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Feature Requests
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Adobe Team,I’d love to see an iPhone and iPad version of Audition to support audio recording and light editing in field. Perhaps this app could interface with some of the multitrack digital recorders on the market or Adobe could release its own awesome control surface for their apps similar to LoupeDeck.
It would be nice to be able to select a clip or several and reset ALL the envelopes (volume, pan etc) to their default state. Why? Well if I’m getting a file from another editor who’s used a ton of clip automation, it makes it difficult to use the (excellent) Essential Sound Panel Level controls. Plus many times the clip automation is not really useable from an audio standpoint as the editor wasn’t thinking in those terms.
WhatsApp exports audio files in an ogg container in the opus format, which Audition won't import. Can you please add? It's free and open source http://opus-codec.org
Please include Audition in the Team Projects workflow (to send full sequences from Premiere to Audition and back) rather than just clips. If I'm in a Premiere Pro Team Project the option to send a sequence to Audition is grayed out, it is only possible to send a single clip.
would it be possible to have an option to increase font size in multitrack session window?
Please add Ripple and Roll edits to the Multitrack interface. I'm not talking about Ripple Delete. I understand that Ripple Delete exists, and how it works. I'm talking about ripple editing, where a change made cascades down the Timeline. Premiere has Ripple/Roll/Slip/Slide. The idea of a digital media editor without that functionality is, well, hard to believe. Premiere can do it for both video and audio, even keeping transitions intact while the underlying edit is changed! Just port that functionality over to Audition, please! Particularly in Multitrack, this shortcoming needlessly complicates the editing process. If I need to go back and modify an edit earlier in the Timeline, I have to manually ensure that all subsequent edits are preserved by selecting the remaining content and repositioning it to accomodate the change. If it weren't for some of Auditions other features, I'd edit all my audio in Premiere simply to gain that functionality.
Currently, when you Edit > Insert > Insert Silence into a session, the automation keyframes on busses will move accordingly. Great.But when you Edit > Ripple Delete > Time Selection in All Tracks, automation keyframes on busses will not move accordingly. Not great at all.Like so: https://youtu.be/_hq7BsYotrgIf there's some advantage to Audition performing this way, I can't imagine it. But it'd be great to at least have an "Adjust track keyframes when performing ripple edits in busses" option in Preferences > Multitrack.
Can volume keyframes be copied from one track to another... or can multiple tracks with keyframes be adjusted at the same time? If not... it would be super helpful... in Premiere attributes can be copied from one track to another, maybe I am missing how to. In AVID 2 tracks can be adjusted at once keyframe wise. It would be very helpful to have Adobe Audition have this capability, especially since it is the audio mixing program and in theory, there should be more ability to control. Again please let me know if I have overlooked how to... I am new to audition. Many thanks.
Hi everyone, I frequently work in Adobe Audition and often need to move multiple clips forward or backward on the timeline. In Premiere Pro, I use the Track Select Forward Tool and Track Select Backward Tool to quickly select and move all clips from a certain point forward or backward. However, I can't seem to find a similar tool in Audition, and I’m wondering if there’s a way to replicate this functionality here. Has anyone found a workaround or method to select multiple clips forward or backward based on the playhead position in Audition? Or is there any way to use a macro or external tool to achieve this? Thanks in advance for any advice or suggestions!
I really want AAF import support!
Currently, when I create a series of markers they are numbered sequentially which is fine. ie, 1, 2, 3... However, if I delete, say Marker 3, and then make a new marker, that one is named is Marker 4. I would expect the Marker name to resume at 3 since I just deleted 3. This is important to me because I often create selection markers for glossary terms that need to remain in the exact sequence in which they were recorded. If I delete a marker there is no way to go back and reset the count without deleting all the markers, closing the file and starting over. Manually changing the marker names is a time consuming process and definitely not a desirable option.It would be great if Audition would query the list of existing markers when a new marker was made, and automatically name the new one to immediately follow the value of the last existing marker.
Specially in multitrack mode Adobe Audition seems to forget in which new directory you just created and working in. Everybody's adminstration and seeking for the right file and file location, would be much simpler if the 'Untitled' files plus number & Untilted Session' names would automaticly suggest rename the name of the directory you're working in, in stead of this 'Untitled' BS. Thanks for reading and bringing this up to the Audition creators. Best, René 😉
I'm using the mac version (macOS 14.7), and after upgrading from Audition 2024 (V24.6) to Audition 2025 (V25), the fonts in the user interface are noticeably smaller by one font size, but I've searched around the settings and I can't find anything to set them. It's very annoying to have to adjust the overall macOS display settings because it changes everything else along with it. Is there any way to adjust the font size? Is this the only way to display more content on a 4K display with such small fonts? It's just too much, Adobe, can you please adjust it back?Translated with DeepL.com (free version)
i haven't seen this reported anywhere elsewhere so it seams like I'm an edge case, but essentially Audition for me is acting like programs do when your CPU is taxed 100%. The whole program is just extremely laggy, the whole window takes ages to move then I try to drag it around, it takes a long time to open effect windows, the playhead is laggy, ect... It's worth stating that my PC is pretty overpowered for Audition so there shouldn't be any issues like this and there weren't any before. It's just acting like my PC is working too hard but it's not, i have no idea why this would happen besides some weird bug.
