Feature Requests

hi guys .. my name is dani, i have a beast of a PC with 28 cores to work with and Audition only knows to use one of them, two at best .. my suggestion is to work on multicore usage .. thank you ( btw i have a 150k subscribers youtube channel :D, i have somwhat of a voice) 😄 thank you ..

Currently, if you open several files for batch processing, and then run a batch (let's say an Amplify), the batch runs properly, but then it automatically saves all the files.  It seems that it should not save the files unless you select to Save All Files.  Currently, if you run that batch, and then realize you made a mistake, you then have to Undo that Effect for every file, and then select Save All.  This can be very time consuming with a large batch of files.  There should be a setting to change this behavior if preferred.

Good morning dear Adobe friendsI have an idea for something great for the Edukshin software: to make a feature that translates a singer in a song into another language that I choose from the list of languages ​​in the singer's own original voice. What do you think?

I would like to have a feature where after making a rectangular selection in the Spectral Frequency Display it automatically asks for a fade-in and fade-out parameters so that when dropping the dB of that selection there isn't a hard transition or sudden drop-off. In my mind it would work like the selection>feather feature in Photoshop.

Once you set the in/out for your multitrack you cannot use the Split commands on a track in the expected way. You must remove your in/out OR you can "split" whatever is contained between the in/out points.Often, I want to set my in/out points and not think about them again. Currently I need to clear my In/Out points, make my track changes, then re-apply the in/out points, then mixdown.  This change would let me set in/out and leave it.Allow Split and Split All Clips under Playhead on clips contained by active In/Out points in multitrack.

Pressing the home key should only move your time indicator to the start of the timeline, NOT change or clear a previously set in/out area.

been diving into editing with audition, and being able to just straight up split a file into individual files from marker to marker would be nice. currently, unless i am missing something,  you have to set markers and then define regions by dragging something to the next marker etc. a simple split at all markers would be much faster. maybe i am missing something? just an idea.

This has come up many times, but PLEASE consider adding the "maintain pitch" toggle to shuttle speed controls (JKL)... In Premiere Pro, JKL playback allows high-speed audio navigation while maintaining pitch, making dialogue editing much easier. Audition currently speeds up both tempo and pitch, making it harder to understand spoken words at fast speeds. Adding a ‘Maintain Pitch While Shuttling’ option would improve workflow for editors working with speech-heavy content, podcasts, and interviews.

Audition comes loaded with a bunch of apps for which I have no need whatsoever. All I want is Audition. Adobe should offer a lower-cost, only-Audition option, as this monthly fee is ridiculously high.

The ability to export application settings is useful, and covers this feature in a much broader stroke, but it would be immensely useful to be able to export just the effects rack presets, or even better specific presets of the user's choosing. When moving from one computer to the next, it may be specifically helpful to be able to bring over effects presets while not overwriting the whole application settings.

I would like to write automation (effect sends, EQ moves, etc.) on audio tracks (and bus tracks, but that's too much to ask, I assume) and have that automation be tied to the clip when I move it around the timeline. In podcasting we are constantly editing the timeline right until the mix is exported. In video, the timeline is locked so it's not an issue. I know that ripple delete kind of achieves this, but when you just want to move one clip and have the supporting sfx or music stay in place, that isn't an option. As it is, automation is completely unusable for podcast production, and that's unfortunate. If we want to throw to a reverb for a clip we actually have to copy a new version of the clip to a new track with reverb, so that it will move in sync when we select to the end of timeline and move clips around.

This was a feature that was in Audition 3 but is currently not in 13. It was a feature that let you automatically find beats according to their decibel change and other factors. I recall it was in the Edit menu where the Markers are now. It's super helpful making radio edits for music on my work computer. It would be great to have this feature again in Audition 13

I would love for Audition to also use the text generate feature that Premiere has. When I record voice overs that are used for online training modules the content doesn't always go through Premiere. Instead the Audio goes from Auditon to an eLeaerning publishing software like Articulate, which can also use closed captions and I would rather not use an extra step and also run everything through Premiere just for that feature. 

