Feature Requests

Currently, working with color in Pr is "neutered".To automate and align the white balance in 1 second and with one mouse movement, you need an offset wheel. The second, the offset wheel, performs global tonality adjustment in the image, reducing manipulations with the main color wheels.I demand to add an offset wheel to the workflow of colorists.

Not sure what to search to see if this question has been asked / answered though I'd love to be able to open my FX panel x2. I have multiple monitors, one of which is a fullscreen pancake timeline display.  Currently, I keep the FX panel to the right of the timelines as a narrow vertical column, hiding the keyframes.I'd love to be able to have the same window duplicated on the screen to the left of this, wider to allow for keyframe editing.Currently, I'll either reframe the window so I can continue to see the timeline and add keyframe view or I'll go full screen on the FX panel.This may be a unique request and not sure if it's feasible with Premiere's current programming since the two panels would have to communicate with one another.Thanks!

The EVENT panel is neat but useless. I click on the event and should be able to access that event. For example... me render is complete and it gives me the popup with the link to view. If I close that window, and then access the event I should have the same access, no?? Please add that to your next round of fixes.

I've just moved my small production team over to using the Productions workflow in premiere but have noticed that there is a piece of information missing from the Productions panel that would be useful to me at the point of seeing the entire Productions projects list. My request would be to attach the "User name" field found in the collaboration settings to the "Date modified" collumn- for example "08/12/2022 09:00:00 (MACMC) so that you can see who was the last user to modify the file, in addition to when that is currently displayed. When a project is open by another user you can see this information in the "Project Locked" collumn so the data exists. Could it be attached to the field once the project is closed by the active user, therefore being overwritten if a change was made to the project? The usefulness of this to me would be seeing who was last hands on with a project and who might have been responsible for a potential issue with the project file or its cont

Is it possible to have some basic sequence info as an overlay option within the program monitor? Pixel dimensions, frame rate, and PAR would be a helpful feature to visually reinforce with students who are using media from mixed sources. Thank you!

It'll be nice to have feature to see visualized changes on audio waveform when volume adjusted.

Hi, I would love to see an updated workflow with video and audio transistions in Premiere Pro. To be more specific, I would like the ability to handle speed and curves when working with transistions. I.e. the push/pull effects works as they should, but it would be much more useful with bezier curves or in/out speed handling in order to make the transition more smooth and pleasant for the eyes. More controls could be nice as well, but the speed/curve is what I had on my mind. // Nerd

Hello, I work on an online series that release a new ~30 minute episode every two weeks. We primarily edit with Arri Amira footage. On our Macs, the clips automatically import with the Arri Log-C input LUT applied. We work with ~2000 Arri clips per episode. I am familiar with the Interpret Footage > Color Management > Input Lut workaround, however given the volume of footage we work with, it's still a waste of time. Can we please have an option to no add the input LUT at all? Currently, multiple editors work on this project and our workflow depends on them disabling the LUT manually when we go to color. If they forget to disable the LUT, the baked input LUT goes through to our color protocol (Resolve) and we do not output the best product possible. This is a bi-weekly migrane.

The caption workflow should be easier. Now you have to move in the timeline in order to create a new caption. It should be possible to put text in a caption, then create a new one without having to move in the timeline.

A way to manually edit timestamps in the transcript window - currently experiencing many issues where audio needs to be split or merged and it's wreaking havoc on the timestamps. Currently just adding markers and planning to edit timestamps in export text file, but this is really time consuming. Sincerely,a very sad transcriber

Allow users to select multiple images/clips and change the motion parameter values simultaneously (position, scale, rotation, (and especially) anchor point and opacity...

Currently it is only possible to use Premiere Speech to Text option in normal dialogs. Adding to Speech to Text an option to recognize the dialogue of the songs and automatically generate subtitles would be amazing.  CapCut already has this function called Auto Lyrics, but only for cell phones.https://www.youtube.com/watch?v=Lvxvn74Q5VA 

I'd like to see a drag-select function added for toggle columns in the Timeline Panel, like you have in AE (lock, track, synch lock, eyeball, mute, solo).