Why does the same transcription feature from Premiere Pro not exist in Audition? This would be a game-changer for anyone who uses Audition for making podcasts or radio stories.
I Know I'm not the first to say this, but definitely been a while since this question was addressed.I do alot of voiceover reads that come in all shapes and sizes, but most of the time it's just text on screen copied from a web page, as well as scratch and professional reads for work using transcripts, srt's, google docs, pdf's, etc. I realize that audition is an audio only workflow, as I've read in other forums, but why can't there be a simple text only window added to the (window) menu where you can copy/paste or input text into a field? Having to switch back and forth between pages while reading, or collapsing and expanding windows is kind of a pain, and yes, I have a dual monitor but the angles of my monitor vs where my mic is positioned isn't always in favor of that technique if I'm reading, or standing away from my desktop. Likewise scrolling while you read a document in another window can be distracting to the content you are making, and I prefer not to have to jup back and
Is there a way to normalize or match loudness a track on conditions? I.e.: only if track peack is higher than -2 normalize to -3, or similar...cheers
I feel very comfortable if Audition can copy paste the effects from one clip to another clip directly without any preset options as like premiere pro can.If we open a audio clip from premiere pro to audition, that clip will be exported and opens in audition. I don't know if this can be possible or not, but.. If the clip can directly open without exporting, then we can also modify the clip timings. i.e: In and Out extensions/ Trimming or extending.
In every other piece of professional audio software I am aware of, I can share effect presets with others by finding the file, such as "giant_reverb.pst" etc., and sending to someone else who drops it in the same place on their computer, or imports, or whatever.In Audition 2018, these seem to be stored in a big single XML file. Can this really be true? Is there no way to share? I just spent all day creating presets to share with a co-worker, but now I find there is no way to share just the relevant presets without sharing the rest.This is a stunning omission IMO, and not realistic for a product that could be used by multiple people in a company, studio, band, etc.
PLEASE can we incorporate folders in Adobe Audition for basic organization! We need to properly collect similar audio assets together, the majority of which have very disimilar file names, into nicely organized folders so that sound design isn't a completely nightmare in Audition.
Creating a feature that allows the history to be exported to a text format for Adobe Audition or to be embedded in the metadata of the processed audio (similar to what exists in Photoshop), this would allow seeing exactly what was done to the audio file and provide traceability to the changes, in the forensic field it would be very helpful.
I know I'm not the first person to request this... Adobe. Babe. Please. PLEASE update and improve the essentially nonexistent media/file/folder management in Audition. PLEASE. What you have for After Effects should be the standard. It is absolutely infuriating that after all this time we still cannot organize media into folders and subfolders inside of Audition. Seriously - why is this not already there? It makes working on larger projects extremely unweildy. And yes, I've seen some legacy users reply to these requests with variations of "Grow up, it's not a problem!" and, respectfully, just don't. If it's not a problem for you, that's great and congratulations. It's a problem for enough of us that it's been raised for years. Anyway - Adobe... please... pretty please with sugar on top... FIX IT.
I think it may have been discussed elsewhere, but i present a radio show, my set up is a RODECASTER Pro II, a RODE NT-1 signature microphone, and i record onto ADOBE AUDITION, i drag the music MP3 file format. and record (i know some of you are gonna shout) a continious file, is there a way i can make ALL the recordings the same level please, (oh i have a MacBook Air) and it does have a mouse.Say how do i hightlight the whole show and make changes before exporting...Sorry i am kinda new to this...........but any help would be useful.
It would be great if on the Mixdown dialog box, there was a check box something like this:[ ] Don't let effect tails increase track's durationCurrently, when you mix down a track, it may add a second or two to the end of the track to handle the tail of any effect, such as the decay in Reverb. For Radio (which is what we use Audition for) you need very exact, clean, tight edits. The extra duration that gets added from certain effects is a big problem. We get around it by using automation and cutting off the envelope for the effects a second or two before the track ends, but that is a lot of work when you're dealing with hundreds of tracks each week. It would just be great if we could check or uncheck a box to have the rail of any effects automatically cut off, so the duration stays the same.(You'll also see a lot of people on the forums very confused why the length of the mixed down track is larger than the track in the editor.)
When I start a new editing project, I first create a new subfolder before I get started and put all the source items in that particular folder. Why does Audition keeps calling all new generated items, mixdowns and sessions 'untitled'? Instead of copying the name of my starting folder? You'll be completely exhausted later, especially as Audition also has problems putting your mixdown in the right folder. AA always puts it in the penultimate project. Choosing the actual folder name instead of 'untitled' should at least be an option in settings, autosave & backup. Best, René
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