discovered a difference in the .xmp files that don't work. The top lines of the files that don't work are<x:xmpmeta xmlns:x="adobe:ns:meta/" x:xmptk="XMP Core 5.1.2">The top lines of the .xmp files that do work are<x:xmpmeta xmlns:x="adobe:ns:meta/" x:xmptk="Adobe XMP Core 5.6-c128 79.159124, 2016/03/18-14:01:55 "> It appears that somehow ACR is using two different versions of XMP Core to create the .xmp files. When the older one is used the program doesn't save the ACR data. I have verified this by looking down through the .xmp data. In an .xmp that doesn't work there are 57
The most recent firmware update 10.08.03.67 for the DJI FC8282 Air3 broke the ability of LR / Camera Raw to recognize its camera as a supported camera, and the Adobe camera profiles are no longer available for the camera's DNGs. The update changed EXIF:UniqueCameraModel from "DJI FC8282 Air3" to "DJI FC8282". But "DJI FC8282 Air3 Adobe Standard.dcp" is defined on the former camera-model name and doesn't recognize the new one. You can download two sample DNGs from here: https://www.dropbox.com/scl/fi/is3vqeiyatkfe0m73or87/not_works_DJI_20240101111934_0001_D.DNG?rlkey=olocbbemz6vzg8l32yqsqosg2&dl=0 https://www.dropbox.com/scl/fi/4e3dgl8p5s66a9lk3lv4l/works_DJI_20231210105602_0005_D.DNG?rlkey=22xdldkjdmrbxb0i0ag0vo982&dl=0 When you import them into LR 13.1, observe that the Adobe camera profiles are available for the "works" DNG but not the "not_works" DNG. Here is the relevant output from Exiftool: ======== not_works_DJI_2024010111193
Good morning,i tried to find an answed to my problem but i didn't found it.I need to move all my personal develop settings from my home workstation to my notebook (i'm using Mac). First of all i copy all the xmp setting files from the folder /Users/XXXXX/Library/Application Support/Adobe/CameraRaw/Settingsto the same destination inside the notebook.In this way i simply copy all the settings but in this folder i can find about 540 different settings and i choosed from the complete set about 25-23 preferred one.How can i tranfer to the notebook also the preferred selection? If i copy also the indexXXXXX.dat files the referred selection is not copied.Is there any way to copy settings and preferred selection to the new computer?Or i need to tahe a screenshoot of preferred window and mark it in the new pc manually? Thanks, AntonioAs usual sorry for my poor english
Hello everyone, I'm having a problem with the way masks work in Camera Raw: when I apply a mask, the colors appear completely distorted for the selected area, even though I haven't applied any adjustments yet... all the sliders seem to be going haywire. I've attached an example. Thanks for your help.Giovanni
Almost all of my editing in Adobe Camera Raw and Photoshop involves birds and their backgrounds. I regularly use ACR’s Subject Mask to make targeted adjustments, but the masking engine in ACR is far less accurate than the cloud-based version available in Photoshop. Photoshop consistently delivers better results, with more complete subjects and fewer background errors. The extra time it takes to generate the mask in Photoshop is negligible.Since ACR is the better place to apply tonal and color corrections, it’s frustrating that we can’t access the same high-quality masking engine there. ACR’s local model frequently includes poles, wires, or parts of the background, and sometimes even misses parts of the actual subject.In one recent example, I had a landscape-style image with two Great Blue Herons. One was prominently in the foreground, and the other was farther back but still clearly visible. ACR masked only the closer bird. Photoshop, using its cloud-based engine, successfully detected
Raw files (RAF) from my new camera - Fuji XT-3 do not open in camera raw - the error message i get indicates I need to install a newer version.I have downloaded the latest version - Camera raw 12, and followed the instructions to install it. I then get the "successful install" window with the green tick etc, but then when I try to open the RAF files they still won't. And under "About" in Photoshop it still seems to have my old version of camera raw.Help appreciated, I'm not very good with tech stuff. Do I maybe need to uninstall the old plug-in? Slightly worried about losing it incase of problems - compatability etc with the new one. Thanks.
