Feature Requests

If I'm applying an audio effect that has an augmenting quality to a clip like delay let's say, it should delay the end of the clip as well and carry over to the audio track instead of how it is currently where it cuts off at the end of the clip. I hope it's clear.

If ther's one effect that i really miss in Premiere pro it's something like gradient map in Photoshop or Colorama in After effects. Why isn't something like this available in Premiere pro?      [Moderator note: moved to Idea section of this forum.]

The auto-transcribe tool is very helpful for transcribing long interviews in order to search for key words or phrases. HOWEVER - it would be infinitely more useful if we had the option to "Auto-transcribe CLIPS" in addition to its current method of transcribing Sequences. If the transcription is tied to its original clip, this allows users to maintain that information while editing. 

Whenever I open Premiere (after quitting) and open Audio Gain, "Adjust Gain by" is always selected.  I really never use that and have to select "Set Gain to" for every new session.  It would be very helpful if we could set whichever selection we want as default.  

Idea - I would request a 1/2 indicator for the zoom to sequence function. I get sick of editing and losing my zoom to sequence in/out positions. If the positions were static - unless you adjust them, it would be much easier to zoom out to user selected "zoom out view" and switch back to a user selected "zoom in view." It could be a small magnifying glass with a 1 or 2 in it or different colors. Both positions 1&2 would be adjustable - and they would stick with the user like custom keyboard shortcuts.

When you select multiple .MXF files from a Sony FX6 that were shot in SLOG3 and right click - Interpret Footage -> color space override is grayed out. It only works if you override one clip at a time. This isn't always the case and the bug seems to come and go. The bug might only happen when there is a mismatch between clip settings. For professional use, the fact that a LUT is automatically applied drives me nuts. It's not the LUT I will ever use. It takes multiple clicks to override this auto-applied LUT and as I have noted above, it doesn't always work. A similar bug I should include in here is that if I share a project with an editor and then re-open it and relink media, the LUT is again auto-applied to the clips so I have to go back AGAIN and remove it. The program should remember my preference to override the color space back to rec.709.

Hello from Turkey. My name is Oğuz Aşıkoğlu I'm a licensed user of Adobe Premiere 2023. I'm having a problem due to the version (23.1) or system related. It exports the video I prepared, but the video does not open. It says the video is corrupt and does not open. Please help :((

im korean, 2023 has a problem, please helpi try delete primier pro, and redownload but it is not good

When masking, the tool focus nearly always switches to rotate the entire mask instead of allowing access to the individual point(s) I want to select. I have never had to rotate a whole mask and do not ever thing I should need to anytime in the future. It would be very helpful to have the ability to switch this feature off.

Steps to Reproduce Bug:1. Open a Project2. Open another project3. Look at your screen Results:Multiple projects are open and it is very difficult to understand which project is which. It is much too easy to close the wrong project or affect an asset in the wrong project. Many users complain that the workspaces also change when if this is a workflow you want people to use then the workspace should stay the same throughout. A few suggestions:1. Let the user disable this feature. It does not make sense for all of your users. 2. Make the highlighted/active project very obvious. Drop the other project into the background by maybe greying it out. Expected Results:A more obvious workspace.

XAVC Long GOP 4:2:0の素材において、2020までは正常に読み込まれていたのに2021以降では輝度が抑えられてしまいます。輝度をオリジナルのまま保って欲しいです。

Change multiple transition durations at once.Frequently, one will need to change the duration of multiple transitions on multiple clips on separate tracks. It would be convenient to be able to shift click multiple transitions and change them all to the same duration within one dialog.

