Feature Requests

I kmow that audition is not a composer software but i'd like use virtual instruments to create my sounds.

I'm using podcast.adobe.com to record my podcasts, but you cannot edit the transcript and then download separate audio files for each participant which include those edits. I think that should be a standard to help with the workflow. It would also be nice to be able to import this directly into Adobe Audition for additional processing. 

CD playback is based on error correction. The CD replication plant is going to have a hard time on its machinery catching the high error correction scheme.

It would be really great, and practical, to have ‘transcription’, ‘text-based editing’ and ‘enhance’ functions integrated in Audition. I’m well aware that there’s a workaround by doing this in Premiere, but, to be honest, I really don’t like working with audio in Premiere. Besides, it’s also a bit of a tedious and clumsy workaround to go back and forth between Premiere and Audition. Especially since the interaction between Premiere and Audition isn’t dynamic at all.Transcription, text-based editing and enhancing make a lot of sense to have in Audition for podcasters, transcribers, translators, audiobook and -course production… anything related to voice-based projects.I find it a bit annoying that this is only available in Premiere, which primarily is a video editor and not an audio editor (for which Premiere really is a drag).Thanks

Create a feature that transcribes audio to text. This feature use to be available in Premiere Pro CC 8.1 and older versions. Improve the technology and implement it into Audition CC

I have a large number of files in my Audition project, and waste time searching for the clip or music piece that I want to use.  I am wondering if Adobe might add a feature where users could create "bins" or folders within the files panel where we could sort our files into sub-categories (e.g. music, bridges, dialogue clips by speaker, etc.)

Please add folders in the “Files” tab (similarily to Premiere Pro), so that we can group files and the list does not take much space (currently if the list of files takes the whole space vertically, we’re unable to drag and drop more files)

Please allow auto-scroll in the multi track editor to be disabled permanently, so it doesn't turn itself back on every time I play/pause the session.

only 32ch supported, it's suggested to extend this channel number. thanks.

WHENEVER I DISABLE A PLUGIN IN THE CHAIN IT STILL USES THE SAME AMOUNT OF CPU AS IF IT WAS ENABLED. CAN YOU PLEASE ADD A FIX TO LOWER THE CPU ON THE DISABLED PLUGINS I USED ON THE RACK?

I LOVE TO USE MANUAL KEYFRAMES TO CONTROL MY VOLUME AFTER I ADD PLUGINS. IT BECOMES A HEADACHE WHENEVER I DO A WHOLE BUNCH OF KEYFRAMES TO THE FIRST CHORUS, THEN I HAVE TO DO THE EXACT SAME ONES TO THE 2ND AND 3RD CHORUS. IT TAKES UP A LOT OF UNECCESARY TIME. MANY OTHER DAWS HAVE THAT ABILITY TO COPY & PASTE KEYFRAMES. IF ADOBE WOULD AT THAT TO AUDITION, TO ME IT WOULD BE THE BEST DAW EVER CREATED. I'VE BEEN WAITING YEARS FOR THIS. I'VE BEEN AN AUDITION FAN SINCE COOL EDIT LOL. THIS IS THE ONLY THING I ASK FOR. PLEASE AND THANK YOU!!!!!!!!!

Hello everyone!HOW do I increase the tempo and have the bars auto-adjust to match?I have a song that increases in tempo as we play it. I was shocked to discover that Audition doesn't (?) have a tempo track that can be adjusted incrementally (i.e. per bar, or over time, or exponentially) to exact BPM's  to speed up a song and the bars auto-adjust to match.Or... does it?This will be important for a metronome / click track to record to. It needs to speed up precisely.And also for editing to match each bar exactly.Recording a tempo beat elsewhere and drop it in as an audio track doesn't really work, because then editing across multiple tracks is less precise (if at all). Plus, then we can't track exact BPM per bar.Can someone show me *exactly* how to overcome this?  (my god who'd a thunk garageband would outbeat Audition in this way. Sheesh.).***Note to Audition creators / feature request: make an adjustable-over-time tempo track with matching metronome feature!Thanks! 

Hello everyone! I have a song that increases in tempo as we play it.  I was shocked to discover that Audition doesn't (?) have a tempo track that can be adjusted incrementally (i.e. per bar, or over time, or exponentially) to exact BPM's  to speed up a song and the bars auto-adjust to match. Or... does it? This will be important for a metronome / click track to record to. It needs to speed up precisely. And also for editing to match each bar exactly. Recording a tempo beat elsewhere and drop it in as an audio track doesn't really work, because then editing across multiple tracks is less precise (if at all). Plus, then we can't track exact BPM per bar. Can someone show me *exactly* how to overcome this?  (my god who'd a thunk garageband would outbeat Audition in this way. Sheesh.). Note to Audition creators / Feature Request: make an adjustable-over-time tempo track! Thanks! M.

Please, Please, Please; Create a Way to Reverse clips INSIDE the Multitrack Editor. For reverse effects Cashews like Me.

Considering Adobe talks a lot about 'creators' I'm surprised that there is no basic function for export/import of metadata, which is key to creators getting credit for their work and royalties in this digital age.  Copying and pasting from the 6 metadata tabs is a lot of manual work but is the only current workaround that Adobe is able to provide. I was surprised that metada doesn't exist in a text based file, but is included in the audtion file itself. It's impossible to extract. Wouldn't metadata be considered xml? It seems that it would lend itself to export more, even, than markers and other objects which ARE exportable. Was there a reason this was developed this way?  I'm not sure if this is an idea or a bug. I'll be polite and put it in the idea section. Thank you.

