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Hi, Would it be possible to get some kind of online environment or space in which you can record small live jam sessions or a virtual music-studio Session with several musicians directly to Adobe Audition or Premiere or some kind of "Online Studio". The goal is to then be able to record and edit the individual tracks either together or separately and prepare them for a master mix. Similar approaches, although often without DAW integration, include Jamulus, JamKazam, JackTrip, SuperConductor, etc.The challenge here will be to achieve the most accurate, or at least good, real-time recording possible without any noticeable delay, as well as the integration of webcams.
Why can't you merge clips in different tracks with only one command? I don't mean mixing different tracks into a new file. What I mean is, for instance, I have two clips in each track and I want to make it one single merged clip in each track. If I select them all and hit Ctrl+K, Audition says it's not able to merge clips not in the same track. I have to make a selection in a single track, merge it and then move to next track and so on. That's annoying. I don't want to merge clips vertically, I want to select clips and merge them horizontally regardless of how many track I select. Is there already a way to do that? If not, there should be.
Alright, I love the enhance speech beta app, but I don't understand why it is not part of audition. And why paying members of creative cloud do not get more hours to upload and size of files? Enhance speech is fantastic; it saves me a lot of time, even though I am somewhat familiar with audition.. Idea: make enhance speech beta part of audition asap, or give paying cc members more extended/more extensive rights. And make this routine custom for future test projects.
Hey Adobe Community, A random thought came across my mind when I was editing a podcast, and I was curious to see everyone's thoughts on this. Do you think Adobe would ever consider implementing the Enhanced Speech function into Audition (From Adobe Podcast)? I know Audition already has a vast library of effects to get the job done with out Enhanced Speech, but I think it would be a nice addition if they ever chose to integrate that AI tool within the software. I've been using the desktop version of Enhanced Speech for a while now, and I think it works great for my day-to-day workflow. I know Adobe's going heavy on AI capabilities with their other apps in the space, but I feel like Auditions get left out of that conversation. I know for sure I would gain value out of that integration, and skipping the step of going to my web broswer to upload audio and repeat that process would be a nice. Side note: I'm not sure if Audition has that function already built into
Hi Adobe Team,I’d like to suggest a feature that would be incredibly valuable for audio professionals: bringing the “Synchronize" functionality from Premiere Pro into Adobe Audition. As someone who workswith podcasts and multi-participant interviews, I often receive separate audio tracks recorded independently on different devices. Premiere Pro’s ability to automatically align these clips based on waveform similarity is a huge time-saver, but having to jump between Premiere and Audition just to sync audio feels unnecessarily complex for a workflow that’s purely sound-based.Audition is a powerful tool for mixing, mastering, and cleaning audio, but the lack of native multi-clip synchronization means we’re forced into a workaround that should be built into the platform. This feature would streamline post-production for podcasters, journalists, and audio editors who regularly deal with multi-layered recordings.Please consider integrating this functionality directly into Audition’
Center Channel Extractor 5.1 layout supportGraphic Phase Shifter 5.1 layout supportStereo Expander 5.1 layout support
As a music producer and audio editor, I often boost bass and intentionally allow clipping (especially on drums and kicks) to achieve punchy, loud mixes. However, Adobe Audition currently lacks an easy way to *visually identify clipped samples directly on the waveform*—unlike Audacity, which marks clipped peaks in red (Show Clipping Visually).This feature is critical because:- It helps me *see exactly where clipping occurs*, enabling me to control and preserve dynamic energy without over-limiting.- It avoids over-normalization, which can result in inconsistent loudness across a track.- It enhances precision in mixing workflows, especially for genres relying on intentional clipping for impact (e.g., hip-hop, EDM, bass-heavy tracks).A waveform overlay marking clipped regions (0 dBFS) would be immensely helpful. Please consider adding this feature to Audition's waveform view.
I am dreaming of having this kind of tool in Essential Tool panel or as an "effect". There's millions of us editing podcasts with Audition and one of the most boring and time consuming tasks is to remove the uhmms and aaahhs one by one in the waveform view. Please see how they do it as Descript. It first creates a transcript of the entire interview and therefore it can highlights any filler words that we can then remove automatically in a just few clicks. It's pretty great right? Yet pretty simple.I wish that Audition aligns with what's being made this year and it's all about AI. I hope you make my dream come true. Thank you for your great work,
hi there please make audio phase meter indicator bigger than now.. because its seeems to look only moving small lines.. change it to small diamond or other related object design.. make it easy for monitoring. thanks.
I would like to introduce music in a non-melodic rhythmic genre, but with different beat dynamics, producing a pleasant sound and also complemented by vocal harmony:Original sound by Saikhul MabrurLet's Listen in Full Click on the Following Link :https://soundcloud.com/saikhul-mabrur-706673843/ya-khoiro-hadi?si=0538b9e15f16405bbe5340e06f136001&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Hello, Adobe team.I’d like to request the addition of support for virtual instruments (VSTi) and MIDI editing inside Adobe Audition. This feature would allow users to compose and produce music without having to switch to another DAW like Ableton, FL Studio, or Studio One.Audition is already a strong audio editing and mixing tool, but it falls short for users who want to compose music creatively in the same environment. Adding a piano roll, MIDI sequencer, and compatibility with VST instruments would be a huge step toward making Audition a fully integrated creative production platform.Thank you for considering this improvement. Many Creative Cloud users would truly appreciate it.Sincerely,Sergio RodríguezAdobe Creative Cloud
I've been looking all over for some kind of discussion/solution and can find nothig.It's really simple. I have a bunch of 15 year old video transfers from VHS tapes, and they are full of wow (and possibly flutter - but deffo wow). It's not music just spoken word.How do I use Audition to sort them out. Chris
I have a view different Adobe Audition files that I use on a very regular basis. Being able to PIN them to either the OPEN or OPEN RECENT menus or the toolbar (like we can in almost any other file-producing software out there) would be a real time-saver. Pretty please.