The new caption feature is great! Thank you for developing!But we have more requests.Currently, the recorded voice is made into a text as a "caption".We want you to make it as "essential graphics text", not as "caption".Because ...Captions cannot be styled on a clip-by-clip basis.Captions cannot be animated using keyframes.Captions can't do what you can do with such essential graphics text.We want it to be more flexible.【自動文字起こし機能をエッセンシャルグラフィックステキストにしてほしい】新しいキャプション機能は素晴らしい！開発してくれてありがとう！しかし、私たちはもっとお願いがある。現在はレコーディングした音声が「キャプション」としてテキストが作られている。私たちは「キャプション」ではなく、「エッセンシャッルグラフィックステキスト」として作ってほしい。なぜなら・・・キャプションは、クリップごとにスタイルが適用できない。キャプションは、キーフレームを使ったアニメーションができない。このようなエッセンシャルグラフィックステキストならできる演出が、キャプションではできない。私たちはもっと自由度の高いものにしてほしい。

It would literally save thousands of people upwards of hundreds of hours each of manual captioning if you simply allowed us to copy or move automatically transcribed captions into the timeline as text so we can apply the animations and effects we need with minimal effort. I have spent a few hundred hours captioning a clients content manually just because they want the text to be animated. But if this feature was added, it would be as simple as fixing minor errors in the auto transcribe and correcting the timing. I cannot express enough how useful this would be. Even just allowing us to animate captions on the caption track would be at least something,

Toda vez que coloco algum look no video ele fica ruim ou nem aparece o video depois de exportado

There are 2 ways the Effect Controls Window workflow could be greatly improved, simply by improving Snapping:1. When moving the playhead to the end of a clip in the ECW, dragging a keyframe to the end, or jumping to the end with the 'Go to next edit point' shortcut, the playhead and/or keyframe should automatically snap to the beginning of the last frame rather than to the end of it. This way, the clip loaded in the ECW remains visible in the Program Monitor, rather than the ECW and Program Monitor jumping to the next clip!2. When turning off 'Pin to Clip', it would be far more useful if the ECW automatically snapped to a zoom setting that allows all keyframes to be seen! This would save the user the trouble of using the scroll bar to go searching for keyframes that are outside the visible bounds of the clip. See attached illustration for more info.

Please provide an option for it to not automatically refresh back to the top.

Import media as proxy file.Often we are sent dailies/proxies (shooting 4k, dailies made at 1080p) which are used to start editing the next day. We do not receive full resolution media to up to a week or so later. It would be beneficial to be able to import the dailies as proxy media so it can mimic the 4k resolution and therefore eliminate the need to resize during the online process and attach the native source media easily.

Vector graphics are rasterized as they are imported. Scaling them larger than 100% results in a blurry graphic. After Effects offers a "Continuously Rasterize" option, and Premiere should offer the same. It could be an option under Interpret Footage.

The new version makes it impossible to navigate through markers.Whenever clicking the option to navigate to the previous or next marker Premiere won't do anything.Markers are on the sequence. The navigation hotkeys greatly improved my workflow, but now I have to click on the market to be on that time stamp slowing everything down.Noticed this bug in the last 2 updates.

Changes made to the Workspaces Panel via "Window/Workspaces/Edit Workspaces.." are not saved after restarting Premiere.Verified via the forms and with Adobe Community Professional.

I'm getting repeated failure of exports if there is an AE dynamic link in the timeilne (all ProRes LT media) and the export format is H264. Error message identifies time point in timeline w Dynamic Link footage. Seems to be new in V23.R.

Adaptive Audio Channels are causing noise on some clips upon export.In the timeline they play back fine, as expected.Upon export of the timeline, they give full scale, stuttering noise in the exported clip.These are 4 channel clips in a 6 channel timeline.In addition, what should be 6 audio channels in the timeline, appear to be only 4 channels in the "effects controls" window. I can re-edit the original media back into the timeline, and it appears as 6 channels. At some indeterminate point they start appearing as 4 channels once again. In the "effects controls" panel, these odd clips appear to have additional settings beside the "volume in" and "volume out" headings - they appear to be nul values for 6 channels.Edited to correct: these are 4 channel clips in a 6 channel timeline.To clarify - the channel settings are quite secondary to the issue of the very loud noise upon export. I posted details on those as they seem possibly correlated.

Sometimes, I have had the situation where I wanted to add a link to some reference website/sheet, but it seems like it's not possible at the moment. It would be amazing to have the possibility to do so!

I want crawling to be included in essential graphics as well.レガシータイトルに搭載されていた機能、横方向のロール（クロール）ができない。エッセンシャルグラフィックスにもクロールを搭載して欲しい。