In Adobe Camera Raw there's a great feature which shows the exposure clipping areas.Make the same one in the Premiere Pro.(sample images from freepik.com) 

When reviewing created captions for corrections, I usally adjust the playback speed using the defualt hot key. However, this only works if the timeline panel is selected. It would be great if I could adjust playback speed while the caption text panel is selected. Would save a few seconds and a few more clicks.

Hey, API change curves keyframes is what AE users are missing in Premiere Pro.This will make work much easier!

It would be cool to have the hability to proper reorganize presets without having to work around putting it in a folder and then putting out just to organize it.Also it would be nice to be able to assign colors to each preset, this way, let's say you have a motion preset, you can color it green. Or you have a sound preset, color it magenta, idk.

Hi, I am a template creator for Premiere Pro and a developer of scripts for creating templates.I and other authors lack the ability to automate when working with text created in Premiere ProThis is a request to add an API for editing the MOGRT source text created in Premiere Pro.To be able to change the text, font, font size, font style, etc.

Please return the function that allowed you to modify the essential graphic subtitles through the program monitor that existed in the 2021 version.From the 2022 version, the function is gone, so there is a hassle of having to move to the edit window on the Essential Graphics tab.As this function has disappeared, working hours are increasing little by little by little.If it is impossible or difficult, I would like you to add a function that allows you to separate and move the essential graphic browser window and the edit window.The 2021 installation file no longer exists, so the initial version was provided onceThe early version of Premier Pro 2021 was so terrible that it was hard to use.There are two things I ask you to do.First, roll back the captions made with essential graphics so that the captions can be modified on the program monitor.Second. If it is difficult for you to move the essential graphic browser and editing window separately.I've created so many subtitles with essential

It is recommended that after the PR imports of SRT subtitles, the generated subtitle track can choose V orb or C orbit, which is convenient for editors to add simple effects to subtitles. Because the imported subtitles may need to add video effects in batches (such as opaque and other effects), which may be useful for users and editing novices using PR 

I am impressed with the clarity effect/preset in Lightroom very muchMust be the Best Sharpening EverNeed Clarity Effect/Preset Feature in  Premieras the Premiere's sharpening is not good enoughref: https://community.adobe.com/t5/lightroom-classic-discussions/how-to-import-the-impressive-quot-clarity-effect-preset-quot-from-lightroom-to-premiere/m-p/13370476#M300265

It's ok to update the interface to make it more convenient,  but it's strange to redesign it, just to make it uncomfortable and buggy.   Here is the list of strange behaviors, that occurs to me frequently, since the new export interface was introduced.  I would also suggest a couple improvements along the way. - The preset that has an FTP setting in it, delivers to FTP,  even if I select "media file" destination only.  (sometimes it works normally, and does not deliver to FTP)   - If you have typed a file name in "media file" and decided to disable “media file” later,  it will not save your file name if you re-enable it.   - Sometimes for no reason the preset outputs wrong resolution and bitrate,  but does the correct output on the next render. This is not acceptable at all.  Have to double check all my renders now.   - It would be cool that the preset would save also output range method,  for example "work area", or "source

When dealing with .mp4/.h264/HEVC or other intra-frame source media, allow theProject Manager/Consolidate and Transcode/Individual Clips feature to export individual clips that retain in/out points. Currently, the entire clip is exported. This is not the expected or desired result.The Consolidate and Transcode function is handicapped in contemporary workflows by the lack of this seemingly basic functionality.Plume Pack appears to do exactly what is needed and it's always a bummer when I have to buy extra things to make Adobe apps work.

Please add an option to lock your workspace. I will accidentally move my timeline panel when dragging the playhead (usually when working fast and under stress, adding to the frustration). This seems like a simple fix that would add huge value to the user experience. This was posted in the older forum, but re-posting this request since Communities will be the new standard. 

So often when working across formats it would be useful to have this feature - to remove just one element of Video Attributes from a clip / or many clips - such as scale, position, or rotation. Could we have a secondary menu in the same way that Effects does? Mockup below"