Feature Requests

Bonjour,Lorsque j'utilise l'outil de changement de ciel, le dernier ciel utilisé se met en place sans pouvoir arrêter son arrivée.Il me semble que la première étape devrait être le choix du ciel avant de le mettre en place.Si c'est possible, nous aurions un gain de temps ! AmicalementAlain

It is nearly impossible to figure it out, given the operlapping of instructions across Photoshop platforms and versions, but apparently Photoshop Web Beta can't open EPS files.  That's a pretty common requirement for me. Any work-arounds?   

I'd like to copy and paste the graphic font I worked on in the web illustration in the web photoshop.

Hi Adobe I do a lot og images of models, and very often hand are more pale and desaturated than the rest of the skintone. Would it be possible to make a new tool that Combined Burn and Saturate? So instead of burning first and then saturating, have one tool that were contralable with percents both for burn and saturate... So that I in one turn could control the skintone... Would be great if it somehow also could hafe an option for removing red knuckels and fingertips... Just an idea, but I think a lot of us guys doing skinretouch could save some time. Best RegardsPeter

Correction for rolling shutter is time consuming and not always 100% successful. Can Adobe begin developing a neural filter that detects and correct rolling shutter in photographs?

I was recently creating an image and it came to the point that u needed a subtle outer glow for it. I tried using the outer glow layer style, and while it looked okay for the area of the color I chose, it didn't look so great in the others. I looked online for a way to make the outer glow match the edges of the layer only to find that it did not exist. The closest I could get to emulating the effect was to make a copy of the layer and put it underneath, then give that copy layer a Gaussian blur. It worked well enough, but I feel like it could be way easier to have a selection in the outer glow section for "Match Color of Layer Edge" or something along those lines. 

This feature allows you to connect one layer to several layers without considering the order of the layers and make parametric changes in the photo, and this method can be very efficient and creative in seconds and allows you to create new tools.  it is a non-destructive method in data editing.

As a tablet user, I pretty much always keep my brush opacity set to 100%, and paint while frequently changing the brush flow. It's a real pain having to reach for shift and a number while holding the stylus or mouse over and over, so I'd like the option to make the flow shortcuts just the numeric keys (what the Opacity currently is), and make the opacity shortcuts require the shift. I've been looking for workarounds for this, and can't find one outside of plugging in another keyboard to my computer and taping down the shift key. That's how bad I want this! Chris

1 beschreibung :das neue werkzeug macht bereits einen sehr guten job. was ich aber festgestellt habe, wohl aufgrund der linien und kantenerkennung, dass ich damit probleme habe z.b. kabel und eben linienartige strukturen zu entfernen, das das tool denkt er müsste diese linien beibehalten und angleichen. ich wollte z.b. einen baukran verwinden lassen und hatte eben probleme waagrechte und senkrechte linien (gerüst des baukrans) zu entfernen, diagonale waren etwas leichter.es wäre vielleicht gut wenn dem werkzeug eine option beigefügt würde, dass es auf kanten und linien rücksicht nimmt bei der rekonstruktion des entfernen bereichs, bzw. diese unberücksichtig lässt und sich mehr an die umgebung orientiert 2: warum? weil so auch linien und kanten gut entfernt werden, fast sonst nur in wenigen ausnahmen gelingt.

Personally, I think the home screen is one of the most useful things added to Photoshop in recent years. But like a lot of users, I use keyboard shortcuts HEAVILY inside the application. Please add a keyboard shortcut to be able to access this quickly.

I've been using Photoshop for over 15 years for painting and illustration, and it used to be that this was the best and only usable program for it. However, over the recent years, programs like ArtRage and ProCreate are giving Photoshop a run for their money, and particularly in the brush department they are by now outperforming Photoshop. Whatever you do, in Photoshop the oil brushes or chalk or watercolor brushes etc never look real, neither do they behave according to for instance the color transfer or mix of oils, watercolors etc. ArtRage is a fairly inexpensive program and a bit basic, but it does a much more satisfying job at this---and therefore I'm asking here, Adobe could you please take a look at how they do it and then improve your brush functions, and expand the options of how a brush stroke is displayed, for example paint load, brush hair textures, mixing color by overpainting etc. I suggest you take a look at ArtRage and you will see what I mean. Also, there is zero lag o

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It is helpful to be able to expand the canvas. This feature is available in the desktop version, under Image>Canvas size. Being able to expand can be useful for some projects. Being able to crop but not being able to expand is a bit odd. I know that I can create a new bigger project and copy my current project over, but that is a bit on an awkward work around.   Thanks!