Ever since the new masking features became available in ACR and LR my workflow has gradually changed from 10% raw/90% Photoshop, to in most cases, the complete opposite. That said, there is one feature I would love to see added at some point and that is the ability to copy the settings from a particular mask, say a radial mask that I frequently use as a quick test of what I'm looking to accomplish over a broad area of my compostion. It has worked very for this but quite often I then manually writing the settings down so I can transfer the exact combination to a brush mask so I can have finer control over my final edits. I realize that I can use the add and subtract sub-masks to achieve a similar outcome but I find I like using the brush much of the time as opposed to that approach. I see it being another option, much the same as "Duplicate and Invert" addition by selecting the context menu from the elipsis and chosing "Copy Settings" with then another obvious addition being "Past
I have been using reflections removal for a few days on occasional images but it has now stopped working regardless of whether I chose 'preview' 'standard' or 'best'. I have tried restarting etc to no avail.
Ever since the new masking features became available in ACR and LR my workflow has gradually changed from 10% raw/90% Photoshop to, in most cases, the complete opposite. That said, there is one feature I would love to see added at some point and that is the ability to copy the settings from one particular mask, say a radial mask, that I frequently use as a quick test of what I'm looking to accomplish over a broad area of my compostion to another. A radial gradient has worked very well for this type of situation but I often find myself manually writing the settings down so I can transfer the exact adjustments combination to a brush mask for finer control over my edits. I realize that I can use the add and subtract sub-masks to achieve a similar outcome but I find I like using the brush much of the time as opposed to that approach after manuallt transferring the radial gradient settings. I could use mask presets but that requires extra steps that I think could be eliminated by a copy/pas
Steps to reproduce:- Use generative removal on the image- Use enhance- Update AI settings- The generated part of the image may be completely different
DNGs from Google Pixel 6, 6a, 7a, and 7 Pro don't show the Adobe camera profiles in LR 13.2 and CR 16.2: See this sample Pixel 6 photo:https://drive.google.com/file/d/1nTj7ZfUSYKXA9N3KIv22eTXnzDpBAFoy/view?usp=sharing and this Pixel 6 Pro photo:https://drive.google.com/drive/folders/144rrzLqVr7agPSGKxQOe4cgqsGCbf8LF and this Pixel 6a photo:https://www.dropbox.com/scl/fo/drz2yq2yk4q9sxd3pvn46/h?rlkey=gh1wa65jtyud6ll1mp5l33eg5&dl=0 and this Pixel 7a photo:https://www.dropbox.com/scl/fi/vsuob87pogxmj22rq0w1t/20240127.1729-Pixel-7a-3.DNG?rlkey=1yg1f0vo5x5zli1r7znorhems&dl=0 and these Pixel 7 Pro photos:https://drive.google.com/drive/folders/1NnOJ7WfKzgtKKLuPZVAOOJaqWJBb73cr?usp=sharing A similar bug was fixed in LR 13.2 for the Pixel 7:https://community.adobe.com/t5/camera-raw-bugs/p-imported-dng-files-from-a-google-pixel-7-phone-do-not-have-adobe-raw-profiles/idc-p/14446671
I tend to work on an individual basis when it comes to editing my raw images in ACR. However, there are a few things I do on every image, specifically apply "reduce chromatic aberration" and lens profile correction. Is it possible to have these automatically applied upon opening the image in ACR without having to run macros or click anything? Or should I be batch applying these kind of settings in Lightroom instead? Thanks.
Description:When applying Noise Reduction in Lightroom Classic 14.4 to ARW files from my Sony A7C2, I encounter persistent green borders appearing along the left, right, or bottom edge of the image. This happens specifically when I enable the “Noise Reduction” checkbox in the “Detail” panel. Lightroom then automatically processes the image using AI-based noise reduction. Once the processing finishes, a slider appears to adjust the strength (default is in the middle). Regardless of whether I increase or decrease the slider, the green border always appears—only the intensity of the green varies (e.g. sometimes a very bright green, other times more subtle). This issue: Occurs only on Sony A7C2 .ARW files. Does not occur on Olympus .ORF files tested with the exact same steps. Does not exist in the original image (confirmed with ACR, Capture One, and FastRawViewer). Can be slightly reduced by disabling GPU acceleration or converting the file to DNG. Is clearly related to how Light
Before there used to be a button in Camera Raw to reset to Camera Raw defaults. Now you have to hold down option for that button to be revealed. I have to look it up every time how to reveal the reset button. I suggest not hiding the button in the first place.