Hi,   Would it be possible to get some kind of online environment or space in which you can record small live jam sessions or a virtual music-studio Session with several musicians directly to Adobe Audition or Premiere or some kind of "Online Studio". The goal is to then be able to record and edit the individual tracks either together or separately and prepare them for a master mix. Similar approaches, although often without DAW integration, include Jamulus, JamKazam, JackTrip, SuperConductor, etc.The challenge here will be to achieve the most accurate, or at least good, real-time recording possible without any noticeable delay, as well as the integration of webcams.  

Why can't you merge clips in different tracks with only one command? I don't mean mixing different tracks into a new file. What I mean is, for instance, I have two clips in each track and I want to make it one single merged clip in each track. If I select them all and hit Ctrl+K, Audition says it's not able to merge clips not in the same track. I have to make a selection in a single track, merge it and then move to next track and so on. That's annoying. I don't want to merge clips vertically, I want to select clips and merge them horizontally regardless of how many track I select. Is there already a way to do that? If not, there should be.

Alright, I love the enhance speech beta app, but I don't understand why it is not part of audition. And why paying members of creative cloud do not get more hours to upload and size of files? Enhance speech is fantastic; it saves me a lot of time, even though I am somewhat familiar with audition.. Idea: make enhance speech beta part of audition asap, or give paying cc members more extended/more extensive rights. And make this routine custom for future test projects.

Hey Adobe Community,  A random thought came across my mind when I was editing a podcast, and I was curious to see everyone's thoughts on this. Do you think Adobe would ever consider implementing the Enhanced Speech function into Audition (From Adobe Podcast)? I know Audition already has a vast library of effects to get the job done with out Enhanced Speech, but I think it would be a nice addition if they ever chose to integrate that AI tool within the software. I've been using the desktop version of Enhanced Speech for a while now, and I think it works great for my day-to-day workflow. I know Adobe's going heavy on AI capabilities with their other apps in the space, but I feel like Auditions get left out of that conversation. I know for sure I would gain value out of that integration, and skipping the step of going to my web broswer to upload audio and repeat that process would be a nice.  Side note: I'm not sure if Audition has that function already built into

Hi Adobe Team,I’d like to suggest a feature that would be incredibly valuable for audio professionals: bringing the “Synchronize" functionality from Premiere Pro into Adobe Audition. As someone who workswith podcasts and multi-participant interviews, I often receive separate audio tracks recorded independently on different devices. Premiere Pro’s ability to automatically align these clips based on waveform similarity is a huge time-saver, but having to jump between Premiere and Audition just to sync audio feels unnecessarily complex for a workflow that’s purely sound-based.Audition is a powerful tool for mixing, mastering, and cleaning audio, but the lack of native multi-clip synchronization means we’re forced into a workaround that should be built into the platform. This feature would streamline post-production for podcasters, journalists, and audio editors who regularly deal with multi-layered recordings.Please consider integrating this functionality directly into Audition’

Center Channel Extractor 5.1 layout supportGraphic Phase Shifter 5.1 layout supportStereo Expander 5.1 layout support 

As a music producer and audio editor, I often boost bass and intentionally allow clipping (especially on drums and kicks) to achieve punchy, loud mixes. However, Adobe Audition currently lacks an easy way to *visually identify clipped samples directly on the waveform*—unlike Audacity, which marks clipped peaks in red (Show Clipping Visually).This feature is critical because:- It helps me *see exactly where clipping occurs*, enabling me to control and preserve dynamic energy without over-limiting.- It avoids over-normalization, which can result in inconsistent loudness across a track.- It enhances precision in mixing workflows, especially for genres relying on intentional clipping for impact (e.g., hip-hop, EDM, bass-heavy tracks).A waveform overlay marking clipped regions (0 dBFS) would be immensely helpful. Please consider adding this feature to Audition's waveform view.

I am dreaming of having this kind of tool in Essential Tool panel or as an "effect". There's millions of us editing podcasts with Audition and one of the most boring and time consuming tasks is to remove the uhmms and aaahhs one by one in the waveform view. Please see how they do it as Descript. It first creates a transcript of the entire interview and therefore it can highlights any filler words that we can then remove automatically in a just few clicks. It's pretty great right? Yet pretty simple.I wish that Audition aligns with what's being made this year and it's all about AI. I hope you make my dream come true. Thank you for your great work,  

hi there please make audio phase meter indicator bigger than now.. because its seeems to look only moving small lines.. change it to small diamond or other related object design.. make it easy for monitoring.   thanks.

Hello Adobe Audition Team,On behalf of professional audio editors across post-production, broadcasting, animation, music, and podcasting, we request several key features that would make Adobe Audition more competitive and efficient for large-scale audio work.Audition is already a reliable DAW for editing, mixing, and restoration, but there are modern workflow tools present in other professional audio software that would significantly speed up production and organization for thousands of users.Requested FeaturesBins / Folder Structure in Files PanelCreate and manage folders (bins) in the Files panel to organize assets like Voice, SFX, Music.Drag-and-drop between bins, search inside bins, and filter by tags.Track Folders with FX InheritanceCollapsible folder tracks to group related tracks (e.g., all character voices, or all ambient SFX).Apply effects, automation, or routing at the folder level that affect all child tracks.Per-Clip / Per-Item EffectsApply effects directly to individual cl