I'd like the shuttle to work like Premiere Pro's that doesn't change the pitch when I speed up the audio playback. This would help me edit so much faster.
Bitte ermöglicht im Waveform-Editor die Option, alle Bereichsmarker gleichzeitig als zusammenhängende Auswahl zu aktivieren – oder zumindest nacheinander automatisiert durchzuschalten. Warum ist das wichtig?Derzeit lassen sich Bereichsmarker nur einzeln auswählen und bearbeiten. Wenn man z. B. an 10, 20 oder mehr Stellen in einer Datei dieselbe Bearbeitung (z. B. Lautstärke absenken, stumm schalten, Effekte anwenden) durchführen möchte, muss man jeden Marker einzeln anklicken, auswählen und bearbeiten. Vorschlag für eine Lösung:Menüpunkt „Alle Bereichsmarker als Auswahl aktivieren“ oderMöglichkeit, mehrere Bereichsmarker gleichzeitig auszuwählen und eine gemeinsame Bearbeitung anzuwenden Use Case:Viele Audio-Editor:innen markieren gezielt sensible oder zu bearbeitende Stellen per Marker (z. B. in Interviews, Hörspielen, Radiobeiträgen) und möchten anschließend alle diese Stellen gesammelt bearbeiten. Der Umweg über Multitrack oder Scripting ist dafür zu aufwendig und ine
In the parametric equaliser, you are able to keyframe all the different values except the Low Pass filter (LP). Playing with the other envelopes doesn't give me the same scope of control and not being able to alter it over time is a bit frustrating! Am using it in the effects rack in Multitrack Editor. Opening up the "show envelopes" menu shows every value except for the Low Pass.
I’d like to suggest a powerful time-saving feature for Adobe Audition: the ability to multi-select non-contiguous regions of audio in the Waveform Editor, Spectral View, and Multitrack Editor.Currently, we can only select and apply edits or effects to one region at a time. This becomes extremely repetitive and inefficient when working with long sessions, like a 1-hour podcast or vocal track where you need to remove breaths, apply silence, or process certain words repeatedly.The proposed Multi-Selection feature would allow us to:Select multiple regions of the waveform, even from different places in the same clip or across tracksZoom, scroll, or navigate without interrupting the selection processApply edits (cut, delete, silence) or batch effects to all selected regions at onceWork seamlessly in both Waveform and Spectral views, as well as in the Multitrack EditorThis would save hours of manual repetitive work for editors, podcasters, voice-over artists, and sound designers. It’s a small
Default file format export settings are really missing.
I want to be able to right click on a time gap in the multitrack editor, go to the Ripple Delete context submenu, and select an option called "All Gaps". Right now there's an option called "Gap", which closes the empty space between two clips in the track, but I want an option to do that with EVERY clip on the track, all at once. I record voiceovers in Audition and delete the dead air between takes, and right now there's a laborious, tedious, and unnecessary step between deleting that dead air and actually moving the clips together on the timeline. That step is to right click each and every gap between each and every take, one by one, and select the "Ripple Delete Gap" option (which there isn't even a keyboard shortcut for by default). This literally increases how long it takes to finish a job by a multiple of however many takes were recorded. There's no technical reason that Audition can't identify where empty space is on a track and ripple delete all of it. Other programs can do
ALAC is a commonly used high quality audio format and I discovered recently via a support session that is is not/no longer supported in Audition. https://helpx.adobe.com/audition/using/supported-file-formats.htmlIt used to be the case that I could take an audio clip of, for example, 2,116 kbps, slice it up in Audition's multitrack editor and export it to the same quality. This is no longer the case. Now when I export a slice of 2,116 kbps ALAC-format audio to the same format (choosing options to export at the same quality as the source audio) I get a file that's 1,591 kbps. Clearly, that doesn't reflect the export options I've selected.This is immensely annoying as ALAC is a format I work a lot with and I only started encountering this issue within the last few months.Please fix it. There's no justification for not supporting mainstream audio formats.
There a small window in Audition.In german it's name is "Auswahl/Ansicht", so I guess it's "selection/view" in english or similar, where you can see the timecode of you placed cursor and/or the lengh of your selection. I personally think that it would be useful if you could select the font size of the numbers.(Of course you can maximize the window itself, but that doesn't change the font size of the numbers.)
I've been using Adobe Audition for 20 years. I have projects as old as 15 years ago that I plan to revisit. Unfortunately, I can no longer open them because they are .ses files while modern multitrack files are .sesx files. Can we get something that has backwards compatitbility that could allow us to still open these .ses files? Or at least can we still have a link to download Adobe Audition 3? I would hate to lose access to these multitracks.
More and more mice (mouses?) have multiple keys. It would we tremendiously helpful to remap mouse keys to user functions as is possible with keyboard shortcuts.I would prefere that the scroll wheel could also be used to scroll in time, instead of zooming in and out.It would be great to map the additional mouse keys to functions as well.Thanks for your consideration.
I need to change the offset of the skip selection. The current default of one second is far too short. I would like to set it to 10 to 15 seconds, as to get the context of the cut.I used Magix Samplitude for many years and there I could set the offset to my desired time. The topic in Discussions was not helpful at all.Thanks for your consideration, as I am sure there a many more that look for that feature. Google brings up the question by many, but no answer could be found.
One feature that I find to be lacking in Audition is to record audio produced by one's computer. In the past, I used Audacity to do this, but I currently have issues with using Audacity. I think that Audition needs a feature like this where I can record audio from my desktop. For example, if I want to record a podcast that I'm playing on my computer it would be great for Audition to directly record it without having to use a mic.
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