Feature Requests

Is there any particular reason why Adobe is not updating Audition with new features? Been working in Audition on and off for 9 years now, and its overall a lovely piece of software, even for bigger and more advanced projects. But I've not seen any noticable feature updates during all of these years. I do however feel like it has gotten abit more stable nowadays and does not crash very often.I do not have very much hope that these features will be added, but here are a few things that i'd love for them to fix/add, and i think most of them are easily fixed.Santa, here is my top 10 wishlist:1. Multiple videos in a single timeline. 2. Change track color on multiple tracks at a time. (or in "Add tracks" be able to choose color for all tracks being added)3. Assign BUS to multiple tracks at a time (or in "Add tracks" be able to choose BUS for all tracks being added)4. Ability to enlarge the channel rack/eq/send tabs in Mixer view to be able to see more than 3 effects at a time.

I have been using Audition for decades and continue to pay a monthly subscription to enjoy updated features.  I have over a thousand vinyl records.  I record these records to my computer using Audition and an external analog to digital converter.  I then process the wave forms, create CD tracks and burn them to CDs.  This is a passionate hobby for me.  Audtion v26.3 removed all CD features.  Please restore these.  Otherwise, my only option is to use older versions of Audition, continue to pay subscription fees and never have Audition updated in the future.  It is a feature that didn’t need to be removed, even if it is only used by a minority of people.

As more and more VST plugins are becoming network enabled; real-time audio over the internet is prevalent. There are VST plugins which offer a remote talent connectivity. Right now there is no way in Audition to record the output of a VST plugin on a new track.While you can bounce normal rack effects, you cannot capture a live output pair of a VST. For example, my workflow would probably be:Load the plugin on a bus track Pick up the output of the bus track as an input of a regular audio trackThis routing addition would make working in Audition more favourable in post-production workflows; especially with more network enabled plugins where the output is from the Internet, not the fx chain itself. Using virtual audio cables and suchlike is not an option here, especially when working with ASIO devices; as this adds too much latency.

When creating an new multi track session, the tracks are labelled "track 1", "track2 ", aso... We have to change these name for good organisation and visibility. Track by track. When you have 35 tracks or more...It would be a great time saver to give the possibility to automatically name the tracks by the name of the originating file. Up to the user to eventually rename the tracks before importing, but many are often already well labelled.

my prosposes to editing for singing and edit

A common workflow (at least for me):I cut together a sequence of clips in Premiere. I need to apply video transitions to multiple layers of video content, so I nest the layers by selecting them and right-clicking to select “Nest...” I now transfer the sequence to Audition to do final audio. I can’t apply crossfades to nested sequences in Audition.The process of nesting them in Premiere removes their handles. The clips in the nested sequence have handles, Audition should be able to “see” that. I shouldn’t have to do any additional preparation in Premiere or keyframe the fades in Audition to accomplish this.

I kmow that audition is not a composer software but i'd like use virtual instruments to create my sounds.

I'm using podcast.adobe.com to record my podcasts, but you cannot edit the transcript and then download separate audio files for each participant which include those edits. I think that should be a standard to help with the workflow. It would also be nice to be able to import this directly into Adobe Audition for additional processing. 

CD playback is based on error correction. The CD replication plant is going to have a hard time on its machinery catching the high error correction scheme.

It would be really great, and practical, to have ‘transcription’, ‘text-based editing’ and ‘enhance’ functions integrated in Audition. I’m well aware that there’s a workaround by doing this in Premiere, but, to be honest, I really don’t like working with audio in Premiere. Besides, it’s also a bit of a tedious and clumsy workaround to go back and forth between Premiere and Audition. Especially since the interaction between Premiere and Audition isn’t dynamic at all.Transcription, text-based editing and enhancing make a lot of sense to have in Audition for podcasters, transcribers, translators, audiobook and -course production… anything related to voice-based projects.I find it a bit annoying that this is only available in Premiere, which primarily is a video editor and not an audio editor (for which Premiere really is a drag).Thanks

Create a feature that transcribes audio to text. This feature use to be available in Premiere Pro CC 8.1 and older versions. Improve the technology and implement it into Audition CC

I have a large number of files in my Audition project, and waste time searching for the clip or music piece that I want to use.  I am wondering if Adobe might add a feature where users could create "bins" or folders within the files panel where we could sort our files into sub-categories (e.g. music, bridges, dialogue clips by speaker, etc.)

Please add folders in the “Files” tab (similarily to Premiere Pro), so that we can group files and the list does not take much space (currently if the list of files takes the whole space vertically, we’re unable to drag and drop more files)

Add a key-assignable command in Adobe Audition that moves the playhead to the current mouse cursor position on the timeline—exactly like the ‘Move Playhead to Cursor’ shortcut in Premiere Pro. This would allow instant navigation without clicking, significantly speeding up editing and timing workflows.