Sistem Özeti:• Anakart: ASUS TUF GAMING B760-PLUS WIFI • İşlemci: Intel Core i7-14700K (3,40 GHz, 20 çekirdek, K serisi) • RAM: 64 GB (2x32) Kingston DDR5 4200 MHz • GPU: NVIDIA GeForce RTX 3060 12 GB • İşletim Sistemi: Windows 11 ProSon iki haftadır Camera Raw ile ilgili kritik bir sorun yaşıyorum. RAW fotoğrafları düzenlerken sistem aniden donuyor ve bilgisayarı zorla kapatmak zorunda kalıyorum. Fare ve klavye tamamen yanıt vermiyor.Bu bilgisayarı yaklaşık 2 aydır herhangi bir donanım veya sürücü değişikliği yapmadan kullanıyorum. Sorun yakın zamanda başladı ve yalnızca Camera Raw'da RAW fotoğraf düzenleme sırasında ortaya çıkıyor.Sorunun daha yeni Camera Raw sürümleriyle (17.x) ilgili olabileceğinden şüphelendim, bu yüzden 14.0 sürümüne geri döndüm; ancak sorun devam etti.Camera Raw'da GPU hızlandırma ve AI özelliklerini (Geliştirme, Gürültü Giderme, Süper Çözünürlük vb.) devre dışı bıraktım ama yine de çökmeler yaşadım.Hatta eski Photoshop sürümlerine bile geri döndüm ama hiçbir iş
The demosaicing of dng files from my X90 Pro Plus phone is not done correctly by Camera Raw. The noise clearly shows that the demosaicing is done incorrectly.
DNG Converter 16.2.0.1763Windows 10 Pro - 21h2 Bom dia, nas ultimas atualizações do DNG Converter (versão 16.1 e 16.2) quando se utiliza a opção “Compactação com Perda” não é mais possível se visualizar a miniatura nas janelas do Windows, também não é mais possível se abrir a imagem no visualizador de imagem do Windows.Mesmo se alterando as definições de compactação entre 10, 15 e 20 Megas, o arquivo não ultrapassa 2 Mb de tamanho, o que no meu ver não está tão correto. Nas versões anteriores do DNG Converter (15.3), se alterando entre os tamanhos de compactação, o tamanho do arquivo variava entre 3... a 7 Mb. Penso algo não estar certo na utilização da compactação.Sem marcar a "compactação com perda" os arquivos abrem normalmente, tanto as visualizações de miniaturas, como o arquivo no visualizador de imagens do windows e no Aftershoot.Utilizo o Aftershoot para complementar meu fluxo de trabalho. Nos arquivos convertidos utilizando a compactação com perda do DNG, as miniatu
Hi again, I would like to insist in the possibility of moving the edit panel to the left, I work with this software 8hr a day and I would find the edit panel much more confortable in the left side. I think it is a very simple option to add in the program. I hope you can consider it. Have a great day!
Has there been any possibility to adopt/train adobe's denoise program for astrophotography? This could allow astrophotographers to use photoshop for best demosaic and 10-bit hdr editing and take advantage of the HDR market, while other astro programs lag behind. Two issues I notice with the current denoise algo: 1.) Oversaturates color fringing and star abberations 2.) May oversharpen and bring in too much detail with minimal noise benefit around groups of stars (think Deep sky, not widefield milkyway).
We’re excited to announce the release of Adobe Camera Raw & DNG Converter 17.4, available now as part of the June 2025 update. This release includes new features designed to speed up your workflow and expand your creative control—plus support for the latest cameras and lenses, along with important bug fixes. Here’s what’s new in Adobe Camera Raw 17.4: Non-Destructive Enhance: Apply Denoise, Raw Details, and Super Resolution non-destructively. Learn more here. Distracting People and Reflection Removal Automatically remove distracting people and reflections from photos. Color Variance (Early Access) New Variance slider in Point Color to accentuate or reduce color variations, which is optimized for portrait retouching. Learn more here. Other Enhancements Support for new camera models. Support for new Lenses. To update Camera Raw to 17.4, click "Update" in the Creative Cloud desktop app next to Camer
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