Feature Requests

When using Paste Attributes there should be an option to overwrite any effect that's already on the clip rather than just automatically duplicating it and requiring me to go in and manually delete the old instance of the effect.This would be extremely useful because sometimes I make subtle changes to only a couple of parameters within an effect while leaving the rest of them intact.  Having an overwrite option would allow me to make adjustments to effects and then paste them in bulk to other clips without having to then go through each one individually to make the changes.

If you have altered a clip with the Warp Stabilier and your clip now has a Warp Stabilizer "Frame not analyzed" watermark warning, Premiere Pro should warn the editor this is there before and output. This would avoid this watermarked shot being rendered into an export before the editor could fix it. In fact any undesirable thing like a watermark banner should be presented to the editor before an export. In the end I would rather have a shot export WITHOUT the Warp Stablizer at all than to have it export with a watermark.

To prevent accidentally exporting with a track disabled, show a warning before exportShow a warning if Warp Stabilizer is not analyzed before export

Premiere Pro needs to ability to set the Color Space and Gamma of individual sequences. Rec 709 for HD, Rec 2020 for UHD, P3 for Cinema work, etc.There does need to an an HDR switch for Color Spaces that support it.Mercury Transmit needs to respect those settings and output without alteration or conversion.

Just like the Keep the fun parts option in Audition

We import a lot of stills (stock images) into 1080 sequences. Most of these are not 16:9.We can use "Set to frame size", but then need to scale them up to fit width.It would be helpful to have the option to "Set to Frame Width".

Global search for markers would be a very important feature. This has been requested by many editors going back to 2015 and still nothing. Markers are virtually useless if they can only be searched within a clip or sequence. If i'm looking for the marker "cat" and i don't know where it is, there's no way to find it. And that is the essential function of a marker - to aid in the search for a moment within footage. To search all clips or sequences individually for a long form documentary is impossible.

It is always necessary in TV work, the duration of several blocks of a program to match the programming times. I think that implementing a calculator in Premiere would be very useful.Siempre es necesario en trabajos de TV medir la duración de distintos bloques de un programa para cuadrar con los tiempos de programación. Creo que implementar una calculadora en Premiere sería muy útil.

Better track management on timeline. -- Nest audio tracks-- Un-nest feature to restore-- Change order of tracks, drag and drop up and down-- Ability to nest several tracks (shift click or command click to select)-- Track selection box, draw it around the area of tracks you want to edit without effecting any clips or audio outside of that box selection. For example you might want to move a chunk of files, or only operate on a small section. Right now you only have all tracks forwards or all tracks backwards of the selection. Yes you can use the lock on tracks but that locks the entire track not just a section of a track.

Add modifier keys to the selection tool to allow for adding/subtracting clips within the bounds of a marquee. why? Currently there's no fast way to select a bunch of clips in a scenario like this:https://twitter.com/demafleez/status/990285808052686848You could control/command click the individual clips or you could lock the other tracks and marquee the clips in the unlocked track but either route takes waaaay too many clicks. A big drag if you do this alot. Please revisit the selection tool and expand on its functionality by adding modifier keys to the mix.

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Timeline pasting is a daily, 'everybody-uses-it' editing function. So why has it still not been improved?Vastly improving pasting is simple: Give users the ability to choose 'on the fly' where they want their media pasted or insert-pasted:1. on the lowest enabled track (current behavior)2. on the highest enabled track3. on the same track in was copied fromBy providing new shortcut options, EVERYONE would be happy:1. Users who like the current way pasting works wouldn't notice any difference.2. Users who want media pasted to the highest enabled track where there's always the most free space to paste into would simply need to assign keyboard shortcuts to the 2 new functions offered: paste and insert paste to highest enabled track. If they plan on using these new options most or all of the time, they could set it to the default Ctrl+V and Ctrl+Shift+V shortcuts, while assigning other shortcuts to the current Paste/Paste Insert functions, should they ever want to use them.3. Users who wou

Please allow the user to be able to select “same as source” audio channels in the export settings of both Premiere Pro and Adobe Media Encoder. This is to allow fixing the audio channel mismatch error you might get when working with proxy workflows. The reason I am requesting this and hoping to get it upvoted is when we receive footage shot across a wide variety of cameras, i.e. Canon C300 / GoPro / Drone / Canon 5D / Other various cameras that may be using different channels other than “Stereo” or even switching the channels halfway through a shoot card, then creating proxies is extremely difficult as you have to then manage the export settings across all files versus just batch encoding all the files based on source. This is a very large problem for me when I receive 1-2+ TB of media shot across various media and therefore my workaround is to use Davinci Resolve to export. Would love to start keeping this all in Adobe at some point. Thank you for your support.