For roughly the past 7–8 years, Adobe Audition has not received any major updates from Adobe itself. From AI features to editing assistance or additional tools that could make the editing workflow more productive and easier, there have been no significant improvements.There are several features that "we" as Audition users would like to see:AI integration, such as features from Adobe Podcast, AI Transcription that could be adopted from Premiere Pro, or other AI-driven features that could be integrated into Audition.Additional editing features that, in my opinion, already need to be added to help Audition users work more efficiently and productively.And "perhaps" Adobe Audition could take a more "serious" step into becoming a full-fledged music DAW platform, as some users are also hoping for this direction.If implementing all of this feels too heavy, the Adobe team could roll out these features gradually through the Beta version. I personally have two versions installed, the Fi

Please add a "soft selection" to audio selection in clip view simular to photoshop selection where you blur the selection and apply an effect gradually over the area/time.Same for gain, you can do it gradually without gain envelope ...  I know there is a paint brush but this does not work well for me, i want to select the full range and just gradually apply an effect (simular to dry wet).I'm optimising a lot of audio clips so i'm not going to create a multitrack for every sound. Maybe we could also drag up / down while selecting using the time selection tool, up being 100 weight, Or have a blur selection radius like in PS . IE when you lasso'd your selection you would want to blur it...have a corner button like in PS to 'round off' the selection... being a wight fadeAlso Epand / contract would be nice if you have a complex selection...Basically whatever is in PS for selection Thank you.TristanCyborn_0-1768843262146.png 

For the love of everything sacred, kindly implement folders for organizing audio files in an Audition Multitrack project. It's the only program in the professional suite that doesn't support this basic functionality. Please and thank you.Stephen

Adobe Audition feels like a missing element in the competitive Android market. Please develop Adobe Audition to be as comprehensive as the full version of Adobe Photoshop for Android. Please provide two options: one full version with ads, always active and complete, and one full trial version for 30 days without ads.

Esteemed guys and gals who use Audition for a living,I wanted you to know, I’ve been using it since college, and it has been great so far. That being said, I am a voice artist, and I’m constantly traveling due to work and family commitments. It would really be a lifesaver if a version of Audition existed both for iPhone and iPad, to make recording on the go flow more smoothly.I understand that audio processing requires significant computing power, but I mean, wouldn't it be amazing if it existed at some point?Thank you for taking the time to read my message, and I wish you all a Merry Christmas and a Happy New Year saalvarez98_0-1765912808693.png .

Hi, in my opinion Adobe Audition has one the most usable frequency analysis tool (comparing to other software). It allow us to work both in real time, but to perform static analysis too. This is a big advanteges comparing to all VST plugins, which work in real time. However, most VST plugins have possibility to set slope. Example: if we set slope  3 db / octave, then the pink noise (similar to typical music) become less-or-more flat in the spectrum anaylysis. ISSUES: - music has natural slope similar to pink noise (~3db/oct) - it's true in physical world, but human hear / think "flat",- without slope we need to set a lot of range on dB scale to fit the whole singlal on the graph,- if we have big range it's hard to see 2-3 dB differences in the low fruequencies without zoom in (so we need different zoom for low and middle-high frequencies). PROPOSITION: Add slope parameter to the frequency analysis.  adobe-audition-frequency-an

Hi, gain / fade envelope are helpful to edit volume envelope (down or up) with custom curve.For example we can define common curve to gain up by 3 dB, but with smooth ends to avoid artefacts. ISSUE: If we need the same curve but for 1,77 dB we need to edit the curve manually. Proposition: Quick scale factor to simply scale all curve points by a constant factor (vertical scaling). adobe-audition-scale-gain-envelope.png

Hi,RMS histogram is very helpful, while working with dynamics. However, it's hard to read for files with a lot of "digital silenadobe-audion-rms-histogram.pngce" (e.g. due to hard noise gaite usage). In my option it may be solved by implementing zoom in functionality (similator to spectrum analizer).  

adobe-audition-loudness-diplsay.pngHi, currently there are 2 "display modes" in Adobe Audition editor: waveform and spectral.In my opinion it may be helpful to add another one: loudness display. Currently it's hard to make static loudness analyze (RMS/LUFS in time).Amplitude statistics work on the entrie file (or selection), so we don't se how it fluctuates over the time. On the other hand, plugins like loudness meter works in real time only. Example usage:- identify problematic parts needed attention easily,- see static preview how given FX changes loudness of the whole file (before apply),- manual leveling. I tried to found similar functionality in other apps, but I didn't found anything useful.

PLEASE make add a SHORTCUT for MOVE PLAYHEAD TO CURSOR!!! Premiere Pro has this shortcut, and it's AMAZING! I HATE having to click along the bar at the top of the multitrack session to move the cursor when using the cut tool or anything but the time selection tool. THANK YOU!!!