Hi Forum! 🙂There's a shortcut in Photoshop, that with the brush tool pressing a number sets it's opacity, and with Shift+Number pressed it changes the the Flow. That's great I use this in my workflow all the time.However, pressing Alt+Number changes the smoothing. And while painting I constatnly press Alt to sample colors and numbers to change opacity. This feature ruins my workflow and I always accidently jump to 100% smoothing and so 😞

I guess Im requesting a "Node" layer, in which you can place one or a group of effects. Then, similar to the new track matte layer selector, select a Node layer to apply the contained effects.   Theoretically you could have a slider that "fades/blends" the Node layer effects with the original.  And you could apply multiple Node layer effects to a single layer and change the stacking order of the nodes.  Unlike an adjustment layer, you can choose which layers will have the effects regardless of heirarchy. You wont have to copy and paste effects to multiple layers.Using the transform effect it might simplify the need for expressions where parenting doesn't work.  

Toggle alpha like we can in AE - instead of going into Pref settings!!! This has been an ask for so long!!!!

There should be an option that will either set guides to be locked by default OR when we save a file, if the guides are locked. it also saves that data so when i re-open the file I dont have to lock them again. its a mino inconvenience, but it would be nice

When using the transform tool, my layer effects should also scale proportionally. I'm super frustrated with how I am forced to manually scale all my layer effects after rescaling the size of an object/layer. This is a very inefficient way to work. Where's my preference option similar to scaling strokes and effects in Illustrator? 

Would be a superb add on, to  add a close icon to each recent file listed, so we can delete from the list whats no longer needed, and keep back to the usual works we always work on. I believe this is would be great. Wish this could be monetized, but lets keep on the share and be happy.....even if you are almost done

Can you add GIF to Adobe Photoshop beta browser version Thanks

Please can Adobe look at a way for us to remove metadata when saving CMYK files - maybe a check box / uncheck box on 'Save' or 'Save As'? I know there is an option to do this in 'Export As' but I'd like to be able to do it directly from the main menu when editing files. More and more frequently I am being sent assets from clients that contain huge amounts of raw data and it is creating huge problems when exporting to PDF once those files have been placed in Illustrator or InDesign. The PDFs are sometimes 300%-600% larger than they should be. I understand there are workarounds, which I have been able to find and use in my workflow, but surely it would be far easier if we could do this from within the tools without resorting to 'workarounds'? It seems like I am fudging things just to make processes more efficient and reduce my file sizes for printers.

Please allow to work with just local files on iPad without creating a cloud document.I want to be able to open a JPEG/PSD/etc file from local file storage, edit it and save it back to same JPEG/PSD/etc on my local file system with a normal Save button. Just as I would do on desktop.You don't always have internet and you don't always want to sync your work to the cloud. Sometimes you want to just retouch skin on 200+ photos on you iPad while sitting on the couch. ps this whole iPad photoshop experience is more optimised towards drawing/design and working on single large files. Please also think about retouchers/photographers who need to work with 100+ files per day.

I would like "None" to select the RGB spectrum and other color displayI don't need the part where the "RGB spectrum" is displayed in the attached image, so I would like to be able to select none.Regards,--添付画像の"RGBスペクトル"が表示されている部分が必要ないので、none の選択ができるようにして欲しいです。よろしくお願いします。  

why for so many years, in ACR in the "mask" mode, a block with a HSL regulator has not been added ???this is the most necessary and useful block for working with color. you've added AI masking, that's good... but there has to be an HSL block from the start!!!please add it as soon as possible. I've been waiting for this addition for many years, and I can't understand why it's still ignored, it's very very useful and will save a lot of time. if we can do HSL in mask IMMEDIATELY in ACR it will save a lot of time...

I have been using the Applied Sience Fiction (ASF) - Kodak Digital ROC filter a lot in the past. So far I did not find a comparable filter. There are scan programs that try to solve the problem, but they only work while you scan. So you can not use them on an existing file. And most of the time they are inferior to the AFS-Kodak algorithm. This is strange considering how old Digital ROC is. I know you have a coloring app but that is not the same, you do not retrieve the original colors. Digital ROC does this most of the time in a remarkable way. Kodak stopped all sales & support.