Previously it was possible to assign a shortcut to switch between showing audio time units or not on the timeline. This no longer seems available in custom shortcuts in Premiere 22.6.2 on Windows - please can you restore this as it speeds up the audio editing process significantly.Otherwise it requires lots of clicking and mouse movement to switch back and forth between video and audio time units.

Ce n'est pas une idée, mais une critique qui vient d'un utilisateur professionnel. Je suis extrêmement déçu de dernières versions de Première Pro. On perd trop de temps avec vos changements. On a perdu la colorimétrie rapide, on a perdu l'affichage des informations sur les clips dans la timeline, le titrage qui est devenu plus compliqué pour moi. Bref, je cherche à migrer sur Final Cut par votre faute. Avez-vous seulement des monteurs professionnels dans vos équipes pour tout changer comme ça sans qu'on y trouve un mieux ? Ou est-ce seulement un délire d'informaticiens qui se moquent complètement de ceux qui utilisent le logiciel ? Je travaille sur Mac et depuis Avatar, c'est le bazar pour utiliser de façon fluide et rapide Première Pro. Je regrette amèrement d'avoir fait les mises à jour, aujourd'hui je perds un temps fou à cause de vous.

Please get rid of the “division bar” between video and audio tracks so when you scroll vertically it works over the whole timeline or maybe implement a checkbox in the settings where you could activate or deactivate this behavior.

The percentages feature in the Dip to Black / White transition was so handy. I was able to set percentages to how I wanted each transition to end.

Please allow us to keyframe sliders in essential graphics.

Save settings (with all effects applied) of an audio track.I use a couple of effecst standard. Would be very helpfull to safe presets with many effects at once.

I wanted to export my transcript in an editable form such as notepad or word doc. Am I missing how to do this? I don't know how to open a .prtranscript file and can't find anything on it. I want to be able to take the script out of premiere and make changes.

In Transcript: Export to text file.. To make this useful it needs to take clip name (all takes on timeline) and timecode info across so my (old school) documentary director can make a paper edit from interviews etc. Then provide me with time codes to build the assembly. (often barked down the phone!)If I was self-directing and doing a project entirely within Premier. fine, I wouldn't need to export anything.But filmmaking is a collaboration and the director doesn't want to touch the edit program but happy to look at text in Word or similar.If the exported text file looked the same as what I see in the Transcript window that would be perfect. With Speaker (Custom)name/number, line number (from captions window - v.useful ), AND TIMECODE !!Thanks, MarkMy first test and the AI worked amazingly on a boomed IV clip to get nearly all text correct! Exciting times!

Please include the option to retain folder structure when managing a project via the Premiere Dialogue.We go through great efforts to maintain an organized project, both within Premiere but also at the Windows Explorer level. It's incredibly frustrating that if we try to move a project, archive a project or just generally manage the project that Premiere takes all the files and dumps them in a messy pile in one folder.We've stopped using it entirely, instead opting to copy assets manually and re-linking the project to the assets. It's a tedious process and doesn't allow for trimming or transcoding.

(Perhaps "current view indicator" is a better name than "ghost playhead.")Here is the problem: The (cyan, user-controlled) playhead does NOT necessarily correlate to the frame that is being shown in the program or source monitor.Sometimes, an old frame continues to be displayed, even though the user clicked elsewhere on the timeline (or "time ruler," as Premiere calls it.)Depending upon computer specs, network bandwidth and latency, video codec, and other factors, it can sometimes take several seconds for the chosen frame to actually load and be displayed.In the meantime, users need some kind of indication as to which frame is currently being displayed. This would be "the ghost playhead," which could perhaps be colored red.If the normal playhead IS NOT on the same frame as the ghost playhead, it should be a different color, perhaps purple. This could be called the "Pending playhead."If the normal playhead and ghost playhead ARE on the same frame, they should combine to form a different

When I do training, a lot for people save their media on the Desktop or in Documents. I often spend several minutes teaching people how to add Desktop or Documents folders as favorites. It's very confusing to people that the Media Browser does not show folders the way that macOS or Windows do. The file browsers in both OS-es show shortcuts to Downloads, Documents and Desktop.Why can't these favorites be there by default?You know you can do it! The Rush team got it right, so do what they did.

For the Lumetri Color effect’s CURVES controls, clicking on the line to create a point will also instantly move the line. (Unless your click is pixel-perfect.) This is very annoying in situations where you want to keep most of the line straight, such as with hue vs hue.Please make it so that when a point is first created or clicked on, the point and line do not move until the user moves the cursor (while holding down left click of course).P.S: Some other effects or controls also have this same issue, like the curves control in the Master clip RED Source Settings, but it's not nearly as annoying there.