Let me explain; MIDI instruments/pads/synthesizers are absolutely imperative to audio production. it is not a feature that a producer or musician can do without, it's not something that can be overlooked. A quick Google search on "Adobe Audition MIDI Instrument Support" reveals posts across forums whether it be Reddit, Adobe, or some other random production group forum that instruct users how to rig up a number of different work arounds to use MIDI Instruments in Audition. You'll also find a number of people who have switched to another DAW as a byproduct.  Excluding the functionality is nonsensical, the reasons that I've read primarily on this forum are as follows:1) "Audition is not nor does it claim to be a music 'production' or 'creation' software, it's instead an 'audio editor'" - Okay? Except, no. Whether intended or not, Adobe sets the expectation of Audition being a full functioning DAW. The product isn't named "Mastering" or "Audio SFx", it's called "Audition",

As in singletrack editor, I'd like to export multiple marker ranges as their own files and automatically name them the name of the marker. I often complete a radio show in one session and want to export the whole show without having to select an individual marker range and export, wait for it to export, select the next marker etc, etc.

Adobe Team,I’d love to see an iPhone and iPad version of Audition to support audio recording and light editing in field. Perhaps this app could interface with some of the multitrack digital recorders on the market or Adobe could release its own awesome control surface for their apps similar to LoupeDeck.

It would be nice to be able to select a clip or several and reset ALL the envelopes (volume, pan etc) to their default state. Why? Well if I’m getting a file from another editor who’s used a ton of clip automation, it makes it difficult to use the (excellent) Essential Sound Panel Level controls. Plus many times the clip automation is not really useable from an audio standpoint as the editor wasn’t thinking in those terms.

WhatsApp exports audio files in an ogg container in the opus format, which Audition won't import. Can you please add? It's free and open source http://opus-codec.org

Please include Audition in the Team Projects workflow (to send full sequences from Premiere to Audition and back) rather than just clips. If I'm in a Premiere Pro Team Project the option to send a sequence to Audition is grayed out, it is only possible to send a single clip.

would it be possible to have an option to increase font size in multitrack session window?

Please add Ripple and Roll edits to the Multitrack interface. I'm not talking about Ripple Delete. I understand that Ripple Delete exists, and how it works. I'm talking about ripple editing, where a change made cascades down the Timeline.  Premiere has Ripple/Roll/Slip/Slide. The idea of a digital media editor without that functionality is, well, hard to believe. Premiere can do it for both video and audio, even keeping transitions intact while the underlying edit is changed! Just port that functionality over to Audition, please! Particularly in Multitrack, this shortcoming needlessly complicates the editing process. If I need to go back and modify an edit earlier in the Timeline, I have to manually ensure that all subsequent edits are preserved by selecting the remaining content and repositioning it to accomodate the change. If it weren't for some of Auditions other features, I'd edit all my audio in Premiere simply to gain that functionality. 

Currently, when you Edit > Insert > Insert Silence into a session, the automation keyframes on busses will move accordingly. Great.But when you Edit > Ripple Delete > Time Selection in All Tracks, automation keyframes on busses will not move accordingly. Not great at all.Like so: https://youtu.be/_hq7BsYotrgIf there's some advantage to Audition performing this way, I can't imagine it. But it'd be great to at least have an "Adjust track keyframes when performing ripple edits in busses" option in Preferences > Multitrack.

It would be nice to copy/paste keyframe placement between tracks. In this case, I changed the levels in certain areas of a music track that wasn't finished. Instead of going back and reinserting said keyframes at the same values in the finished file, it would be nice to select all keyframes in the unfinished file and paste them in the new file. I've tried doing this and all it does is copy/paste the actual file instead of its keyframes.

It would be great if Audition could sync multiple tracks from different sources / files like in premiere pro.We record a pod cast and use a few different recording sources. It would be great if Audition could sync the files so they were in time with each other.

Can volume keyframes be copied from one track to another... or can multiple tracks with keyframes be adjusted at the same time? If not... it would be super helpful... in Premiere attributes can be copied from one track to another, maybe I am missing how to.  In AVID 2 tracks can be adjusted at once keyframe wise.  It would be very helpful to have Adobe Audition have this capability, especially since it is the audio mixing program and in theory, there should be more ability to control.  Again please let me know if I have overlooked how to... I am new to audition.  Many thanks.